FIXED: Where Fine Art Meets Improving Solutions and Communication

In this conversation with the author of FIXED, she helps listeners to effectively articulate ideas and goals that encourage tangible and strategic development. Works of art are engaged to address breakdowns in communication, navigate new landscapes,...
In this conversation with the author of FIXED, she helps listeners to effectively articulate ideas and goals that encourage tangible and strategic development. Works of art are engaged to address breakdowns in communication, navigate new landscapes, and remove assumptions. She shares how you can use the powers of observation to promote best practices and more effective problem-solving. Since the pandemic began, Amy has worked with a myriad of organizations to address various issues through the lens of art, including burnout, unconscious bias, and navigating the new landscapes that COVID has presented. Amy gives listeners tips to hone their powers of perception and discover deep-seated truths that can obstruct clear-thinking and optimal decision-making.
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What's working on purpose anyway? Each
week we ponder the answer to this question.
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People ache for meaning and purpose at
work, to contribute their talents passionately
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and know their lives really matter.
They crave being part of an organization that
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inspires them and helps them grow into
realizing their highest potential business can be such
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a force for good in the world, elevating humanity. In our program,
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we provide guidance and inspiration to help
usher in this world we all want Working
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on purpose. Now. Here is
your host, doctor Elise Cortes. Welcome
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back to the Working on Purpose Program. Thanks for tuning in again this week.
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Great to have you. I'm your
host, doctor Atlise Cortez. Joining
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you live from Dallas, which is
home base for me. If you don't
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know me yet, I'm a management
consultant specializing in meaning and purpose organization law
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with therapist, inspirational speaker, social
scientist, and author. My team and
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I help companies discover and articulate their
purpose to through through their culture and operations.
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We work with forward thinking or forward
reaching organizations to develop inspirational leaders who
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create cultures where people actually want to
come to work and do their best,
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and we provide programs like the Grab
Your Guster that enable individual team members to
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discover and unleash their passion of purpose
at work to catalyze fulfillment, engagement,
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and productivity. You can learn more
about us and how we can work together
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at at least cortes dot com.
With us today is Amy Herman, a
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lawyer and art historian who uses works
of art to sharpen observation, analysis,
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and communications skills. By showing people
how to look closely at painting, sculpture,
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and photography, she helps some home
their visual intelligence to recognize the most
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pertinent and useful information, as well
as recognized biases that impede decision making.
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She's the author of Fixed, How
to Perfect the fine Art of Problem Solving,
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which we'll be talking about today.
JUNI today from New York City.
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Amy, welcome to working on purpose. Well to be here, you know,
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as I was saying before we came, just as the Rod chatting Greek
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we got on air, and I
was just reflecting, I mean, I
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don't know what I did. Tod
be so fortunate and blessed to get to
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host the show because I get to
meet people like you I would otherwise have
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no reason to meet it is crazy. I feel equally lucky, and I
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really believe the universe aligns in certain
ways and when people cross paths, we
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really have to leverage those opportunities and
make the most of them. So I'm
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really very happy to be here.
Awesome. I do have to warn you
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right now, though, that I
have been known to get to know a
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couple of guests here and there on
the show, and then when I'm traveling
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in the area, I show up
on the doorstep, I'd be thrilled.
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I'd be thrilled Ark brings you here
soon it happens. I've done it in
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Sydney, Australia and all kinds of
places, So that's great. Yeah,
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it's greatwork. I think so too. You know, you just get to
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know each other in a different level. It's amazing, so absolutely. And
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the other thing that I just take
delight in, amy is what you're doing.
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I'm just so I love the word
gobsmacked, right, gobsmacked and delighted
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by your approach to helping people to
learn to better be problem solved in their
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communicators through the use of art.
I love when we can, you know,
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juxtapose seemingly very disparate fields to produce
very dynamic results. And so you
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know what I think, what I
really appreciate, And we're going to talk
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about aspects of each of your chapters. But you open and you say something
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very interesting. You say, art
and artists themselves often get a bad rap
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for being complicated, obtuse, and
even obscene. That is exactly why they
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provide the perfect backdrop for problem solving, since ourshes today are similarly convoluted.
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Rest assured, you say, you
don't need any art history training or previous
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knowledge to benefit from this process.
Just open your eyes and an open mind.
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So this isn't just about the study
of art, you say, it's
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about using art to study ourselves and
the problems we face every single day.
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That's amazing. I love listening to
the words, and it really boils down
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to one simple thing at least,
that life is messy. Life is messy
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right now, and everything is broken. And I really do believe that the
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best things happen on the exit ramp
of our comfort zone. And what is
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a ramp of our comfort zone for
so many people, well, is the
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idea of looking at art. Because
people say I don't get art, I
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don't have a background in art,
I don't even like it. And I
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say to them, let's go out
of your linear lives point A to point
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B, and let's go to point
C and point D. Let's go to
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the exit ramp of our comfort zone. Look at things in a different way,
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so that when I bring you back
to your world, you're going to
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see things more perceptively. So by
stepping into a world with which we are
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not familiar, I believe that changing
your environment and changing what you look at
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changes the way you see everything.
And to give you a great quote that
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I read on a waltext recently in
a museum, and I never read wall
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text. It says, how we
look at things is fundamental to what we
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see. How we look at things
is fundamental to what we see. Oh,
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this is already just delicious. I
knew it would be. So here's
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the problem. I'm not going to
let you to let go off here.
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You're going to be with me all
and I We're just going to hang and
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have a conversation. You know,
Sorry, you know that's not so.
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This is great, you know,
And in your book you do this so
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beautiful. I love you. There's
so many all of your images that you
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put in there, and then you
challenged us to what do you see?
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And is does this offend you?
If it does, why it's amazing,
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right? And I just went into
that and looked at that it was so
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and I thought to myself, I
need to take one of Amy's courses.
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Well. One of the reasons that
I do this is because I want people,
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as they are either reading the book
or taking my course, I want
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them to become self aware. You
know, we all know what we think,
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we know what our capabilities are,
our strengths and our weaknesses. But
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when I ask you to look at
a work of art and I say what
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do you see? You know,
it's not how much you know. I
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want you to tell me what you
see. And to give you a perfect
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example, if I put two police
officers or two attorneys in front of the
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same painting and I ask them to
spend ten seconds with this work of art
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and to tell me what they see, I will get two very very different
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versions of what they're looking at.
And you say to yourself, well,
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if this is what's happening in the
museum, what's happening at the crime scene,
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what's happening in the what's happening in
the boardroom, we can't assume that
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anybody sees the world or our work
exactly the way we do through our eyes
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attached to our brain. So I'm
using art as the data to illustrate for
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that, to illustrate that for all
of us. That's so gorgeous. That's
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so gorgeous. Now speaking you taught
you mentioned lawyers. I think it's fascinating
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exactly how did this happen? You're
an art historian and a lawyer, among
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other things. I mean, this
is like a crazy train wreck. I
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well, I have to say,
as my son will say over and over
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again, one of my favorite lines
is don't seize opportunities, make opportunities.
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And my whole career path has been
making opportunities sometimes where they didn't necessarily exist.
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I am what I call a recovering
attorney. I am an attorney by
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training, and I was a practicing
litigator for five years. But I knew
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in my heart of hearts that I
was passionate about art history, and I
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didn't want to waste a legal education. I didn't want to waste all that
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good training as a litigator. So
I thought there has to be a way
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to combine the practical aspects of each
of these disciplines, legal analysis and visual
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analysis to create something that could actually
be entrepreneurial and useful for people. So
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twenty two years ago, when I
left the practice of law, I went
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to work at the Frent Collection and
I went to work there as the assistant
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to the director, and I saw
that there was a hole in the education
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department, and I started volunteering part
of my time in the education department and
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learned about the field of museum education, and eventually I became the head of
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education. I went back to school
and got an advanced degree in art history,
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but never let my legal skills go. And while I was at the
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Fret Collection, I started this program
and it was for medical students only.
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The idea was to take medical students
out of a hospital, out of a
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clinical setting, bring them to an
art museum, teach them how to analyze
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works of art, with the idea
that when they returned to the hospital they
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would be better observers of and communicators
with their patients. This was not my
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idea. They were doing it at
Yale, and with Yale's very gracious permission,
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they let me start a version of
it in New York City. So
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I invited Cornell Medical School to come
to the free collection, and voila,
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we had an amazing medicine in art
program. But things took a turn in
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two thousand and four when I adopted
it and moved out of medicine. HM.
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Okay, A couple things first.
It's clearly part of your superpower your
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superpower set is that ability to be
able to bring again seemingly very disparate worlds
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together. I mean, that's a
superpower Amy, and I know you know
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that now listeners and viewers for you, those of you that are trying to
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figure out, ooh, you know, should I stay in this career I've
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been in for twenty years that I
hate, or could I go into this
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vastly wild, different thing over here? I take a point a note from
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Amy's story here, and I bet
there are some interesting threads there for you
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to help you bring those two worlds
together in a really dynamic way, just
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like Amy did. So. Amy, that's amazing. It is. What
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you say is absolutely true. I
knew that my AHA moment was that art
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history moved me. But I had
to make the move from something that was
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so passionate to making a practical,
fulfilling career that could also contribute something to
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the greater good. I also think
it's interesting that you wanted to go And
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I heard the word entrepreneurial, so
you clearly there was something about being an
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entrepreneur that was important to you.
What was important about that? It was
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I had been working in the prior
to working in the law. My whole
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family had come from the now for
profit sector. And I thought, you
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know the idea of developing a company, because I wasn't following it anyone's footsteps.
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Here combining these two disciplines, legal
analysis and visual analysis, I said,
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there's something bigger here. And when
I told you I switched. I
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left medicine in two thousand and four. It was one of those aha moments.
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I was out to dinner with friends
and I was telling them that my
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medical students had myopia, very very
narrow vision. It was all about kidney
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stones and hematomas and MRIs. And
someone asked the question, and here's the
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thread. We always have to keep
asking questions. Someone said, why are
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you just doing this for medical students. Why aren't you doing this for people
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other people who need observation skills?
I said, like whom My friend said,
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like cops. Why aren't you doing
this for homicide detectives? And I
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thought, I don't know, why
am I not? So Monday morning,
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I picked up the phone and made
a cold call to my local police department
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at the NYPD, And it took
seven transfers, seven transfers for me to
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get to the right person who heard
what I was saying. And six months
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later, every newly promoted captain in
the NYPD had to come to my museum
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for this training. I just got
several layers of goosebumps I met. Sorry,
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Amy, thank you very much.
I was worth the prize of admission.
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That's brilliant, so brilliant, you
know, and so really quick,
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and I guess I so much.
I want to extract at your book.
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You know this whole thing about for
me, the journey of being an entrepreneurs
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It's about realizing my potential for me, That's what it is is. I
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wanted to navigate through that process of
creating something that's mine. It's my IP,
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my programs and consulting that are from
my creation, but then stealing it
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and bringing it into being into a
business. To me, that's I don't
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know. There's something about that that
is like I want to do that.
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That's what I needed to do in
my lifetime. It's the perfect illustration of
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the growth mindset. You say,
I'm good. I love what I do,
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but I need to be better.
And I had really a formative moment,
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a critical juncture. I had invited
the FBI to come to the Fret
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Collection for this training because the collaboration
with the NYPD hit the front page of
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the Wall Street Journal and my world
exploded. So a group from the FBI
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came to the Free Collection, and
I remember when we left, the special
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agent in charge says, you know
what do I owe you? And I
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said, oh no, it's my
honor to have you come to the Free
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Collection. And this goes back to
your entrepreneur question. And he put some
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cash in my hand and he said
to me, don't give this away for
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free. This is valuable. Don't
give it away. And I thought to
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myself, we could be onto something. This could help people. I could
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develop in this growth mindset, get
better and better and use art and develop
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this to be something bigger and better. Then that's then its initial iteration,
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and that's what it has grown into. And I don't want to I don't
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want to minimize the role that the
art the Wall Street Journal played when they
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profile my collaboration with the NYPD.
It was on the front page, above
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the fold of the Wall Street Journal, and companies read it all over the
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world and they said, Hey,
if she's teaching the New York City Police
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Department how to you know, enhance
their observation skills, maybe she can do
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it for my company as well.
My world exploded. Then I think it's
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just brilliant. It's so inspiring,
so inspiring, and you do talk,
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you do share that example of how
of being paid like that in your book,
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which is disgorgeous. So thank you, You're welcome. So let's get
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into your book a little. I
want to what I want to do is
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I want to I want to take
a piece from most all of your chapters,
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maybe not all of them, so
the listeners and viewers have an idea
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of just what they're what's in store
for them, and this will be teaching
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for them, of course, in
this conversation. So starting in your Clean
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your Lenses chapter, you say,
when we are engaged in a constant study
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of the self, we are better
able to diffuse difficult situations and manage difficult
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people. The better we know our
own by seasoned behaviors, the more effective
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will be at problem solving, crisis
averting, and leading others to their greatest
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potential. Sounds amazing, it does, but it comes down to one very
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simple line. When I said before
that no two people see anything the same
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way. When I ask my readers
and my participants to clean their lenses,
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what I'm asking them to realize is
that we need to meet. If we're
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going to be effective problem solvers.
We have to understand that there's always another
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way to see something, and that
we have to while we might not agree
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with other people, we have to
validate that they're going to see things differently
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and meet them where they are,
so that when we clean our lenses,
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we have an opportunity to say,
you know, maybe there's another way of
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looking at this, and I might
not agree with how my colleague is looking
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at the problem, but let's look
at it together. Because I believe that
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selfishly, multiple perspectives make for better
decision making, and you can't adapt multiple
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perspectives until you clean your lenses to
understand that you can see a single problem
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from multiple vans to points. Oh
any two things, So I have taught
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cognitive psychology, where we learn,
of course that you know, your vision
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is very much construed in your in
your mind. And I love when you
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when you really specify that no,
no, no, two people see the
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same thing. So I remember distinctly. I dated somebody for a while,
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really really beautiful bright man. It
was so interesting and we'd be out and
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about and he'd say, did you
see did you see that? Like?
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What what do you talk about?
And he would look like, you fool,
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did you not see that? I
mean, he was, you know,
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really really just like flabbergusted, and
just how stupid I was that I
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didn't see what he saw. I'm
like, dude, that's not how vision
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works, Darlin. Sorry to to
disrupt this for you, but I'm not
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looking at even what you're looking at, and even if I were, I
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wouldn't see the same thing. But
it was amazing a really really smart man,
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and he took it for granted that
everyone saw the world the way he
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did. Of the things about looking
at art is that it heightens awareness that
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no two people see anything the same
way, and if two people describe a
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painting differently, as I said before, it makes them think, well,
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wait, a minute. You know
what's happening on the job where I'm assuming
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that all my colleagues see our work
and our objectives and our goals and our
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analytics all the same way, and
in fact no one does. Right.
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So art is the great leveler,
and it makes us realize that nobody sees
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anything. And this goes into the
personal realm as well, our husband's,
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wives, partners, children, nobody
sees the way they do. And when
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you say to someone in exasperation,
as I've done many times, can't you
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see this? You have to really
walk that back and say, maybe they
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can't. And it's up to me
to be able to articulate what I see,
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to give them, to guide them
and give them insight into seeing what
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they see. Yeah, they don't
get a little magical like pouring device into
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our minds that you know, to
sort of jump in there and see just
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what we're seeing on that screen.
Yeah, not so beautiful. That point
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is already great for our listeners of
viewers. I know, let's grab our
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first break. I'm your host,
doctor Release Cortes. We've gone here with
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Amy Hermann. She's the author of
Fixed, How to Perfect the fine art
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of Problem solving, We've been talking
a bit about just how she got into
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this space and a bit about her
book. We're going to keep going after
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the break, stay with us,
We'll be right back. Doctor Elise Cortes
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is a management consultant specializing in meaning
and purpose and inspirational speaker and author.
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She helps companies visioneer for greater purpose
among stakeholders and develop purpose inspired leadership and
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meaning infused cultures that elevate fulfillment,
performance, and commitment within the workforce.
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To learn more or to invite Elise
to speak to your organization, please visit
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her at Elisecortes dot com. Let's
talk about how to get your employees working
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on purpose. This is working on
Purpose with doctor Elise Cortes. To reach
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our program today or open a conversation
with alease, send an email to a
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lease Alise at Elise Coortes dot com. Now back to working on Purpose.
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Thanks for stating with us. Welcome
back. Before we get back to the
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program, let me just share with
you and invite you to check out the
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book that I put out in November
of twenty twenty. It's called Purpose Ignited.
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How Inspiring leaders ignite passion and elevate
cause it's on Amazon. And I
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really wrote that book to awaken readers
to their passion and their purpose and transform
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them into inspiration to leaders to help
create places where people actually want to come
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to work and do their best.
And it's also what I use as the
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content for my leadership programs. So
if you're just coming back to the program,
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my guest today is Amy Herman.
She's the president of the Art of
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Perception and the author have fixed how
to perfect the fine art of problem solving.
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I'm your host, doctor Relice Cortes. So if we keep going here,
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I got to tell you this this
next chapter, just the way you
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open it, just I probably will
never forget it, Amy, I probably
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will never forget the change your Shoes
chapter. So you talk about the shoes
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on the Danube Bank memorial that showcases
the shoes left behind by the countless innocent
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individuals suspected of being Jews in Budapest. So the memorial is of shoes on
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the water bank. I think you
said they're made out of metal, but
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they're right at the river's shore.
And so the whole thing is about changing
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our perspective. But if you could
for our listeners, could you describe more
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about that memorial, it's history,
who did it, etc. To get
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us into that moment, and then
talk more about this importance of change your
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shoes. Absolutely, one of the
things that I love about art is that
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can illustrate so many of the key
concepts, not the other way around.
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I don't talk about the art,
We use the art to illustrate. And
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what you're referencing is a beautiful sculpture
on the banks of the Danube. It's
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called Shoes on the Banks of the
Danube, and it's a sculpture from two
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thousand and five. And the memorial
is to recognize and memorialize all the people
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that were killed on the banks of
the Danube by the Raw Militia, which
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was a Nazi aligned party put into
power by Hitler in nineteen forty four.
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And what the Hourcross Militia did is
they brought people, They rounded up people,
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mostly Jews, brought them to the
edges of the river, and they
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made them take their shoes off,
and then they took those shoelaces. It
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was particularly brutal and a very ugly
part of history. They tied the victims
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together with their shoelaces and shot one
and they all fell into the river.
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And what the artist Kantogi and the
sculptor Jewlip Power wanted to do was to
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not only memorialize this horrific event of
World War two, but humanize it.
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And by using shoes. It's pears
and pears and pairs of shoes, all
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made of bronze and metal. And
what's so humanizing is we all wear shoes
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every single day, even during pandemic. At home, we wear slippers,
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we wear sneakers. And the idea
when you come up on these shoes at
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the actual memorial, people look,
well, isn't that strange? Whose shoes
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are they? Why were they left
here? And then you realize they're made
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of metal, that they are in
fact a memorial. And what is so
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humanizing and devastating is because everybody can
relate to shoes. And so in this
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chapter I ask my readers to change
their shoes, because it's what an artist
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has to do to undertake creating a
work of art, and what we have
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to do to solve a problem.
Choosing and executing perspective, both literally as
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an artist and figuratively as a problem
solver in business. We have to think
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about things symbolically and structurally and thematically
and logistically and tactically, and these are
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integral parts of problem solving. So
I chose that memorial because it is so
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horrific, it is so human,
and it literally asks us to change our
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shoes and think about the perspective of
other people as we approach the idea of
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problem solving. Oh my gosh,
it's just it's so powerful. Amy,
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It's just such a powerful way to
illustrate some thing. I mean, I
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just I'm never going to forget it
now while we're in that camp. Literally,
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I do want to just I want
to talk about this just briefly.
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You said something in your book that
I didn't know. I don't know a
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lot about the history of around Hitler, for example, but she said something
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like I think he aspired to be
an artist or something you said, and
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that he was blatantly rejected. And
I think you even said something like,
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gosh, what would have happened?
Maybe if somebody had been a little kind
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to him along the way, maybe
the course of history would be entirely different.
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Yes, this is a point that
came up in the context of my
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book, and we were talking about
looking at things from a different perspective,
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and I was talking to a perspective
college student and the assignment for the college
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essay was, if you could change
one event in the twentieth century, what
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would it mean one event in history
in the twentieth century. And most people,
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you know, they point to World
War Two, they point to the
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Holocaust, some people talk about Vietnam, the Titanic, all the major historical
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events. But this young man that
I know, decided to take a different
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perspective, which is why I wrote
about it in the book. And he
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looked at Hitler. And people have
said, well, if Hitler were never
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born, But this is what he
discovered that, as you said, Hitler
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did in fact want to be an
artist, but he was rejected from art
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school, not once but twice.
And after his rejection from art school,
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his feelings of insecurity and anger led
him to Germany and committed the atrocities that
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he did. And what this young
man wrote about was, if I could
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change one event, I would admit
Hitler to art school. And if he
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ever had in fact been admitted to
art school, how would the whole world
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have been different? He wouldn't have
had the rejection and the anger and take
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it out in such a way in
such a vengeful, destructive way that had
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he actually become an artist, whether
successful or not, could have really changed
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the whole course of history. And
what I loved about that analysis is on
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the other side of an issue,
not just thinking about what an atrocious man
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Hitler was and what if he had
never been born, but how could we
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have changed the course of history in
a different way. And I want that
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to be directly applicable to how we
solve problems. How can we get to
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the other side of the issue and
not just jump on the obvious answer,
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but let's look for another one that
actually might be more sustainable. That's so
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powerful, Amy, this is just
this is so good. Yeah, so
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so welcome, thank you. Okay, So, now in your defining the
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project chapter, you talk about in
problem solving, when we rush to find
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a solution, so kind of getting
what you're talking about. When we rush
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to find a solution, the result
can end up not fitting because we didn't
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first measure the problem accurately. So
you're talking about that already in the example
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you just gave. That's right,
that's right. But the idea of defining
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a project, and this is the
example that I use because it's really one
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of the simplest ones with which we
can all identify. Have we ever been
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called into a meeting everyone is sitting
around the conference room tam, and the
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person in charge, the head of
the department, the CEO, says,
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Okay, we need to address this
problem. It's cutting into profits, it's
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cutting into morale, and this is
what we're going to do without taking the
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opportunity to go around the table and
ask each person what he or she perceives
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the problem to be. Because it
goes back to the original statement that we
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made that no two people see anything
the same way, and if each of
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us has an opportunity to articulate the
problem, the solution will be that much
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more tailored and that much more readily
available than if we all just dive in
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and try to solve something when we
haven't defined the problem in the first place.
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And yes, it takes time and
it takes effort and discussion, but
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just think, after coming to some
kind of consensus with ten people around the
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table about what the common problem is, how much better it's going to be
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to approach a solution when we're all
on the same page. And the other
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example I give, have you ever
on to a meeting, a lease an
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hour long meeting, and you come
out and people say, what was that
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about? Of course that happens to
all of us, no idea. Yeah
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now, And someone goes to a
keyboard and says, as we discussed it
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this morning's meeting. What did we
discussed it this morning's meeting. We need
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to lay the groundwork to find the
problem and define the issues. And it
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sounds so basic, but it can
pave the way for effective communication and I
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believe much better problem solving. Mm
hmmm, I agree. Now, then
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you go on, it's just work
that when we start really getting into your
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material in your world gets you can
just really see the value of that.
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Then you go on and you say, really study a situation, and so
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then you say, look at it
from different perspectives, look behind it,
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around it, under it, right, that is like if you think about
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that for just a second, like
just a simple thing like you know,
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this house being built around the corner. It looks incredibly different when I look
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at it from my front doorstep than
I do when I go just to slightly
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around the bend in my neighborhood.
It's amazing. The view is completely radically
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different. It's not the same house. So are absolutely right, and what
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you've set up is the perfect template. Walk away from a problem, step
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in closer, ask people questions.
And I realize we are all challenged for
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time. But if we invest the
time on the front end to take that
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deeper dive. Or I heard a
phrase that someone used, I'm not fond
399
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of it, but they said to
double click on certain issues. If you
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take the time to look from multiple
perspectives. Again, art lends itself beautifully.
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We can step in close to the
painting, we can step across the
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gallery, we can look at a
small piece of it. It will help
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us to discuss not only the small
details and see the issues, but also
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see the big picture in a different
light. And I really believe that.
405
00:26:44.920 --> 00:26:48.400
You know, when I say how
we look at something is fundamental to what
406
00:26:48.440 --> 00:26:52.200
we see, I really do believe
that. And I think that when we
407
00:26:52.240 --> 00:26:56.880
look at things from multiple perspectives and
we discuss with other people what their perceptions
408
00:26:56.920 --> 00:27:02.240
and perspectives are, we're on a
course to solve problems more effectively. The
409
00:27:02.319 --> 00:27:06.279
other thing that really strikes me,
which I got to believe is absolutely interwoven
410
00:27:06.279 --> 00:27:10.359
into what you do, is just
the process of making people talk about what
411
00:27:10.400 --> 00:27:14.359
they're observing, actually articulate what they're
observing, which is a lot of work
412
00:27:14.640 --> 00:27:18.759
is already going to improve their communication. It absolutely is. And you know,
413
00:27:18.000 --> 00:27:21.200
there can never be a response when
I say to someone, well,
414
00:27:21.200 --> 00:27:22.599
what do you see? There can
never be the response, well, I
415
00:27:22.599 --> 00:27:26.359
don't know, Because everybody sees something
and we're looking at art it gives us
416
00:27:26.400 --> 00:27:30.480
ground zero. We're all in the
same place. But one of the points
417
00:27:30.519 --> 00:27:32.880
I want to bring in here at
least, but I think is so important,
418
00:27:32.960 --> 00:27:36.599
especially for those who are in positions
of leadership, is that when we
419
00:27:36.640 --> 00:27:40.599
are discussing things and we're talking about
problem solving, we're talking about our observations.
420
00:27:41.200 --> 00:27:44.480
One of the greatest takeaways that I
want people to have from my course
421
00:27:44.519 --> 00:27:49.519
and the book is don't let perfection
be the enemy of good. Sometimes we
422
00:27:49.759 --> 00:27:55.759
can't be perfect, and good has
to be good enough. There are problems
423
00:27:55.799 --> 00:27:59.519
that we need to put a band
aid on them and staunch the bleeding and
424
00:27:59.599 --> 00:28:03.359
move on. And if we can't
solve the overarching crisis, well sometimes that
425
00:28:03.440 --> 00:28:07.559
has to be okay. And it
takes a brave person and a visionary leader
426
00:28:07.599 --> 00:28:11.720
to say, you know what,
we're going to solve this problem today,
427
00:28:11.039 --> 00:28:15.400
and we're going to move on to
things that really need our attention. So
428
00:28:15.880 --> 00:28:19.440
when we're looking at problems from multiple
perspectives and articulating what we see, try
429
00:28:19.519 --> 00:28:25.759
not to let perfection be the enemy
of good. Amen. Absolutely, Amen,
430
00:28:25.880 --> 00:28:29.079
move things along. I couldn't agree
more. I love quality, I
431
00:28:29.119 --> 00:28:33.079
really love quality. And at the
same time, you know, ongoing effort
432
00:28:33.119 --> 00:28:36.279
and contribution impact really go a long
way. So I'm completely with you on
433
00:28:36.359 --> 00:28:38.079
that. Great. Great, it
really does go a long way. But
434
00:28:38.119 --> 00:28:41.480
sometimes we have to articulate it.
We have to say it out loud yes,
435
00:28:41.559 --> 00:28:44.559
and make it safe for people.
Make it okay for people. Make
436
00:28:44.599 --> 00:28:48.000
it okay for people. Absolutely,
And not only do you make it okay
437
00:28:48.319 --> 00:28:49.759
for yourself to say, you know, I'm going to move on, you
438
00:28:49.799 --> 00:28:52.720
also give people permission to say,
you know what, I'm going to stop
439
00:28:52.759 --> 00:28:56.599
here. This is the best I
can do, and I have to move
440
00:28:56.599 --> 00:28:59.039
on to something else. Well,
and I know that's how you got this
441
00:28:59.119 --> 00:29:00.359
one. At least one of your
books that you talk about that you're like,
442
00:29:00.400 --> 00:29:03.359
you know, if it were up
to me and I didn't have a
443
00:29:03.359 --> 00:29:06.000
dead language we're going to talk about
as well, you know, you would
444
00:29:06.000 --> 00:29:08.240
have had another, I don't know, one hundred or two hundred pages in
445
00:29:08.279 --> 00:29:11.960
your book, right, and who
needs a hundred more pages in a book?
446
00:29:11.200 --> 00:29:15.000
Right? And I understand that my
publisher she said the same thing.
447
00:29:15.160 --> 00:29:17.799
She goes, you know, Alice, people actually don't want to read all
448
00:29:17.799 --> 00:29:21.160
that stuff, you know, come
on stop. So anyway, I just
449
00:29:21.240 --> 00:29:25.440
appreciate that, But let's cover this
next piece here at the bite sized Pieces
450
00:29:25.559 --> 00:29:29.079
chapter. This is this is fascinating
as well for someone like me, and
451
00:29:29.119 --> 00:29:30.839
I think a lot of listeners and
viewers will really really relate to this.
452
00:29:32.000 --> 00:29:33.880
But you say that when we're problem
solving, it can seem like we're up
453
00:29:33.880 --> 00:29:38.240
against the impossible, staring down a
gigantic blank canvas or a field full of
454
00:29:38.279 --> 00:29:41.920
thousands of ruined fragments. It's then
that we realize that picking up the pieces
455
00:29:41.960 --> 00:29:47.079
after an explosion maybe wasn't the hardest
part. It's how to not sink beneath
456
00:29:47.119 --> 00:29:52.319
the waves overwhelm. The waves of
overwhelm threatened to drown all of us.
457
00:29:52.440 --> 00:29:56.160
And at the risk of giving two
personal example, Alise, I'm going to
458
00:29:56.200 --> 00:30:00.799
share this with you and your listeners
because if they haven't walked that walk themselves,
459
00:30:00.839 --> 00:30:04.240
they certainly walk that walk with other
people. I am a very grateful
460
00:30:04.279 --> 00:30:10.319
cancer survivor. I am exceedingly grateful
every single day. But I will tell
461
00:30:10.359 --> 00:30:14.720
you in all candor, I was
getting a diagnosis like I did was daunting,
462
00:30:15.119 --> 00:30:17.799
and the doctor told me what it
was going to entail, and my
463
00:30:17.880 --> 00:30:21.160
first response was, well, I
don't have time for that, and she
464
00:30:21.279 --> 00:30:23.519
looked at me with a sly smile
and she said, well, you're going
465
00:30:23.559 --> 00:30:26.720
to make the time, because if
you don't make the time, you're not
466
00:30:26.759 --> 00:30:30.319
going to be here in six months
to talk about it. So the reason
467
00:30:30.359 --> 00:30:33.680
I bring that to the discussion is
because when I got my diagnosis, she
468
00:30:33.759 --> 00:30:37.599
told me, very matter of factly
that I was going to have sixteen sessions
469
00:30:37.599 --> 00:30:41.000
of chemotherapy, I was going to
have a minimum of three surgeries, I
470
00:30:41.039 --> 00:30:42.559
was going to lose all my hair, and the year was going to be
471
00:30:42.640 --> 00:30:48.599
terrible. And then she said any
questions, And I left there thinking that
472
00:30:48.799 --> 00:30:52.440
is just looming in my future,
and how does one begin to digest it?
473
00:30:52.720 --> 00:30:55.400
And the way I did it,
and I dare say successfully, it
474
00:30:55.440 --> 00:30:59.960
had some you know, everyone has
bad days, but I broke that diagnosis,
475
00:31:00.240 --> 00:31:03.160
my prognosis, and the treatment into
bite sized pieces instead of thinking,
476
00:31:03.480 --> 00:31:07.640
I have sixteen sessions of chemotherapy over
the next few months. How am I
477
00:31:07.680 --> 00:31:12.279
going to deal with that? One
week at a time, and every Friday
478
00:31:12.400 --> 00:31:15.759
it was one session closer to the
end. I got through. I lived
479
00:31:15.799 --> 00:31:18.920
to tell about it. You know
what. To celebrate those small milestones.
480
00:31:18.920 --> 00:31:22.559
Wooho, we got through one more
round of chemo. Were one more closer
481
00:31:22.599 --> 00:31:26.640
to the end, and look where
I am. And by breaking it into
482
00:31:26.720 --> 00:31:30.279
bite sized pieces and not thinking about
three months down the road, I knew
483
00:31:30.279 --> 00:31:33.599
I was going to get there one
week at a time, and I have
484
00:31:33.880 --> 00:31:37.519
used that as a template instead of
having a looming deadline. I spoke with
485
00:31:37.519 --> 00:31:41.279
someone today who was working on her
dissertation, and I said to her,
486
00:31:41.319 --> 00:31:45.799
instead of thinking about your dissertation dissertation
deadline at the end of May, one
487
00:31:45.799 --> 00:31:48.599
week, write ten pages, the
next week edit it, and the next
488
00:31:48.640 --> 00:31:52.240
week write ten more pages. And
the end of every portion, celebrate,
489
00:31:52.359 --> 00:31:56.759
look what you got done. And
we all need to do that, whether
490
00:31:56.839 --> 00:32:00.559
it is parenthood or a work assignment
or a long or short term project.
491
00:32:00.960 --> 00:32:06.759
Break it into bite sized pieces,
celebrate the milestone, and before you know
492
00:32:06.799 --> 00:32:09.319
it, you will have met your
deadline. Brilliant Damie absolutely brilliant. I
493
00:32:09.319 --> 00:32:12.079
was going to talk to you about
your cancer, and I do have another
494
00:32:12.119 --> 00:32:15.359
question about that. But let's grab
our last break here. I'm your host,
495
00:32:15.400 --> 00:32:16.880
doctor release Cortes. We've got on
the air with Amy Hermann, the
496
00:32:16.920 --> 00:32:21.200
author of Fixed, How to Perfect
the Fine Art of Problem Solving. We've
497
00:32:21.200 --> 00:32:22.839
been talking about some of the chapters
in her book. After the break,
498
00:32:22.839 --> 00:32:27.359
I'm going to have her finish a
couple more pieces about the chapters, and
499
00:32:27.400 --> 00:32:30.039
I want to help just a little
bit more into that cancer experience. To
500
00:32:30.039 --> 00:32:32.799
stay with us, We'll be right
back. Doctor Elise Cortes is a management
501
00:32:32.880 --> 00:32:39.160
consultant specializing in meaning and purpose and
inspirational speaker and author. She helps companies
502
00:32:39.240 --> 00:32:46.200
visioneer for greater purpose among stakeholders and
develop purpose inspired leadership and meaning infused cultures
503
00:32:46.440 --> 00:32:52.240
that elevate fulfillment, performance, and
commitment within the workforce. To learn more
504
00:32:52.480 --> 00:32:58.039
or to invite Elise to speak to
your organization, please visit her at Elisecortes
505
00:32:58.079 --> 00:33:01.279
dot com. Let's talk about how
to get at your employees working on purpose.
506
00:33:08.480 --> 00:33:13.759
This is working on purpose with doctor
Elise Cortes. To reach our program
507
00:33:13.799 --> 00:33:19.279
today or open a conversation with Alise, send an email to a lease Alise
508
00:33:19.920 --> 00:33:28.400
at elisecortes dot com. Now back
to working on Purpose. Thankteresting with us,
509
00:33:28.400 --> 00:33:30.720
and welcome back to working on Purpose. One of a bit of news
510
00:33:30.720 --> 00:33:32.640
I want to share before we get
back to the program is the anthology that
511
00:33:32.680 --> 00:33:36.559
I've been working on for a couple
of years has been released. Came out
512
00:33:36.599 --> 00:33:39.119
in August of twenty one. It's
a collection of twenty five stories from women
513
00:33:39.160 --> 00:33:43.759
across the globe who I recruited to
share their very intimate stories of how they've
514
00:33:43.799 --> 00:33:45.400
discovered their purpose and are now serving
from it. And I'm so proud of
515
00:33:45.440 --> 00:33:47.960
this. I'm actually more proud of
this, this particular book than I am
516
00:33:49.000 --> 00:33:52.440
my first own book, because it's
all of us coming together. It's called
517
00:33:52.480 --> 00:33:54.759
Passionately Striving and Why, an anthology
of women who purse of your minded to
518
00:33:54.759 --> 00:33:59.319
live their purpose. So that's out
and we're celebrating, of course this month
519
00:33:59.359 --> 00:34:01.839
of March. And also I am
now scouting for men to share their stories.
520
00:34:01.839 --> 00:34:05.720
If you know someone, send them
my way. If you're just joining
521
00:34:05.759 --> 00:34:07.840
us today. My guest is Amy
Herman. She's the president of Art of
522
00:34:07.920 --> 00:34:12.760
Perception and the author have fixed how
to perfect the fine art of problem solving.
523
00:34:12.800 --> 00:34:15.800
I'm your host, doctor Relie Cortes. So that little bit about cancer
524
00:34:15.840 --> 00:34:19.519
you were talking about before, I
definitely wanted to hear more about that.
525
00:34:19.559 --> 00:34:22.079
You talk about it in your book, and now I see how you've woven
526
00:34:22.119 --> 00:34:27.320
it in in terms of the bite
sized pieces framework. What I want to
527
00:34:27.400 --> 00:34:30.960
understand, Amy, is what did
you learn from the experience of cancer?
528
00:34:30.880 --> 00:34:35.239
You know, Elise, I would
never recommend to anyone to have to go
529
00:34:35.280 --> 00:34:39.119
through a cancer journey, but it
has forever changed my perspective because we are
530
00:34:39.239 --> 00:34:45.480
a collective of our own experiences,
assumptions and biases. And I started my
531
00:34:45.559 --> 00:34:50.079
program, as I mentioned to you
earlier, it had its roots in medicine,
532
00:34:50.280 --> 00:34:53.199
and I've been training people in the
medical profession for years, and now
533
00:34:53.239 --> 00:34:57.119
I have the perspective of what it
is to be a patient with a very
534
00:34:57.199 --> 00:35:00.559
serious illness. And not only has
it given me a new perspective on the
535
00:35:00.639 --> 00:35:07.000
doctor patient and nurse patient relationship and
enabled me to train them from or work
536
00:35:07.039 --> 00:35:09.360
with them in a very very different
from a different place to help them solve
537
00:35:09.400 --> 00:35:15.559
their problems, it's given me my
own personal perspective. That my son was
538
00:35:15.599 --> 00:35:17.280
in middle school when I was sick, and he used to come home and
539
00:35:17.320 --> 00:35:21.480
he would say, Mom, we
have a problem. And my first question
540
00:35:21.559 --> 00:35:25.039
always is is anyone dying? And
if he said no, then I would
541
00:35:25.039 --> 00:35:30.159
say, then we can solve the
problem. And one of the greatest gifts
542
00:35:30.159 --> 00:35:32.639
that I've given myself and hopefully to
my son and to my family members is
543
00:35:34.039 --> 00:35:37.679
after going through a cancer journey,
I just can't sweat the small stuff.
544
00:35:38.079 --> 00:35:43.559
I just can't because the world,
as I said before, everything is broken.
545
00:35:43.960 --> 00:35:49.239
And even in this beautiful book that
I've put so much effort and time
546
00:35:49.400 --> 00:35:52.559
and thought into, there are mistakes
in it. There are printed mistakes.
547
00:35:52.599 --> 00:35:55.519
I'm sure you saw some, because
we all know there's no such thing as
548
00:35:55.800 --> 00:36:00.920
a perfectly printed document. You know
from authoring your own books, there is
549
00:36:00.000 --> 00:36:04.679
no such thing. Can I lay
awake at night worrying about the mistakes in
550
00:36:04.719 --> 00:36:08.480
the book. I can't. I
can't because I'm an imperfect human being,
551
00:36:08.880 --> 00:36:14.239
and having cancer and overcome cancer made
me see that there are bigger issues in
552
00:36:14.280 --> 00:36:17.760
life to worry about and to celebrate, and I just can't sweat the small
553
00:36:17.800 --> 00:36:22.440
stuff, whether it's a professional or
personal. And I try to keep that
554
00:36:22.960 --> 00:36:25.960
as my north star as I move
forward. Don't sweat the small stuff.
555
00:36:27.440 --> 00:36:31.159
M beautiful. Wow, I'm going
to learn from you because I really don't
556
00:36:31.159 --> 00:36:34.079
want to go through your experience.
So I'm just going to go ahead and
557
00:36:34.119 --> 00:36:37.079
take the Vie Carey's learning experience.
Please do. I hope you have to
558
00:36:37.159 --> 00:36:39.960
have that, but it has a
way of bringing grace upon people. And
559
00:36:40.000 --> 00:36:44.159
I also stand on the shoulders of
so many people who didn't make it,
560
00:36:44.199 --> 00:36:46.760
and I want to make that every
day. I want to shout from their
561
00:36:46.760 --> 00:36:51.400
shoulders and say that we all take
lessons and we all have something to learn
562
00:36:51.679 --> 00:36:54.559
from this. No doubt you're teaching
us so much in this in discussion,
563
00:36:54.599 --> 00:36:58.960
and this is so beautiful. Thank
you. Yes, you're welcome. So
564
00:36:59.400 --> 00:37:02.760
going on. Still back to your
book here, another chapter is recognizing relationships
565
00:37:02.840 --> 00:37:07.199
and red hearings. And you say, simply knowing we're capable of and likely
566
00:37:07.239 --> 00:37:10.599
to do this, That is,
seeing patterns and things in ourselves can help
567
00:37:10.639 --> 00:37:15.519
ensure our pattern recognition doesn't evolve into
a pattern of expectation. Yes, ooh,
568
00:37:15.599 --> 00:37:20.320
that's so powerful. Yes, the
idea, you know, it's always
569
00:37:20.360 --> 00:37:23.000
great when we can see patterns in
our work life, in our personal life,
570
00:37:23.360 --> 00:37:25.239
in our heads. We say,
you know, been there, done
571
00:37:25.280 --> 00:37:29.239
that. I know I can handle
this. But the caveat that I want
572
00:37:29.239 --> 00:37:31.960
to give us is we should always
benefit from our experience, but to make
573
00:37:32.039 --> 00:37:37.000
sure that pattern recognition does not evolve
into patterns of expectation. Because there are
574
00:37:37.159 --> 00:37:42.639
people out there, and I don't
say this in a conspiratorial theorist kind of
575
00:37:42.679 --> 00:37:45.880
way, there are people that want
to throw us off course. And we
576
00:37:45.000 --> 00:37:49.880
do live in an age of disinformation. As sad as that makes me,
577
00:37:50.280 --> 00:37:52.320
we do live in an age of
disinformation. And when I talk about red
578
00:37:52.320 --> 00:37:57.360
herrings, what a red hearing is
is somebody who is trying to throw you
579
00:37:57.440 --> 00:38:00.880
off course, or a piece of
information that's trying to throw you off course.
580
00:38:00.239 --> 00:38:04.719
So the way that I ask people
to make sure that we're not thrown
581
00:38:04.760 --> 00:38:07.880
off course by a red herring is
to beware of what I call the anchor
582
00:38:07.920 --> 00:38:13.039
bias. What is the anchor bias? It's the human tendency to believe the
583
00:38:13.039 --> 00:38:16.119
first thing we see or hear is
true. Before you repeat something in one
584
00:38:16.119 --> 00:38:21.000
ear and out your mouth, ask
yourself, do I have evidence to back
585
00:38:21.079 --> 00:38:23.480
this up? Am I going to
tell my team this if I don't know
586
00:38:23.559 --> 00:38:29.159
that it's true? So just having
the idea that there are red herrings out
587
00:38:29.199 --> 00:38:31.159
in the world, that there are
people that are trying to distract us,
588
00:38:31.480 --> 00:38:36.199
things that are trying to throw off
course, throw us off course, will
589
00:38:36.239 --> 00:38:40.119
help us be more attuned to them. I'm all for pattern recognition. How
590
00:38:40.119 --> 00:38:43.280
do we see things? How are
they similar? How are they different?
591
00:38:43.519 --> 00:38:46.039
But just be careful to make sure
just because you see a pattern doesn't mean
592
00:38:46.039 --> 00:38:52.840
that you're going to expect or expect
a certain outcome from others, beautifully said,
593
00:38:52.880 --> 00:38:54.599
just beautifully said. I mean,
yes, I think that's really powerful.
594
00:38:54.639 --> 00:38:59.440
And talk about boy having creating a
better or a different outcome right there
595
00:39:00.519 --> 00:39:04.360
is that's powerful, all right,
So then I want to go on and
596
00:39:04.400 --> 00:39:08.320
talk next. You also then talk
about navigating problems with relationships successfully. Oh,
597
00:39:08.400 --> 00:39:13.360
that's we have to talk about that. So you say, we must
598
00:39:13.360 --> 00:39:15.880
look at all the information objectively rather
than trying to fish for facts that suit
599
00:39:15.920 --> 00:39:20.719
our desired solution. We all are
guilty of that need to This takes time
600
00:39:20.760 --> 00:39:22.280
and clarity of thought. You say, these are not resources that are always
601
00:39:22.320 --> 00:39:25.519
readily available. That is time and
thought. It is work, but the
602
00:39:25.559 --> 00:39:30.800
results is in the form of grounded
solutions are well worth the effort. So
603
00:39:30.800 --> 00:39:34.840
that's kind of what you were saying
before. But I think it's especially you
604
00:39:34.880 --> 00:39:37.320
know, as you say we do, we are in the time of disinformation,
605
00:39:37.880 --> 00:39:43.519
and so you know, doing ourselves
the service of being able to fare
606
00:39:43.559 --> 00:39:50.280
at that and triangulate that if you
will, and really judge that that information
607
00:39:50.559 --> 00:39:53.840
and certainly what it means to our
relationships seems to be extremely critical to develop
608
00:39:53.840 --> 00:40:00.440
that capacity stat absolutely, And the
number one thing to remember about relations ships
609
00:40:00.559 --> 00:40:05.800
is they are never static. Relationships
are never static. Our personal relationships,
610
00:40:05.840 --> 00:40:12.119
our professional relationships are constantly moving and
changing for the mere reason, very simple
611
00:40:12.159 --> 00:40:15.719
reason that we're all human. And
when someone comes to work, you know
612
00:40:15.840 --> 00:40:19.599
that before that person has come to
the conference room to meet with you,
613
00:40:19.800 --> 00:40:22.679
a child has thrown up, a
mother in law has been sick, a
614
00:40:22.719 --> 00:40:27.039
doctor has to go to the vet, and that all has a profound impact
615
00:40:27.119 --> 00:40:30.840
on that person's ability to do their
job, to do his or her job.
616
00:40:30.119 --> 00:40:34.239
And so the reason I bring that
up is because when we are managing
617
00:40:34.320 --> 00:40:37.599
our relationships, we have to broaden
our view and not say, well,
618
00:40:37.920 --> 00:40:42.719
Sarah works with me gathering data.
We have to broaden the view and say,
619
00:40:42.920 --> 00:40:45.039
Sarah's going through a painful divorce,
right now, and I'm not going
620
00:40:45.079 --> 00:40:51.480
to demand voluminous amounts of data by
yesterday. We have to understand that we
621
00:40:51.519 --> 00:40:55.679
can manage our relationships by broadening our
vision of what those relationships really entail,
622
00:40:55.960 --> 00:41:00.800
and to know that Sarah is absolutely
excellent to gather data. But being aware
623
00:41:00.880 --> 00:41:05.679
of what's happening in Sarah's life personal
life is not only going to enhance our
624
00:41:05.679 --> 00:41:08.840
relationship. We're going to be very
realistic about what we can expect from her
625
00:41:09.039 --> 00:41:13.400
and shift some of those expectations and
maybe ask someone else for some of that
626
00:41:13.559 --> 00:41:16.400
data. So when I talk about
managing relationships, like so many of the
627
00:41:16.440 --> 00:41:21.280
concepts in the book, I'm asking
to broaden our vision instead of narrowing our
628
00:41:21.360 --> 00:41:25.639
vision, managing the relationships with a
broader lens so we can adjust our expectations
629
00:41:25.719 --> 00:41:31.320
accordingly. Beautiful, absolutely beautiful,
so much in that. Okay, so
630
00:41:31.440 --> 00:41:36.039
we talked about this before we came
on air, but probably really I have
631
00:41:36.079 --> 00:41:38.679
to say, as I told you, that whole chapter that you talk about
632
00:41:38.679 --> 00:41:43.000
the shoes is inter Change your Shoes. That's so so incredible, But the
633
00:41:43.000 --> 00:41:45.280
deadline chapter is really where it's at
for me. Right as we were speaking
634
00:41:45.280 --> 00:41:50.519
about as before we got on air, So neither one of us would have
635
00:41:50.519 --> 00:41:53.119
a book out if we didn't understand
how to work with deadlines. Absolutely right,
636
00:41:53.400 --> 00:41:57.800
But you say by shifting our perspective
on deadlines, we can harness their
637
00:41:57.840 --> 00:42:01.480
benefits. Not only can they lead
the discovery of the unexpected and possibly better,
638
00:42:01.960 --> 00:42:06.880
but deadlines can also help alleviate the
stress of not having too much time
639
00:42:06.960 --> 00:42:09.920
to second guess yourself. Wow.
They can also breed confidence since they give
640
00:42:10.000 --> 00:42:14.360
us goals that we can meet and
even exceed. Deadlines don't have to be
641
00:42:14.360 --> 00:42:17.159
a bear unless you plan for them
to be. That's exactly right. That's
642
00:42:17.199 --> 00:42:22.159
exactly right. And when I was
talking before, and I was referencing before
643
00:42:22.239 --> 00:42:25.639
about breaking things into bite sized pieces, I just wanted to throw one anecdote
644
00:42:25.679 --> 00:42:31.159
in there. Leonardo da Vinci.
It's apparently in art history, it's sort
645
00:42:31.159 --> 00:42:36.239
of this folklore that Leonardo da Vinci
carried the Mona Lisa around with him everywhere,
646
00:42:36.559 --> 00:42:40.559
everywhere and was constantly revising, constantly
revising, constantly revising, and then
647
00:42:40.639 --> 00:42:45.679
he died, so the painting was
then finished. If Leonardo da Vinci had
648
00:42:45.719 --> 00:42:50.320
had a deadline, what would the
Mona Lisa look like? You know,
649
00:42:50.360 --> 00:42:53.800
we have to think about deadlines as
fostering an opportunity to be creative. It's
650
00:42:53.840 --> 00:42:57.639
a problem that we have to solve. This is what I have to get
651
00:42:57.679 --> 00:42:59.960
done, and this is the date
by which I have to do it.
652
00:43:00.239 --> 00:43:02.800
Let's break it into those bite sized
pieces, and let's try to be creative
653
00:43:02.840 --> 00:43:07.280
by getting to that deadline in the
best possible fashion. We all have deadlines
654
00:43:07.639 --> 00:43:10.480
every single day. We have to
meet them. We have to get there.
655
00:43:10.880 --> 00:43:15.679
But if we start to look at
them differently, and again get on
656
00:43:15.719 --> 00:43:19.000
the other side of the issue and
say, how can I look at this
657
00:43:19.159 --> 00:43:22.079
deadline differently to make it more accessible, more fun, or more creative,
658
00:43:22.519 --> 00:43:27.239
We're going to get there, celebrate
those milestones, and then move on to
659
00:43:27.320 --> 00:43:30.840
the next deadline. We all have
them, but instead of making it a
660
00:43:30.960 --> 00:43:37.559
looming behemoth, let's make it into
smaller, digestible parts that we can talk
661
00:43:37.599 --> 00:43:40.239
about and that are much more realistic. And let's not be Leonardo da Vinci.
662
00:43:40.559 --> 00:43:44.599
Really, and when it comes to
a deadline again, don't let perfection
663
00:43:44.719 --> 00:43:49.199
be the enemy of good. Just
don't you know I have to say I
664
00:43:49.239 --> 00:43:53.000
have changed my relationship to deadlines.
I would say it happened maybe starting four
665
00:43:53.079 --> 00:43:59.440
years ago and I do. I
produced a very different result when I'm working
666
00:43:59.480 --> 00:44:01.960
under a dead line. That something
happens. This creativity gets unleashed, this
667
00:44:02.039 --> 00:44:07.559
does this, I don't know,
this weird energy gets released and I create
668
00:44:07.639 --> 00:44:13.840
something very very different. I couldn't
agree more. And somehow I believe that
669
00:44:13.880 --> 00:44:19.719
the creation of a deadline stimulates adrenaline
or stimulates A big believer in neuroplasticity,
670
00:44:19.760 --> 00:44:22.519
A different part of your brain goes
into action when you know that you have
671
00:44:22.519 --> 00:44:28.119
a deadline. And so I really
I rely on my neuroplasticity all the time
672
00:44:28.159 --> 00:44:30.760
saying Okay, I need to do
this. So I'm going to find a
673
00:44:30.760 --> 00:44:36.000
way, and whether it means being
creative in ways that I never thought about
674
00:44:36.000 --> 00:44:37.440
it, I'm going to find a
way because I'm going to get it done.
675
00:44:37.559 --> 00:44:40.880
So while I don't embrace them and
love them the way I don't embrace
676
00:44:40.920 --> 00:44:45.239
the cancer journey, there are great
things that can come from deadlines. Oh,
677
00:44:45.480 --> 00:44:49.840
just quickly. I mean on Saturday
morning, I was I was scheduled.
678
00:44:50.480 --> 00:44:53.079
I delivered the keynote session for a
toast Master's conference on Friday night.
679
00:44:53.280 --> 00:44:57.559
Saturday morning, I was up just
reviewing my size for the workshop. I
680
00:44:57.639 --> 00:45:00.199
was due to do that afternoon,
looked at my slides and went, oh,
681
00:45:00.360 --> 00:45:04.480
no, this will not do I
can't do this. I'm way past
682
00:45:04.519 --> 00:45:08.000
this. Totally redid the whole session, I mean like right there, and
683
00:45:08.079 --> 00:45:13.320
you know, within a two and
a half hour period, came to the
684
00:45:13.440 --> 00:45:16.159
to the hotel, delivered and it
was out of the ballpark. They loved
685
00:45:16.199 --> 00:45:20.920
it. Maect example, A perfect
example that I would have never done that.
686
00:45:20.920 --> 00:45:24.039
I would have never created that under
those conditions in that time period,
687
00:45:24.199 --> 00:45:29.239
under the wire like that. What
you did is you forced clarity of thought.
688
00:45:29.320 --> 00:45:30.880
You said, I have to get
this done, I need to make
689
00:45:30.960 --> 00:45:35.239
it better, I have to redo
this, and you forced your brain into
690
00:45:35.280 --> 00:45:37.760
this clarity to create a presentation that
you would have probably had days to do
691
00:45:37.840 --> 00:45:42.559
before. And in the last minute, that deadline forced that creativity over the
692
00:45:42.559 --> 00:45:45.280
finish line. Yeah, thank you, it was I was one of one
693
00:45:45.280 --> 00:45:49.360
of my one of my best moments. So anyway, so these these deadline
694
00:45:49.400 --> 00:45:52.000
things really can be useful. So
Amy, we've managed to get all the
695
00:45:52.039 --> 00:45:54.280
way up to the end of the
hour here, I wanted to talk about
696
00:45:54.280 --> 00:45:58.079
your just do it chapter. That
means listeners of yours are just gonna have
697
00:45:58.079 --> 00:46:00.480
to pick up the book and get
it yourself. So do you know the
698
00:46:00.519 --> 00:46:04.559
show is listened to by people all
over the world, Amy, and we
699
00:46:04.679 --> 00:46:07.440
really are out to be able to
create a place, a workplace where people
700
00:46:07.440 --> 00:46:09.679
actually want to come to work,
do their best and become their best,
701
00:46:09.719 --> 00:46:13.960
and we create inspirational leaders that actually
lead them to their greatness, and we
702
00:46:14.000 --> 00:46:15.400
do business that betters the world.
What would you like to leave us with
703
00:46:15.440 --> 00:46:17.840
today? I would like to leave
you. I wish I could say it
704
00:46:17.840 --> 00:46:22.239
was an original quote of mine,
but it comes from the writer Henry James,
705
00:46:22.840 --> 00:46:25.840
and he said, try to be
the person on who nothing is lost.
706
00:46:27.800 --> 00:46:30.920
And by augmenting our vision and whatever
that means, vision, listening,
707
00:46:31.000 --> 00:46:35.400
seeing, thinking, touching, whatever
it is, try to be the person
708
00:46:35.760 --> 00:46:37.880
on whom nothing is lost. And
if you aspire to that, I think
709
00:46:37.920 --> 00:46:44.280
it'll make you more engaged with the
world and a better problem solver. Oh,
710
00:46:44.360 --> 00:46:46.559
Amy, that's a delightful way to
finish. Try to be the person
711
00:46:47.239 --> 00:46:51.679
on whom nothing is lost is lost. Oh, I think that's delightful.
712
00:46:51.719 --> 00:46:54.199
You know, literally, in other
words, not letting a single morsel of
713
00:46:54.280 --> 00:46:59.239
life and a person get past you. That's exactly it. And everyone's going
714
00:46:59.280 --> 00:47:02.079
to take a different but the more
we can get engaged with our world,
715
00:47:02.320 --> 00:47:07.880
the more we can give back.
So that is delightful. Amy, thank
716
00:47:07.920 --> 00:47:10.360
you. I am so grateful that
you have crossed my path, that we've
717
00:47:10.360 --> 00:47:13.960
been introduced. And I said,
as I said before, you can run,
718
00:47:14.000 --> 00:47:16.760
but you can't hide. I know
how to find you, not hide.
719
00:47:16.800 --> 00:47:20.920
I would be overjoyed to reconnect.
I want to thank you so much
720
00:47:21.159 --> 00:47:23.800
with gratitude to thank you so much
for having me on the podcast today.
721
00:47:23.920 --> 00:47:28.480
You're so welcome, an absolute delight, and I one of the great things
722
00:47:28.480 --> 00:47:30.480
is getting to be able to help
you share your book and what you what
723
00:47:30.519 --> 00:47:34.400
your message. Is so happy to
do that. Thank you very very much.
724
00:47:34.679 --> 00:47:36.920
You're welcome. And on that note, listeners and viewers, if you
725
00:47:36.920 --> 00:47:38.679
want to learn more about Amy Herman, her work, or her books,
726
00:47:38.760 --> 00:47:44.840
you can start by visiting her website
artful perception dot com. That's a R
727
00:47:44.960 --> 00:47:50.440
T f U L perception artful perception
dot com. Last week gave you missed
728
00:47:50.440 --> 00:47:52.159
the live show, you can always
catch a be a recorded podcast. We
729
00:47:52.159 --> 00:47:55.199
were on there with Chris King,
who was focused on helping people to discover
730
00:47:55.280 --> 00:47:59.960
their own unique truth. We talked
about how mindset and attitude play a key
731
00:48:00.119 --> 00:48:02.599
role in limiting or expanding our lives. Next week, we'll be on there
732
00:48:02.639 --> 00:48:07.159
with Kelly McDonald talking about her book, It's time to talk about race at
733
00:48:07.159 --> 00:48:10.159
work to help us better understand how
to meaningfully engage in the DEI and B
734
00:48:10.519 --> 00:48:14.320
world. Now. B is for
belonging for those of you who don't know
735
00:48:14.360 --> 00:48:15.719
that. See you there. Remember
that work is at least a third of
736
00:48:15.719 --> 00:48:22.079
our life. So let's work on
purpose. We hope you've enjoyed this week's
737
00:48:22.079 --> 00:48:25.320
program. Be sure to tune in
too. Working on Purpose featuring your host,
738
00:48:25.400 --> 00:48:30.760
doctor Elise Cortes, each week on
the Voice America Empowerment Channel. Together,
739
00:48:31.079 --> 00:48:37.519
we'll create a world where business operates
conscientiously, leadership inspires impassioned performance,
740
00:48:37.920 --> 00:48:43.320
and employees are fulfilled in work that
provides the meaning and purpose they crave.
741
00:48:44.039 --> 00:49:07.519
See you there, Let's work on
Purpose. The movie





















































