Dec. 20, 2017
Existentially Speaking: A Comedian's Take on Engagement

Ready for the twist in this episode? We’ll be talking in depth about the importance of finding meaning at work through engagement, even on an existential level. And we’ll dive into how sport, art, and pure play can help create engagement in the work...
Ready for the twist in this episode? We’ll be talking in depth about the importance of finding meaning at work through engagement, even on an existential level. And we’ll dive into how sport, art, and pure play can help create engagement in the work we do…. And we’ll do this by engaging in conversation through the unique lens of a man who lives large with a profession in accounting and comedy, thinks deeply, and laughs often.
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There are some people that make their
work just another thing they have to do,
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and there are those that make their
work something that they want to do.
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Welcome to Working on Purpose with your
host, Elise Cortes. In our
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program, we provide guidance and inspiration
from those people who have found deeper meaning
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and personal connection to their work life. It's beyond nine to five. It's
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working on Purpose. Now Here is
your host, Elise Cortes. Welcome back
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to the Working in a Purpose Show. Thanks for tuning in again this week.
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I'm your host, Alise Cortes,
joining it from Dallas, Texas,
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which is home base for me.
This program is all about helping people more
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meaningfully and productively connect with their work
and equipping organizations to do the same for
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their employees. So I bring a
guests to a particular perspective or experience that
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I think expands the conversation, and
I often draw on the meeting and work
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research I've been doing over the last
fifteen years, as well as my own
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experience can including the work that I
do today at a Sydnium, which is
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a global management consulting firm. I'll
get to the program and my guest in
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just a second. But first a
thank you to my media partner and sponsor,
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jobbing dot com. They are the
leading locally focused job board in the
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nation and they are dedicated to helping
employers find quality talent in their own backyard
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while geting job seekers control over their
search they can find work close to home.
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Great partnership. Thank you jobbing dot
Com. If you missed the show
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live last week, you can always
catch the podcast. We were on the
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air with doctor Owen Lynch, who
is an associate professor in the Meadows School
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of Arts at Southern Methodist University.
He also serves as a director of Get
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Healthy Dallas, which is a nonprofit
organization he helped form that is dedicated to
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addressing the lack of healthy food options, adequate education, and economic development opportunities
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in Dallas, with special focus on
the South Dallas and the Fair Park area.
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We talked about his passion to address
food deserts and urban areas and what
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he and his students and other associates
are doing to improve economic development along the
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way with us. This week we
have Greg Kite, who is a former
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eighth grade math teacher. Today Where's
the Hats? He is the co host
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of a monthly podcast that you have
never heard of. He likes to say.
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He is a regular blogger for the
Thrive All CPA network and creates a
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bi weekly cartoon for Going Concern,
and over the last twelve years, he
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has established himself as a unique voice
in the world of stand up comedy.
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We'll be talking about the ideas he's
come to develop about the importance of play
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at work and how that translates to
engagement, among other things. Greg Joys
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today from Provo, Utah. Greg, Welcome to Working on Purpose. Thanks
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Alisa. I'm totally excited to be
here and to talk about everything. You
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and I met in a very serendipitous
way, what like almost exactly a month
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ago out yeah, or was it
too much? Maybe it was October?
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I think it was October. Already
was October, that's right, Yeah,
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And so you just kind of crashed
the party of another Voice America show.
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I did write about the time when
I was given my presentation on playing at
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work and we found out that what
you do and what I I'm developing line
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up pretty tightly exactly, and let
me present that for our listeners. And
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by the way, Greg, I'm
happy to share that I do get to
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enjoy listenership all over the globe.
We have a lot of listeners in China,
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Thank you China. We have a
lot of listeners in Japan, Thank
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you Japan, and of course the
United States and all over the rest of
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the world as well, And so
I wanted to be sure that they knew
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how it was I found you,
so listeners, this was really fun.
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I did crash this party. I
was invited by my producer here at Voice
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America to join this Verisage symposium.
And not very long after I arrived,
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who shows up on stage but Greg
and he's talking about this thing that I
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love, which is about you know, how to play at work and how
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to engage ourselves and about meaning and
existential meaning and all this stuff that was
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just yummy for me. And Greg, I will never forget when you said
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you open it up to the audience
and you said, what do you think
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is this just all like ridiculous?
Have you all heard this before? Or
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what is this? And I grabbed
the mic and said, I have heard
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some of this for but the way
you bring it to life is so fantastic.
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Do you remember that? I do? I do remember that, And
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that is that is one of the
things with this and I think, like
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a lot of my thoughts about about
engagement at work, I don't think it's
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like, you know, like I
broke some new code and I found something
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that's brand new, but it's it's
maybe more of a unique shift in how
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you look at work and how you
approach work. But but yeah, and
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yeah, I do remember that,
and that was incredibly uh you know that
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that gave me a lot of of
of courage, I guess, to to
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move forward and to take the take
these take these concepts forward. The other
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weird thing too about it is that
the the so it was, it was
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the what the spirit of enterprise was
the show, which is run by a
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former accountant and a guy who works
for an accounting software company, and their
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main the main goal for them and
for veris Age is to abolish the billable
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hour model in professional service firms.
Here you are coming to like arguably the
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lamest party, well at least on
the surface. They're a great group and
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I love and I get so much
out of the symposiums that they can.
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But if you're just looking at it, going wow, this is a group
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of accounts and lawyers who don't want
to build by the hour anymore. It's
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like yawn path. But that's where
you came. And then I'm I'm a
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fellow with the Verisage Institute, which
is again it's it's devoted to abolishing the
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billble hour and and we all the
fellows when we have these symposiums, we
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talk about basically our latest greatest thinking
that we've been incubating since the last symposium.
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And mine had absolutely nothing to do
with the billble hour model or any
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store accounting at all, and with
totally other things. So yeah, it
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was kind of a strange coincidence,
flash in the pan, lightning in a
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bottle kind of thing. Well,
a couple of things on that kind.
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Man. First, as you and
I have spoken before we were supposed to
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meet, there was kismet. However
you want to say this, if you
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want to say it's God's plan or
the universe coming together, whatever it is
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that you However, people tend to
believe. I am convinced that you and
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I were supposed to meet, and
I had an amazing time. In fact,
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I did also have Kirk Bowman on
the show on December sixth, talking
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about value pricing. We talked about
that very thing. The whole show is
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dedicated to that. So I learned
a ton about that because I missed some
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of that presentation. So that was
fantastic. So I do want to I
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want to hear about this, I
mean, and I also want to talk
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about the fact that, you know, among other things, you're a funny
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man, and I want to hear
about how that, how that experience has
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informed your perspective. But you're writing
a book called Playing at Work, and
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I want to understand where some of
your ideas have come from and what are
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they? What are you? What
are you? What are you conjuring about
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playing at work as it relates to
engagement and meaning? Gotcha? The well,
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the the ideas came from a kind
of a weird place, like the
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inspiration too, for like my muse
for these ideas came from a book that
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I was reading called play Anything.
And uh and it's a book I should
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I should look it up real quick
on the computer. Here it was.
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It was a book that I read
about in a magazine that I was reading,
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and it had a really great write
up. Uh and uh. Yeah,
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the author's Ian Bogost, who's a
computer pro like a video game developer,
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and the idea was that you could
no matter where you're at, no
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matter what you're doing, is that
it's something that you can play. And
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so I read this book, which
is super high hopes that it would be
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this, you know, this great
thing about how how you can take work
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or anything in life and you can
you can change, you know, by
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changing your viewpoint on anything, you
can transform whatever that task is that you're
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working on into play of some kind. And I read through the book and
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honestly, I was super disappointed in
the book because it was not what I
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wanted to read, like I had
this and I realized I was reading through
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this book, I realized that I
had all these expectations for what I wanted
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him to say, which was the
weirdest like realization in the world that It's
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like, I wasn't reading this book
to like, not so much to get
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ideas, but to almost like to
have someone put into words like thoughts and
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feelings that I already had like brewing
up inside of me. So I get
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done reading this book, and funny
thing I was part of why I was
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reading the book is for my podcast
It's called the Thrive Cast, which is
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also part of the thrivle CPA Network. Once a year for our podcast,
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we do what we call Jason and
Gregg's Book Club. Jason Blummer as the
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co host on that podcast, and
so where we just review two of the
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two books that we've read that year. And this was one of the books
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that I had chosen to read and
to to basically give my my review and
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my summary of during that podcast.
And so I was just going, this
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isn't saying what I wanted it to
say. And I have this right when
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I was finished reading it and getting
ready for this podcast, I was like
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going, you know what, I
know what I wanted this book to say.
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Maybe I just need to write a
book that says what I wanted,
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what I need to write the book
that I wish that I had just read.
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Does that make sense? It makes
perfect sense? And how brilliant is
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that? Well, if that doesn't
give the listener some some something to think
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about for themselves, who they might
be considering writing a book. I think
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that's a great idea. You actually
expected to get something from this book,
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did not get it, and so
figured hey, I'll write it myself.
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I think it's brilliant, right,
And that's exactly and So then the funny
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thing is in the podcast what I
did what I did, because, like
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I said, we each have two
books that we review during this podcast,
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we kind of alternated back and forth. So when it came back to me
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to review Play Anything by Ian Bogos, I did not review his book,
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but instead I gave a thorough explanation
of the book that I wish it was
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the book that I'm in the process
of writing. And so the whole time
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my co host is thinking, I'm
telling him about this book Play Anything,
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and at the end I tell him
and actually maybe ten percent of what I
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just said actually came from that book, and the rest of it is actually
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what I wish that the book had
said. And that was sort of the
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launch of these ideas. So that's
not really an explanation of what I'm thinking.
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That's more like the origin story of
these ideas. But to get into
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I guess basically what I mean.
There's a couple of things, and I'll
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get to the existential stuff later,
but really the beginning part of this whole
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idea of playing at work is that
I love to be engaged in what I'm
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doing. You've you've heard of it, and I'm not gonna I have no
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idea how to pronounce the guy's name, but there's the option. Yeah,
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you've got to be talking about Mahaley, right, the flow guy. Yeah,
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the flow guy. I knew it. Sorry, can have you?
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Have you gone into his stuff before? On your on your show, not
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on my show, but I have
read his works over and over again.
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The flow concept. Yes, I'm
completely with you, Greg, see you
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and I can finish each other's sentences. That's a scary thing, totally.
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Well, so with Flow and and
Flow is an interesting book because it's it's
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one of those books that it's like
the the the concepts pretty straightforward, and
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in you know, maybe a brief
conversation, people get that. And that's
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that there's these flow states that we
get into where we kind of lose track
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of time. We're completely engrossed in
whatever the task is that we're working on,
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and we're it's almost like this,
it's almost it's almost I don't know,
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it's not spiritual, it's not mystical, but it's just this complete engagement
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with whatever is happening. You're not
necessarily like feeling euphoric, but you kind
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but but then at the same time, you're working to your strengths, you're
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trying, you're challenged to just the
right amount in this in with whatever task
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you're achieving, flow in And that's
that's like the level of engagement that that
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that we that we want, that
we that we aspire to, that we
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that we want to get to.
And that's why I think flow by the
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imperfe the guy with the imprint name
is so compelling because everybody goes, I've
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tasted that before. Everybody in their
life has been there before, right you,
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Yes, yes, I'm sure every
listener has has been in a place
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where they just go, yeah,
I was working on my strengths and I
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was, and I was, you
know, clim in New Hills and it
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was the best and and I would
have done it forever if I could have,
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I could have, I would have
stayed in that place. And and
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that's where want to be. That's
the level of engagement that we want to
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get to. And so with playing
at work, I specifically look at three
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different types of play that will achieve
that that kind of engrossing engagement that'll that
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will help you get more engaged with
what you're doing at work. So there's
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three types of play that I've identified. One is competitive play, one isn't
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is artistic play, and then the
third is what I call pure play.
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And those are the three types.
So competitive play that's basically like sports,
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and whether it's an individual sport or
a team sport, it's all competitive play
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and and and that, and really
there's not a whole lot I can add
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on to that to increase people's understanding, but I'll explain how we can start
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building competitive play into our workplace.
The second type of play is artistic play,
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which is more like you're playing you're
playing the violin, or you're playing
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the guitar, or you're or even
any kind of fine arts that you're involved
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in. If you're a painter or
a sculptor, that's artistic play that you're
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working with there. And then the
third type of play is what I call
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pure play, and that's just where
you're screwing around and I and with that,
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and that's probably the three types.
That's the most controversial aspect of play
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because I think a lot of people, especially a lot of managers, might
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look at that and go, no, I'm trying to cut down on people
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screwing around at work. But what
they don't understand is with mature people,
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if you have if you hire the
right people and you allow them to the
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freedom to pursue pure play within the
context of getting their work done, that
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that can be an incredibly engaging form
of play for anybody who's at work.
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I like it. I like it. Okay. So those are three types
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of play and then and we can
and the strange thing is is that they're
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all very different. I think if
people think if they if they hear the
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idea of playing at work, they'll
probably gravitate that their mind will just go
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to the pure play to messing around
kind of playing at work. But we
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find that each of these three different
things is very very different. When you're
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in competitive play, you're trying,
you're trying to achieve a very specific goal.
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It's a gloriented thing oftentimes, and
actually, if you're really going to
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leverage this to the best of your
ability, you're going to have someone that
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you're competing against in that often that
whoever you're competing get could against could be
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yourself. But even if we get
back to like some of the basic business
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strategies you know that we learn about
in in you know, in our mba
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school kind of education. One of
the ways to build a strategy is to
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identify a competitor, to basically identify
an enemy that you'd like to beat.
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So competitive play leans into that.
Artistic play is more like you want to
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be a world You want to be
world class at what you do. You
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want to be the best, you
know, just like a violinist wants to
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be the best violinist on the planet. You want to be the best at
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whatever you do. And then and
then pure play, that's where you're just
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trying to find the fun in whatever
task is at hand, whatever's before you,
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You're going to find a way to
and not just to make it fun.
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Because I'm not talking about like Hawaiian
Shirt Day, you know, on
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the on the last Friday of the
month, because that I mean, that
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can be something that does engage people, but typically that's more of a forced
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I mean, I would look at
if if we had Hawaiian Shirt Day at
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my work, I would look at
that as like obligatory fund where I had
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to like fake it to make to
make whoever to make. You know,
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Kevin who thought up Hawaiian Shirt Day
to make him not feel bad about his
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idea that I'm really not into.
But with pure play, the trick there
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is to make it something that you
really are interested in, and that is
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really going to you know, to
to blow your skirt up and make it,
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you know, make work, just
it and it's almost like you're being
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subversive, but not in a way
that's going to blow your company up.
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Mm hmmm. I want to comment
in a couple of things real quick,
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and then we'll have to go on
break here shortly. But Greg, one
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of the things that you said about
the whole uh, I think you said
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artistic was the second kind of play. Is that right? Yep? Artistic?
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Okay, So when you talk about
it, you know, being the
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best at something, right, that's
that's it. What I know from my
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meeting and work research is that people
have there's a way for people to experience
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meaning in their work around competence.
It's this feeling of being competent something I'm
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good at this, And there's something
about that feeling that when we feel that
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it's very it's meaningful to us and
therefore it's engaging. So I wanted to
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connect which the research that I've been
doing. I just wanted to catch that
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real quick. The others didn't stand
as much to me as the research that
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I've done, but that one was
like, Ah, I got that one
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totally crisply, and here we are
already you ready to go for a quick
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break? Yeah, I think I
think we're kind of where we need to.
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Okay, good they shut you down. If we didn't, right,
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well, that's pretty much a Cortes
stop talking. I'm your host, Alis
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Cortes. We've been on the air
with Greg Kite. He is the co
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host of a monthly podcast and he's
a regular blogger for the thrive Ball thrive
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Ball how do you say that?
But instill Okay, tribal regular blogger for
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the Thrible CPA network and it creates
a bi weekly cartoon for a going concern
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Interested today from pro Vote Utah.
We've been talking a bit about his interest
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in playing at work and how that
translates to engagement. After the break,
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I want to hear more about risk
taking as well as his thoughts about the
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existential piece of it. Stay with
us, We'll be right back. Freend
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00:19:07.279 --> 00:19:11.720
us on Facebook to keep up with
what's empowering the world. Voice America Empowerment
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00:19:11.839 --> 00:19:18.400
certain Alice Cortes is a speaker and
engagement and development catalyst. She designs and
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00:19:18.440 --> 00:19:23.960
delivers professional development, leadership and engagement
workshops and can bring her expertise to your
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00:19:25.079 --> 00:19:30.440
organization. She will help ignite meaningful
development within your workforce that will increase employee
272
00:19:30.440 --> 00:19:33.920
engagement, performance and retention. To
learn more or to invite Elise to speak
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00:19:33.960 --> 00:19:40.480
to your organization, please visit her
at www dot Elisecortes dot com. She
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00:19:40.559 --> 00:19:45.920
would welcome the opportunity to help get
your employees working on purpose. Have you
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our shows, this week's Fature Yes, and new happenings of the Voice America
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Talk radio network, and you can
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on our wall. Just go to
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or search for Voice America. It's
time to live the life of inner pece
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that you deserve. Tune in every
week for Sacred Exploration with host Lisa tremont
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Oda. You can discover the you
that has been kept hidden all this time,
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world. Lisa and her guests will
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combine health and spirituality to bring you
the experience that you've been waiting for.
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You'll enjoy this journey every Wednesday at
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Time on the Voice America Empowerment Channel. It's sure to be a nourishing experience.
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It's your world. Motivate, change, succeed. Voice America Empowerment dot
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00:20:51.920 --> 00:21:06.799
com. This is Working on Purpose
with Elise Cortes. To reach our program
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today, please call in to one
triple eight three four six nine one four
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one. Again, that's one triple
eight three four six nine one four one.
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You may also send an email to
Elise A. L Se at Elisecortes
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00:21:21.920 --> 00:21:30.720
dot com. Now back to Working
on Purpose. Thanks for staying with us,
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00:21:30.759 --> 00:21:33.599
and welcome back to Working on Purpose
if you're just joining us. My
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00:21:33.640 --> 00:21:37.680
guest is Greg Kite. He is
the co host of a monthly podcast and
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00:21:37.720 --> 00:21:41.880
he's a regular blogger for the Thrible
CPA network and creates a biweekly cartoon for
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00:21:41.960 --> 00:21:45.559
Going Concern. Over the past twelve
years, Greg has estabbed himself as a
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00:21:45.640 --> 00:21:48.960
unique voice in the world of stand
up comedy as well. I'm your host,
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Alise Cortes. So, Greg,
before the break, we were talking
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about your three kinds of play that
you've discovered, and you gave some examples
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of those. For this next segment, can we start by talking a bit
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of out the existential piece. I
couldn't resist bringing that in there. That's
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the meaning piece of what we've been
talking about here. So let's get your
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perspective on the existential piece of things, and then I've got a couple questions
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to follow on. Okay, fantastic. Well, the way the existential piece
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comes into play as this is that
you can look at employee engagement or just
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your own engagement at work. I
guess I was starting to look at this
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from a like, from a managerial
perspective within any organization, and it's like,
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why would we want to encourage play? What's the purpose of playing at
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work? Why would anyone want to, you know, have implement these different
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ways of playing within their job.
What's that going to do? And some
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of it's pretty obviously, I mean, it's it's going to increase your bottom
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line if you if you you know, part of competitive play is having very
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clear goals showing people this is exactly
what you need to do in your position
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to win. And then actually even
having making whatever you can of the competitive
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side of your work, make that
public. If you're doing that, if
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you're having public competition and clear goals, you're going to end up reaching your
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company's goals, and then that's going
to make you more profitable, which is
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fantastic. There's also you know,
I know, my my arena in the
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world is accounting, and there is
a huge lack of of qualified staff in
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the accounting world. So some of
this you could also say if you're if
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you're implementing these these different types of
play, you're going to be able to
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attract and retain the staff that you
need with artistic play. If you have
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an entire firm, that's or company
where everyone is trying to become the absolute
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best they can in their one specialty
within your firm. Because again, if
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you're a if you're a world class
violinist, you're probably not also going to
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be a world class floutist at the
same time. So there's there's this real
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specialization. But if everybody knows their
specialization and is becoming the best in the
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world at that specialty, then your
firm's gonna gonna make a lot of money
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as well. There, So there's
you know, there's plenty of reasons that
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you can come up plenty of business
reasons that you can come up with for
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for implementing play at work. But
for me, that's not that's not really
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what does it for me. What
does it for me is engagement is basically
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engagement for the sake of engagement and
U and one of the things that I
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do. I mean, I think
if a lot of people were gonna look
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at a kind of my my curriculum
vita and and look at the different things
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that I do with my life.
I'm an accountant, I do stand up
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comedy and I and I very much
enjoy reading philosophy and psychology. And uh
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so, with that philosophy and psychology
side of things, it brought me to
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an author and his name is Irvin
D. Yallam, and he in a
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book called Existential Psychotherapy, which sounds
like the worst beat read in the history
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in the history of the world.
But this book was recommended to me.
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I mean it was it's one.
Well, this is something that we that
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you and I talked about in Texas
As well, when I was out,
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it was I went through a divorce
earlier, earlier this year, my wife,
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my ex my now ex wife and
I we spent a couple of years
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going to a marriage counselor. Obviously
it didn't it didn't salvage our marriage.
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But my marriage counselor recommended this book
to me, and this was actually one
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of the best takeaways I got out
of my two years of marriage counseling was
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this existential psychotherapy book and and what
And basically, so he's coming at it
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from a from a psych from a
practicing psychologist standpoint, and he's saying there's
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these existential problems, you know,
particularly meaning meaninglessness in the world, and
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that that's a problem everybody has,
not just crazy p people who need you
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00:26:00.279 --> 00:26:06.559
know, psychiatrists, but it's it's
every single person. It has this problem
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with meaninglessness in the world and finding
meaning in the world. And it's it's
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fantastic because he says in this book, he says that engagement is the antidote
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to meaninglessness. He says, so
here's just some of the great quotes that
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I have from him. I mean, this it's a long book. It's
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you know, five hundred and six
hundred pages long, and it's dense,
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so there's there's about a billion quotes
I could have pulled out of it,
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but some of them that are directly
tied to engagement. He says, meaningless
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is intricately interwoven with leisure and with
disengagement. And what I love about that
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quote is that if you don't want
meaninglessness, then you should avoid leisure,
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which means you need to work,
and you need to avoid disengagement, which
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means you need to engage. And
playing is a way for you to engage
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at your work. He was kind
of saying, just the cost verse of
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what I'm saying is that through engaged, playful work, you're going to find
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meaning in what you do. And
then later in the book he says meaning
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like pleasure, must be pursued obliquely. A sense of meaningfulness is a byproduct
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of engagement. So again, if
you just if you're just going, I
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need to find meaning and things I
need to find meaning. What's the meaning?
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What's the meaning? You get and
you get locked into that of going,
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I don't feel like I have a
meaning or a purpose in what I
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do, which is what we talked
about right before the break you're not going
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to find that meaning directly. What
you need to do is you got to
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go, Okay, how can I
get engaged with what I'm doing right now?
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And then by finding that engagement,
you're going to find meaning through engagement,
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which I think is a I mean, that was one of the biggest
379
00:27:51.759 --> 00:27:55.200
takeaways that I got from this whole
book. Does that how does that line
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up with some of the research and
studies that you've done on meaning? And
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00:28:00.400 --> 00:28:03.200
it's wonderful and you know this just
jazz is me to no end. So
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00:28:03.240 --> 00:28:06.000
a couple of things. Yes,
I know Yellam's work as you and I've
383
00:28:06.000 --> 00:28:10.440
talked about, and I also get
that meaning as a byproduct of engagement.
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And what I want to now recognize
in the three levels of play that you
385
00:28:12.960 --> 00:28:15.839
just came up with, I just
kind of put the dots together for my
386
00:28:15.920 --> 00:28:22.039
own research is I looked at I
can't remember now how many buckets of meaning
387
00:28:22.039 --> 00:28:26.920
I coded for, but I did
actually look at them along Maslow's hierarchy of
388
00:28:26.960 --> 00:28:30.160
meaning. And so you know,
if you look at there's the safety piece
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of things of having a stable job
and money, and then there's the emotional
390
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stuff, and then there's you know, esteem stuff how you feel about things,
391
00:28:37.160 --> 00:28:41.480
and then there's you can look at
the value and the purpose set ceter
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00:28:41.519 --> 00:28:45.839
above that. What I think is
what I see and what you've identified,
393
00:28:45.880 --> 00:28:52.319
Greg, is that you've identified a
set along the feeling spectrum, the emotive
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spectrum, So you're competitive alignes of
what I found for my research around winning
395
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and success. I feel success,
and that feeling then is the cascade of
396
00:29:03.400 --> 00:29:07.599
being engaged. Right, that's the
byproduct you were talking about. And the
397
00:29:07.720 --> 00:29:11.119
artistic as who already said, is
the notion of feeling competent. Also,
398
00:29:11.200 --> 00:29:15.480
I feel, so it's still emotion. And then the fun piece is still
399
00:29:15.559 --> 00:29:19.920
the feeling of fun. So you
what I see that you've done there beautifully
400
00:29:21.440 --> 00:29:26.160
is you have you have found a
compliment along what I call again this is
401
00:29:26.200 --> 00:29:30.480
my research. You ask about research
is along the emotive scale. What I
402
00:29:30.519 --> 00:29:33.839
also know now when you think about
this, you know, existential stuff and
403
00:29:33.880 --> 00:29:38.559
even all other stuff is that above
that maybe even in a in a in
404
00:29:38.599 --> 00:29:41.799
a deeper vein, you get into
value since people say things like, well,
405
00:29:41.799 --> 00:29:45.599
I joined this organization because it aligns
with my values, and that can
406
00:29:45.640 --> 00:29:52.920
actually be a really really strong,
compelling source of engagement, which then you
407
00:29:52.960 --> 00:29:56.720
know, cascades to meeting and then
above that, of course, it is
408
00:29:56.759 --> 00:29:59.839
purpose. And I know we're going
to talk about purpose a little bit further
409
00:29:59.839 --> 00:30:02.559
here, we'll get into the risk
piece of things. But when you ask
410
00:30:02.599 --> 00:30:06.319
about how does that align, I
think the way that you describe that is
411
00:30:06.519 --> 00:30:10.720
just such a yummy way to situate
it and to be able to bring it
412
00:30:10.720 --> 00:30:14.119
to a life in a way that
almost anybody can understand. It was gorgeous.
413
00:30:14.119 --> 00:30:17.559
Greg. Well, thanks, and
I think that's it too, because
414
00:30:17.599 --> 00:30:21.720
like what you were saying is someone's
trying to find a company that the purpose
415
00:30:21.720 --> 00:30:25.640
of the company aligns with their purpose. I mean that really does tie in
416
00:30:25.720 --> 00:30:30.680
both. I mean it can tie
in with competitive play with like like I
417
00:30:30.720 --> 00:30:33.160
think of the Gates Foundation and them
wanting to rid the world of malaria.
418
00:30:33.200 --> 00:30:37.319
Well, there you go, that's
an incredibly clear focus. It's gotten incredibly
419
00:30:37.960 --> 00:30:42.480
clear who your enemy is. It's
malaria. And you know when you win,
420
00:30:42.559 --> 00:30:48.079
and that's when malaria isn't the thing
anymore. And that's incredibly competitive play.
421
00:30:48.079 --> 00:30:49.240
And so your purpose lining up with
that purpose, you go, heck,
422
00:30:49.319 --> 00:30:52.680
yeah, that's what I want to
play. It's kind of like me,
423
00:30:52.880 --> 00:30:56.839
I really enjoy playing foosball and volleyball, but basketball, forget it.
424
00:30:56.920 --> 00:31:02.720
That's the I'm not I don't enjoy
basketball at all. So you've got to
425
00:31:02.759 --> 00:31:06.680
find the right thing for you to
play at work. And if and if
426
00:31:06.720 --> 00:31:11.680
what you're doing right now isn't something
that you can translate into competitive player,
427
00:31:11.799 --> 00:31:15.680
artistic play, everything can be translated
into pure play, I believe. But
428
00:31:17.480 --> 00:31:21.440
maybe it's time to look for a
different position or just to do some soul
429
00:31:21.480 --> 00:31:26.079
searching and figure out a way to
change your your own attitude towards your position
430
00:31:26.160 --> 00:31:30.599
that you're in. One of the
things though, too. You mentioned feeling
431
00:31:30.799 --> 00:31:33.799
successful, and I want to I
want to put a little bit of nuance
432
00:31:33.880 --> 00:31:38.599
on that, because everything that we
do, all three types of play,
433
00:31:40.119 --> 00:31:44.759
there is success that's involved in that. But there's also risk that's involved in
434
00:31:44.759 --> 00:31:47.160
that. I know we're going to
talk about risk in the third break that
435
00:31:47.240 --> 00:31:52.240
this is actually a good intersection of
all those things, because when you're when
436
00:31:52.279 --> 00:31:57.440
you play something competitively, there's times
where you are going to lose, and
437
00:31:57.480 --> 00:32:02.359
if you never lose, you're probably
not really playing the game a great If
438
00:32:02.400 --> 00:32:07.279
you are an artist and you don't, you have the only way you're going
439
00:32:07.319 --> 00:32:13.160
to become world class at being an
artist is to take risks with your art.
440
00:32:13.240 --> 00:32:16.680
You have to find your own voice. That's incredibly true with stand up
441
00:32:16.680 --> 00:32:22.039
comedy, which is my artistic outlet, but that's true with whatever. You
442
00:32:22.079 --> 00:32:27.480
know what, If you're the if
you're Angus Young, Angus Young plays the
443
00:32:27.960 --> 00:32:32.440
guitar in a way that Angus Young
from a CDC. It's his signature style
444
00:32:32.839 --> 00:32:37.039
of guitar playing. He's found a
way to make that his authentic voice through
445
00:32:37.119 --> 00:32:42.319
that. But you're going to have
to risk by throwing your authentic voice out
446
00:32:42.319 --> 00:32:45.599
there. There's going to be people
who don't like your music, or your
447
00:32:45.599 --> 00:32:49.759
sculpture or your art, and there's
ways where you're going to if you're doing
448
00:32:49.799 --> 00:32:52.200
all this stuff right, you're gonna
fail. There's gonna be ways where you're
449
00:32:52.200 --> 00:32:57.680
going to try to have some playful, subversive things that you do at work
450
00:32:58.000 --> 00:33:00.880
and it's just not going to be
funny. It's not to go overwell,
451
00:33:00.039 --> 00:33:04.279
or somebody's going to be offended and
you didn't intend that. And that's where
452
00:33:04.279 --> 00:33:09.720
I live all day long, because
I accidentally pissed people off regularly and it's
453
00:33:09.799 --> 00:33:15.039
never my intent to. But that's
how that's the risk that I take from
454
00:33:15.079 --> 00:33:17.519
playing at work in a pure play
kind of way. But here's the here's
455
00:33:17.519 --> 00:33:23.200
the interesting thing is that I believe
that you can become incredibly engaged in what
456
00:33:23.240 --> 00:33:29.160
you're doing despite whether you are successful
at it or if you fail at it.
457
00:33:29.240 --> 00:33:31.640
And here's and here's the reason I
know this is this is absolutely the
458
00:33:31.640 --> 00:33:37.000
case. And it comes back to
stand up comedy. Stand up comedy is
459
00:33:37.039 --> 00:33:45.599
a very very interesting, uh performance
medium to engage with. It has been
460
00:33:45.680 --> 00:33:50.039
for me, and it wouldn't not
everyone to have the same experience. But
461
00:33:50.160 --> 00:33:52.720
let me explain what I what's happened
to me through stand up comedy is that
462
00:33:53.160 --> 00:33:59.799
when I go on stage, either
I either I hit a home run and
463
00:33:59.839 --> 00:34:04.319
I feel fantastic and I go that
was a wonderful feeling. I want to
464
00:34:04.359 --> 00:34:08.400
get back up on stage as soon
as possible to do that again and to
465
00:34:08.480 --> 00:34:14.920
have that, to repeat that wonderful
experience of me expressing some things that are
466
00:34:14.920 --> 00:34:16.880
important to me, things that I
find funny, and an audience to click
467
00:34:16.920 --> 00:34:22.159
into that and to respond in the
moment in an authentic way that makes me
468
00:34:22.239 --> 00:34:27.440
understand that they really are appreciating what
I'm doing. That's a wonderful experience.
469
00:34:27.639 --> 00:34:30.760
The other thing that happens on stage
is I go up and it's and it's
470
00:34:30.840 --> 00:34:35.679
horrible, Like I like, for
whatever reason, I don't connect with the
471
00:34:35.679 --> 00:34:37.719
audience. Whether that's because I have
some new jokes that I'm trying out that
472
00:34:37.800 --> 00:34:42.039
don't work, whether that's I'm on
an off night, I'm not in the
473
00:34:42.119 --> 00:34:45.519
right headspace. Maybe that's the fact
that this audio. I just did a
474
00:34:45.559 --> 00:34:50.400
show last week for an accounting firm, and right before I get up,
475
00:34:50.599 --> 00:34:54.360
like one of the partners of the
firm basically is yelling at everybody at the
476
00:34:54.440 --> 00:35:00.840
Christmas party to like work harder during
this major transition they're doing house, and
477
00:35:00.880 --> 00:35:02.679
I'm going, that's a horror.
It's like, it's like, so when
478
00:35:02.679 --> 00:35:06.800
you guys are doing file transfers,
you can't just sit there and think that
479
00:35:06.840 --> 00:35:08.880
you're working. You've got to do
something else while the computer's jugging along.
480
00:35:09.119 --> 00:35:13.360
So stop screwing around and work harder. And now welcome to stage. The
481
00:35:13.360 --> 00:35:16.719
guys. Is gonna make us laugh, Greg, Greg, Yeah, exactly.
482
00:35:16.760 --> 00:35:22.239
And now, fortunately I started off
by just basically making fun of him
483
00:35:22.559 --> 00:35:25.559
when I went up there, which
also was a risk because I'm going this
484
00:35:25.599 --> 00:35:30.519
guy could maybe hate me. But
fortunately I knew that I personally know the
485
00:35:30.559 --> 00:35:32.480
partner who is just up there talking, so I knew he'd take it well.
486
00:35:34.800 --> 00:35:37.639
But but you know, you can
have your audience that. But here's
487
00:35:37.639 --> 00:35:40.519
the thing that happens with stand up
comedy, like if you well one of
488
00:35:40.559 --> 00:35:44.639
the one of the stories I also
have. I got to open for weird
489
00:35:44.639 --> 00:35:49.360
Al Yankovic to a sold out crowd
of thirty five hundred people. This was
490
00:35:49.360 --> 00:35:52.079
back in two thousand and four,
I believe, and I thought that was
491
00:35:52.079 --> 00:35:54.840
going to be my big break with
stand up comedy, was opening for weird
492
00:35:54.880 --> 00:36:00.000
Al Yankovic. And I went up
there, and weird Al Yankovic sold out
493
00:36:00.119 --> 00:36:05.400
this thirty five hundred seat stadium to
mostly thirteen and fourteen year old boys who
494
00:36:05.840 --> 00:36:09.880
were dressed up as Jedis. And
they didn't really they're not really my target
495
00:36:09.920 --> 00:36:15.199
audience for this comedy that I do. They didn't really have a concept that
496
00:36:15.239 --> 00:36:19.639
anyone was going to be at this
concert except weird House singing as song parodies.
497
00:36:19.840 --> 00:36:22.679
So when I went up there,
I was just something that was in
498
00:36:22.719 --> 00:36:25.960
the way of them and what they
were really there for. And they hated
499
00:36:27.000 --> 00:36:32.239
me at that concert and it and
it beat me up emotionally to have that
500
00:36:32.440 --> 00:36:37.119
bad of a show like it was. I felt horrible about my show.
501
00:36:37.320 --> 00:36:42.559
But here's the thing. So I
was not successful when I opened for weird
502
00:36:42.599 --> 00:36:45.559
Al Yankovic. But what happens to
me with that is I go, Okay,
503
00:36:45.840 --> 00:36:50.760
I wasn't successful. I've got to
get back up and do another show
504
00:36:51.079 --> 00:36:54.199
to be able to like to like
wash the funk off of me of this
505
00:36:54.320 --> 00:36:58.119
bad show. That is so,
whether I'm successful or whether I'm not,
506
00:36:58.559 --> 00:37:02.079
it drives me back into doing what
I'm doing to be the best in the
507
00:37:02.079 --> 00:37:06.760
world at what I'm doing, to
go I'm not going to lose the next
508
00:37:06.760 --> 00:37:08.480
time I get up on stage.
I'm not going to have a crappy show.
509
00:37:08.800 --> 00:37:14.639
That sort of stuff, and that
that's where you can get incredible engagement,
510
00:37:14.880 --> 00:37:19.000
regardless of whether you're actually succeeding or
whether you're failing. I know that's
511
00:37:19.039 --> 00:37:22.880
the same case with with sports teams. They can go out there and they
512
00:37:22.920 --> 00:37:25.039
can get their butts handed to them
by their opponent, but at the end
513
00:37:25.039 --> 00:37:28.800
of it, they can either go, oh, we stink or you can
514
00:37:28.840 --> 00:37:32.519
go nope. This doubles my resolve
next time to go out and be amazing
515
00:37:32.639 --> 00:37:36.920
and to not ever, let this
happen again. And when you get in
516
00:37:37.000 --> 00:37:42.280
that mindset, success or failure doesn't
matter. You're engaged. Okay, I
517
00:37:42.320 --> 00:37:45.519
got to say one thing to that
one. That's just gorgeous what you just
518
00:37:45.559 --> 00:37:47.840
said. I completely agree with that, because you know, we as human
519
00:37:47.920 --> 00:37:52.000
beings are meeting makers. We have
the ability to assigned meaning that happens for
520
00:37:52.079 --> 00:37:54.760
us in life. That's just how
it goes. It doesn't just float into
521
00:37:54.840 --> 00:37:59.840
us, right, We create that. So yes, there you have the
522
00:38:00.880 --> 00:38:02.480
and maybe that will change over time. It depends on the situation to be
523
00:38:02.519 --> 00:38:05.599
able to change your mindset, to
be able to say, Okay, I
524
00:38:05.679 --> 00:38:08.679
flopped. However, I'm going to
use that to steel myself and resolve myself
525
00:38:08.719 --> 00:38:13.639
and do something different in the future. For other people, some of us
526
00:38:13.679 --> 00:38:16.119
need coaches. We need help,
right, And I'm a big fan of
527
00:38:16.159 --> 00:38:20.519
having coaches, not just because I
provide that service myself, but I have
528
00:38:20.719 --> 00:38:25.000
two coaches myself who work with me, and those people help me resituate sometimes
529
00:38:25.079 --> 00:38:30.119
opportunities or challenges that let me see
it as an opportunity and not as jeez,
530
00:38:30.199 --> 00:38:32.880
you know, yeah, Okay,
you really messed up their quretest.
531
00:38:32.960 --> 00:38:37.480
There's no other way to frame that
you really mucked it up. However,
532
00:38:38.039 --> 00:38:43.079
do you realize that there's a whole
arena of possibility that comes with being able
533
00:38:43.119 --> 00:38:45.159
to address that if you're willing to
take quote that risk, and we're going
534
00:38:45.199 --> 00:38:49.559
to talk about that next, I
know, but being able to get to
535
00:38:49.639 --> 00:38:52.679
that place of mindset where we can
turn it on a dime like you talked
536
00:38:52.719 --> 00:38:55.039
about, it might take something.
It might take some outset help to get
537
00:38:55.039 --> 00:38:58.079
there. And I appreciate when we
can do it on our own, but
538
00:38:58.400 --> 00:39:01.920
sometimes we need help, absolutely.
And the funny thing is so again all
539
00:39:01.960 --> 00:39:05.800
of these things, it's it's nuanced. You can't just say go out there
540
00:39:05.840 --> 00:39:08.280
and play work like a sport,
because I remember when I was in fifth
541
00:39:08.320 --> 00:39:12.559
grade, I was on the community
you know, I was on a community
542
00:39:12.599 --> 00:39:16.599
baseball team, and it seemed like
no matter what sport I played, my
543
00:39:16.719 --> 00:39:22.440
team was always like the worst and
like I was never we never went to
544
00:39:22.599 --> 00:39:25.199
None of my teams ever went to
state. We never did anything like that.
545
00:39:25.559 --> 00:39:30.960
And with this baseball team that I
was on in fifth grade, I
546
00:39:30.039 --> 00:39:34.559
remember feeling like it didn't matter what
position the coach put me in, I
547
00:39:34.679 --> 00:39:37.760
was horrible at it and I didn't
see a path to getting to a point
548
00:39:38.079 --> 00:39:44.199
where I could be amazing at it. And so you're exactly right. Competent
549
00:39:44.320 --> 00:39:50.119
coaching. If you're trying to implement
competitive play into your workplace, you have
550
00:39:50.199 --> 00:39:53.400
to have coaching in there because people
you'll because you'll get the opposite. I
551
00:39:53.440 --> 00:39:58.880
was incredibly disengaged as a baseball player
because I just didn't know how to get
552
00:39:58.920 --> 00:40:00.840
better. And you're gonna find that
and work is if you're trying to set
553
00:40:00.880 --> 00:40:07.199
up this your job as though were
this competition of people going I'm never gonna
554
00:40:07.199 --> 00:40:09.199
win. They're totally going to check
out, and you're going to completely get
555
00:40:09.199 --> 00:40:14.559
the opposite result than what you The
opposite of engage, you're gonna get disengagement
556
00:40:14.760 --> 00:40:16.960
if people just don't feel like they
can get better or they can win.
557
00:40:17.119 --> 00:40:21.039
That was my first year in accounting
at the firm I was at. I
558
00:40:21.119 --> 00:40:23.480
just I didn't know how to make
the partners happy, and it seemed like
559
00:40:23.559 --> 00:40:28.239
I constantly got pulled in and they
were telling me how you know that I
560
00:40:28.360 --> 00:40:31.280
wasn't meeting their expectations, but there
wasn't a clear path of if you do
561
00:40:31.400 --> 00:40:36.320
these things, you will get better. And that made me go, I
562
00:40:36.360 --> 00:40:39.079
need to get another job because life's
too short for this one. I got
563
00:40:39.079 --> 00:40:43.440
that. Okay, hold that thought. We're gonna go on a quick break
564
00:40:43.440 --> 00:40:45.280
here, Greg, I'm Alie Cortez, your host. We went on the
565
00:40:45.320 --> 00:40:49.559
air with Greg Kite. He is
the co host of a monthly podcast and
566
00:40:49.599 --> 00:40:53.440
he's also a regular blogger for the
Thriveball CPA network and creates a bi weekly
567
00:40:53.440 --> 00:40:58.320
cartoon for Going Concern. You joined
you today from Provo, Utah. After
568
00:40:58.360 --> 00:41:00.199
the break, we're going to talk
about intentional taking in some of the merits
569
00:41:00.239 --> 00:41:15.159
that come with that. Stay with
us. We'll be right back. Friend
570
00:41:15.239 --> 00:41:19.719
us on Facebook to keep up with
what's empowering the world. Voice America Empowerment.
571
00:41:21.599 --> 00:41:25.320
Alice Cortes is a speaker and engagement
and development catalyst. She designs and
572
00:41:25.400 --> 00:41:30.920
delivers professional development, leadership and engagement
workshops and can bring her expertise to your
573
00:41:31.000 --> 00:41:37.360
organization. She will help ignite meaningful
development within your workforce that will increase employee
574
00:41:37.400 --> 00:41:40.880
engagement, performance and retention. To
learn more or to invite Elise to speak
575
00:41:40.880 --> 00:41:46.440
to your organization, please visit her
at www dot Elisecortes dot com. She
576
00:41:46.519 --> 00:41:52.440
would welcome the opportunity to help get
your employees Working on Purpose, We're making
577
00:41:52.480 --> 00:41:57.519
it easier to listen to the Voice
American Talk radio network wherever you go.
578
00:41:57.719 --> 00:42:00.039
In addition to listening live, you
could check out in information about your favorite
579
00:42:00.039 --> 00:42:04.920
talk show hosts, discovered you talk
show personalities at shows to your list of
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00:42:04.960 --> 00:42:08.639
favorites, and listen to all our
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00:42:08.639 --> 00:42:14.719
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582
00:42:14.920 --> 00:42:19.639
or Android Market. And get ready
to tune in the Voice America Moblack
583
00:42:19.920 --> 00:42:34.199
powered by air Cast, Looking stocks, bigger th s. Get inspired,
584
00:42:34.400 --> 00:42:39.119
encouraged and connected on our Lively award
winning Healthy Living Power Hour Star Style Be
585
00:42:39.280 --> 00:42:45.679
the star you are with host and
empowerment architect Cindya Brian, live every Wednesday
586
00:42:45.679 --> 00:42:49.920
at four pm Pacific on the Voice
America Empowerment Channel. Tune into the Power
587
00:42:49.960 --> 00:42:54.039
Party for positive, uplifting, life
changing talk radio. Visit Starstyle radio dot
588
00:42:54.039 --> 00:43:12.599
com to follow us on Twitter for
more great ideas at Voice America Empowerment.
589
00:43:20.719 --> 00:43:24.599
This is Working on Purpose with Elise
Cortes. To reach our program today,
590
00:43:24.679 --> 00:43:30.480
please call in to one triple eight
three four six nine one four one again
591
00:43:30.559 --> 00:43:34.880
that's one triple eight three four six
nine one four one. You may also
592
00:43:35.000 --> 00:43:40.519
send an email to Elise A.
L i se at elisecortes dot com.
593
00:43:40.639 --> 00:43:47.719
Now back to working on Purpose.
Thanks for staying with us, and welcome
594
00:43:47.760 --> 00:43:51.840
back to Working on Purpose if you're
just tuning in. My guest is Great
595
00:43:51.920 --> 00:43:54.320
Kite. He is the co host
of a monthly podcast and he's a regular
596
00:43:54.320 --> 00:43:59.400
blogger for the Thrible CPA network.
He also creates a bi weekly cartoon for
597
00:43:59.440 --> 00:44:02.119
Going Concern. Over the last twelve
years, he has established himself as a
598
00:44:02.199 --> 00:44:06.159
unique voice in the world of stand
up comedy. As if that weren't enough,
599
00:44:06.519 --> 00:44:09.320
I'm your host, Alis Cortes for
this last bit here, Greg,
600
00:44:09.400 --> 00:44:14.519
I loved the idea of talking about
intentional risk taking and how that could be
601
00:44:15.079 --> 00:44:19.599
a path to profit, passion and
robust corporate culture. I you had me
602
00:44:20.079 --> 00:44:22.239
right there, So let's get into
it for this last bit here, intentional
603
00:44:22.360 --> 00:44:27.559
risk taking? What do you know? Well, one of the things I
604
00:44:27.599 --> 00:44:30.440
know is that I'm an accountant,
and accountants are known for being very,
605
00:44:30.559 --> 00:44:36.480
very risk averse as a as a
species of human being. This is true,
606
00:44:37.000 --> 00:44:39.280
Yeah, absolutely, And so when
I speak to accountants, one of
607
00:44:39.360 --> 00:44:45.119
the things that I like to tell
them is that we as accountants have we're
608
00:44:45.199 --> 00:44:51.119
amazing at handling change, the change
in complexity, two things that we do
609
00:44:51.159 --> 00:44:59.320
because I mean, just today that
both Congress passed the new tax overhaul bill,
610
00:45:00.559 --> 00:45:06.440
and what with eleven days left before
tax season starts, they're changing the
611
00:45:06.599 --> 00:45:09.440
entire framework with which we do our
business, and we didn't know a whole
612
00:45:09.440 --> 00:45:14.760
lot about it, and we definitely
didn't know the final presentation that till today.
613
00:45:14.960 --> 00:45:19.519
But we're amazing at just handling that
and rolling with it. We've got
614
00:45:19.719 --> 00:45:23.159
we have an incredible high amount of
confidence of dealing with change and complexity.
615
00:45:23.840 --> 00:45:29.639
What accountants don't do is we don't
take risks. But what's weird is that
616
00:45:30.480 --> 00:45:37.360
intentional risk taking is just self imposed
change. And so when I enter the
617
00:45:37.400 --> 00:45:40.800
accountants, I go, we're amazing
at handling change. Taking a risk that
618
00:45:40.960 --> 00:45:46.199
isn't being rammed down your throat is
I mean, implementing change that's not being
619
00:45:46.960 --> 00:45:51.559
rammed down your throat is the same
as taking risks. And then I get
620
00:45:51.559 --> 00:45:57.440
into it with them like why why
should we take risks as accountants? And
621
00:45:58.079 --> 00:46:00.719
the three things that you just mentioned, those those are the three things that
622
00:46:00.800 --> 00:46:07.119
I think are incredibly important about about
taking risk and and and the first one
623
00:46:07.199 --> 00:46:10.079
is the easy one, and it's
profit. I mean, that's just the
624
00:46:10.159 --> 00:46:15.039
standard. You know. That's almost
not even noteworthy, is that profit comes
625
00:46:15.039 --> 00:46:20.119
from taking risk. If you that
that's why if you know penny stocks,
626
00:46:20.960 --> 00:46:25.639
they're they're not very expensive because they're
a huge risk, but if one hits,
627
00:46:25.880 --> 00:46:30.400
you're doing you're doing amazing. So
so we find that even with pricing
628
00:46:30.719 --> 00:46:35.400
that that the more if you're willing
to take more risk, things are going
629
00:46:35.480 --> 00:46:37.559
to be less expensive and you'll end
up with a bigger profit when they do
630
00:46:37.679 --> 00:46:43.360
hit. So that that's almost not
not that interesting to talk about, but
631
00:46:43.760 --> 00:46:49.400
it's also there because when you talk
to accounts or anyone in business, one
632
00:46:49.400 --> 00:46:52.159
of the main things that they're that
they're trying to accomplish with their business,
633
00:46:52.159 --> 00:46:55.440
not the it shouldn't be the purpose
of the business, but it should be
634
00:46:55.599 --> 00:47:00.599
a function of the business is to
is to turn a profit for yourself and
635
00:47:00.639 --> 00:47:04.599
for your shareholders, and that's only
going to happen with risk taking. But
636
00:47:04.679 --> 00:47:07.400
then some of the more interesting things
that come out of risk taking is that
637
00:47:08.440 --> 00:47:15.400
risk taking is a path towards discovering
what you're passionate about. And we hear
638
00:47:15.559 --> 00:47:21.880
so much and we read so much
about how important it is to be pursuing
639
00:47:21.960 --> 00:47:24.400
the thing, you know, pursuing
your bliss, finding those things that really
640
00:47:24.719 --> 00:47:28.719
make you want to jump out of
the bed in the morning and get going
641
00:47:28.760 --> 00:47:35.119
on your day. The problem is
most people are Most people struggle at even
642
00:47:35.280 --> 00:47:39.920
identifying what they are passionate about.
And what I've found is that if you're
643
00:47:39.960 --> 00:47:45.000
intentionally taking risks, you will discover
your passion. And here's how, and
644
00:47:45.039 --> 00:47:49.079
it's basically what we just talked about
before. Was if you take a risk
645
00:47:49.199 --> 00:47:52.800
on something and you fail at it, but you're still excited to go and
646
00:47:52.880 --> 00:47:58.480
do that same thing again, you
just found something that you're passionate about.
647
00:47:58.639 --> 00:48:01.760
I'm passionate about comedy because if I
kill it, I'm excited about doing it
648
00:48:01.840 --> 00:48:06.679
again. And if I totally thank
I'm excited about going and doing it again.
649
00:48:07.559 --> 00:48:10.760
Obviously I want to do it better. But that's how I discovered that
650
00:48:10.760 --> 00:48:15.000
that was something that was a passion
of mine. So if someone has difficulty
651
00:48:15.119 --> 00:48:20.280
identifying their passion, they need to
start trying things. They need to start
652
00:48:20.280 --> 00:48:22.760
taking these risks. And if you
take a risk and you fail at it,
653
00:48:22.800 --> 00:48:25.800
but you still are like, I
gotta go do that again, you're
654
00:48:27.000 --> 00:48:30.599
on the path of finding what you're
passionate about. Oh my gosh, hold
655
00:48:30.599 --> 00:48:34.559
on, Greg, hold on,
hold the phone really great because I hear
656
00:48:34.599 --> 00:48:37.480
it all the time. That was
stellar advice. Greg. My listeners ask
657
00:48:37.559 --> 00:48:39.800
me all the time, Alice,
how in the world I want to find
658
00:48:39.800 --> 00:48:43.519
my purpose? How do I do
it? Well? Trying new things?
659
00:48:43.559 --> 00:48:46.039
That makes a lot of sense.
And if along the way of trying those
660
00:48:46.079 --> 00:48:50.440
things that they don't quite get it, but they recognize they want to go
661
00:48:50.480 --> 00:48:53.119
after it again that there's something there. They've hit a vein. You have
662
00:48:53.360 --> 00:48:58.960
really isolated something that is yummy and
gorgeous for our listeners. Thank you for
663
00:48:59.000 --> 00:49:00.280
that. Right well, And i'd
want to and I'd want to make a
664
00:49:00.360 --> 00:49:05.800
very clear caveat because to what you
said, it's not I think I mean
665
00:49:05.920 --> 00:49:08.559
it's it's a caveat, or at
least it's a different texture to what you
666
00:49:08.679 --> 00:49:13.239
just said, because I don't think
it's just trying new things. I think
667
00:49:13.280 --> 00:49:17.519
it's you pushing yourself outside of what's
comfortable. Because I can go and I
668
00:49:17.559 --> 00:49:21.360
could, you know, I could
try the I could try the donut at
669
00:49:21.400 --> 00:49:25.800
the bakery that I've never tried before. But that's not that's not that's not
670
00:49:25.840 --> 00:49:30.079
the same thing. I need to
When you're when you're on the hunt for
671
00:49:30.199 --> 00:49:32.639
passion, you've got to do things
that are making you uncomfortable. You're gonna
672
00:49:32.639 --> 00:49:37.480
go this is kind of stupid,
this is kind of this is this,
673
00:49:37.480 --> 00:49:42.480
this even makes me feel foolish that
I'm going at that's to go try that.
674
00:49:42.880 --> 00:49:45.400
And if after making a fool of
yourself, you're like, I could
675
00:49:45.440 --> 00:49:47.679
do that again, then then you
did it. You found it. You
676
00:49:47.760 --> 00:49:53.519
found something that's gonna that's that's that's
right there for you with passion, that
677
00:49:53.639 --> 00:49:57.719
lines up with your purpose, your
meaning, all that stuff. It all
678
00:49:57.760 --> 00:50:00.840
folds together when you take a risk
and you fail, but you want to
679
00:50:00.840 --> 00:50:06.400
get back up on that horse again
because because something about it speaks to to
680
00:50:06.559 --> 00:50:08.320
the core of who you are.
I love it. Okay, go out
681
00:50:08.360 --> 00:50:10.800
of your comfort zone. Thank you
for that. The donut example was fantastic
682
00:50:10.840 --> 00:50:14.000
because you're right, on any given
day we could probably eat a donut.
683
00:50:14.000 --> 00:50:17.519
You're right, Okay, got it. It's got to make you uncomfortable because
684
00:50:17.599 --> 00:50:21.559
and that's that's the risk. It's
not you know, and I'd say you
685
00:50:21.599 --> 00:50:24.679
know, don't well, I'd say, don't you know don't take risks that
686
00:50:24.719 --> 00:50:29.199
are maybe going to you know,
you've got you've got to choose the right
687
00:50:29.280 --> 00:50:34.119
risk as well. But at the
same time, you know do and that's
688
00:50:34.119 --> 00:50:37.079
the other thing. I just spoke
with a guy and he was like,
689
00:50:37.119 --> 00:50:42.039
you know what, in our age
with the internet and social media, you
690
00:50:42.079 --> 00:50:46.159
can monetize any passion that you have. It might not be something that you
691
00:50:46.239 --> 00:50:52.880
get to immediately, but if you're
consistently putting out content related to whatever you're
692
00:50:52.880 --> 00:50:55.119
passionate about, you're going to find
the other people in the world who are
693
00:50:55.159 --> 00:51:00.920
passionate about that as well, and
they will pay to hear you talk about
694
00:51:00.960 --> 00:51:07.159
your passion that that you share with
them. So it's possible to turn anything.
695
00:51:07.199 --> 00:51:08.679
Even though if you go there's no
way anybody who's going to pay me
696
00:51:08.719 --> 00:51:12.719
for this, that you're wrong,
people will you got to you got to
697
00:51:12.760 --> 00:51:16.119
just be consistent with your content creation
around that thing you're passionate about now,
698
00:51:16.519 --> 00:51:22.480
because I know that our hour has
whipped by then. The other thing that
699
00:51:22.599 --> 00:51:27.639
risk taking can do is that can
help you build a robust corporate culture.
700
00:51:28.119 --> 00:51:32.320
And here's what and this is also
the way to structure risk so that it's
701
00:51:32.360 --> 00:51:38.840
so that's a no fail risk Like
if you succeed, great, If you
702
00:51:38.960 --> 00:51:44.119
fail, that's actually also great.
And what it is is if it is,
703
00:51:44.480 --> 00:51:46.599
you got to look at your core
If you go to your company,
704
00:51:47.159 --> 00:51:53.199
hopefully you've already done the job of
trying to identify your core values as a
705
00:51:53.239 --> 00:51:57.559
company. And if you've got a
list of core values, you need to
706
00:51:57.559 --> 00:52:00.400
go through there and go, do
I have a story that backs up every
707
00:52:00.440 --> 00:52:05.159
single one of these core values?
Because if you don't have a story where
708
00:52:05.239 --> 00:52:08.800
you have, uh you where you
have risked something based on those core values,
709
00:52:08.960 --> 00:52:13.280
then I call bs and that's not
really a core value. Like,
710
00:52:13.400 --> 00:52:20.320
for instance, if you say that
your company a core value is is being
711
00:52:21.119 --> 00:52:24.280
incredibly ethical with everything that you do
in all your business dealings, that you
712
00:52:24.320 --> 00:52:28.239
are an ethical company, and that's
a core value to you, I would
713
00:52:28.239 --> 00:52:31.519
say, tell me a story of
the time where you did you have you
714
00:52:31.519 --> 00:52:37.480
ever fired a client because you thought
that client might be doing something that's that's
715
00:52:37.960 --> 00:52:40.440
uh, you know below board?
Do you think that they did you fire
716
00:52:40.480 --> 00:52:45.480
somebody just because you're like going,
they're not maybe doing anything illegal, but
717
00:52:45.519 --> 00:52:49.119
we just don't feel comfortable with them. I want to know a story about
718
00:52:49.239 --> 00:52:54.199
how you you are how you risk, how you how you intentionally gave something
719
00:52:54.280 --> 00:53:00.840
up because because you because you're so
committed to that core value, So taking
720
00:53:00.960 --> 00:53:06.400
risks that are based on your core
values, any risk that you take and
721
00:53:06.679 --> 00:53:08.159
or you could say, hey,
I risked it with this core value,
722
00:53:08.280 --> 00:53:12.559
but we totally that launched us into
a whole new thing and we ended up
723
00:53:12.559 --> 00:53:15.440
winning. I want to hear those
stories as well. Every single core value
724
00:53:15.480 --> 00:53:19.400
that you have, you should be
thinking, how am I taking a risk
725
00:53:19.800 --> 00:53:22.119
for that? Quore? If innovation
is a core value that you have,
726
00:53:22.400 --> 00:53:25.880
how are you risking on innovation?
Are you still playing with scared are you
727
00:53:27.199 --> 00:53:30.719
are you still like a startup who
is going we got these big ideas and
728
00:53:30.760 --> 00:53:32.320
we're going to throw it out there
and see if we hit a home run.
729
00:53:32.519 --> 00:53:36.039
Or are you're starting to play with
scared money where you're going, well,
730
00:53:36.079 --> 00:53:39.039
we're only going to really throw out
something new if we have focus group
731
00:53:39.079 --> 00:53:43.039
did and if we've if we've gotten
to the point where we're sure where it's
732
00:53:43.079 --> 00:53:45.639
gonna. I mean, those things
are good, but I want to I
733
00:53:45.679 --> 00:53:50.599
want to see how you're risking to
be an innovative company, because that's going
734
00:53:50.679 --> 00:53:52.599
to turn me on, and that's
how you That's how you go. If
735
00:53:52.639 --> 00:53:57.079
you want to have an ethical company, tell all your people about how you
736
00:53:57.159 --> 00:54:00.440
fired your biggest client because you were
worried that they weren't being ethical and what
737
00:54:00.480 --> 00:54:04.840
they were doing and you didn't want
to be associated with an unethical company.
738
00:54:05.119 --> 00:54:09.960
That's a culture that you just built
in a powerful way by taking a risk
739
00:54:10.039 --> 00:54:14.320
by firing them, because that's a
huge risk. They're your biggest I mean,
740
00:54:14.320 --> 00:54:16.519
even if they're not your biggest client. If you fire a client,
741
00:54:16.559 --> 00:54:22.239
that's revenue that you just kissed goodbye
to stand by your principles. So again,
742
00:54:22.639 --> 00:54:27.000
you're you. If you are risking
based on your core values. That's
743
00:54:27.039 --> 00:54:31.559
how you really create those turn those
core values from a document that you put
744
00:54:31.599 --> 00:54:36.119
on a wall that people kind of
look at every now and then to something
745
00:54:36.159 --> 00:54:40.239
that's vibrant and robust and is really
what your company's all about. Oh my
746
00:54:40.239 --> 00:54:45.519
gosh, Greig, that was gorgeous, really gorgeous. Great points. And
747
00:54:45.599 --> 00:54:47.320
here we are close to the end
of the show here and I like to
748
00:54:47.320 --> 00:54:51.920
give you the last word as you
as you probably know, so in say
749
00:54:52.119 --> 00:54:54.000
thirty to forty five seconds, what
do you want to leave our listeners with
750
00:54:54.039 --> 00:55:00.159
today? I think what I'd want
to do is that I want to I
751
00:55:00.159 --> 00:55:06.760
guess i'd want to encourage people in
the area of pure play. And there's
752
00:55:06.800 --> 00:55:09.960
a few ways that people can engage
in pure play at work. So first
753
00:55:10.000 --> 00:55:15.519
thing is, there's three things that
I think you need to implement pure play
754
00:55:16.079 --> 00:55:19.880
in a very engaging way at work. First is, you need courage,
755
00:55:20.320 --> 00:55:23.239
because if you're going to be doing
something where you're kind of screwing around at
756
00:55:23.239 --> 00:55:30.039
work, it's it's it's a it's
a challenge that you may fail, and
757
00:55:30.079 --> 00:55:32.239
you have to have the courage to
do that. The other thing is you
758
00:55:32.280 --> 00:55:37.559
need you need courage. You also
need creativity because I've also done improv comedy,
759
00:55:37.559 --> 00:55:42.719
and we talk about improv comedy finding
the game within the game. So
760
00:55:42.760 --> 00:55:46.199
it's like there's a particular goal you're
trying to get to as a company,
761
00:55:46.679 --> 00:55:52.480
to have fun with that while you're
pursuing that goal. So sorry, and
762
00:55:52.519 --> 00:55:53.880
I just spoke over you. What
did you say that I missed? I
763
00:55:53.920 --> 00:55:58.400
said, just you got ten seconds, okay. And then you also need
764
00:55:58.440 --> 00:56:00.760
to be a little subversive, So
you've got to you've got to be well,
765
00:56:00.840 --> 00:56:04.679
not where you're trying to throw over
the you know, you're trying to
766
00:56:04.719 --> 00:56:07.199
tank your company. But it's the
pure play. There's a there's kind of
767
00:56:07.239 --> 00:56:12.519
an impishness to pure place. If
you've got courage, creativity, and just
768
00:56:12.559 --> 00:56:15.000
the right amount of subversiveness, that's
how you're gonna that's how you're gonna implement
769
00:56:15.039 --> 00:56:19.079
that pure play at work. Way
to finish, Greg, I thank you
770
00:56:19.119 --> 00:56:22.079
so much for being my guest.
I've thoroughly enjoyed you and I'm so glad
771
00:56:22.079 --> 00:56:23.599
our pass acrossed. You will beat
my life for a while. Thank you
772
00:56:23.679 --> 00:56:28.679
for being with me. Thank you
for having me as a blast. So
773
00:56:28.719 --> 00:56:30.880
if you want to learn more about
Greg Kite and all he's up to,
774
00:56:30.960 --> 00:56:34.719
there's much go to his website.
It's Greg Kite dot com. That's g
775
00:56:34.920 --> 00:56:38.599
r E g k y t E. And we'll be on the air next
776
00:56:38.599 --> 00:56:42.679
week. We're another nurishing conversation.
Catch us in and remember that work is
777
00:56:42.679 --> 00:56:51.719
at least one day of our life, So let's work on Purpose. We
778
00:56:51.760 --> 00:56:54.719
hope you've enjoyed this week's program.
Be sure to tune into Working on Purpose
779
00:56:54.880 --> 00:57:00.920
featuring your host Alas Cortes, every
Wednesday at six pm Eastern time three pm
780
00:57:00.000 --> 00:57:05.639
Pacific time on the Voice America.
Empowerment channel this week, find your life's
781
00:57:05.679 --> 00:57:06.920
purpose at work.
1
00:00:06.759 --> 00:00:10.720
There are some people that make their
work just another thing they have to do,
2
00:00:11.359 --> 00:00:14.759
and there are those that make their
work something that they want to do.
3
00:00:15.359 --> 00:00:19.600
Welcome to Working on Purpose with your
host, Elise Cortes. In our
4
00:00:19.640 --> 00:00:24.280
program, we provide guidance and inspiration
from those people who have found deeper meaning
5
00:00:24.320 --> 00:00:29.320
and personal connection to their work life. It's beyond nine to five. It's
6
00:00:29.440 --> 00:00:36.600
working on Purpose. Now Here is
your host, Elise Cortes. Welcome back
7
00:00:36.600 --> 00:00:39.119
to the Working in a Purpose Show. Thanks for tuning in again this week.
8
00:00:39.159 --> 00:00:41.880
I'm your host, Alise Cortes,
joining it from Dallas, Texas,
9
00:00:41.880 --> 00:00:45.240
which is home base for me.
This program is all about helping people more
10
00:00:45.240 --> 00:00:49.159
meaningfully and productively connect with their work
and equipping organizations to do the same for
11
00:00:49.200 --> 00:00:53.039
their employees. So I bring a
guests to a particular perspective or experience that
12
00:00:53.119 --> 00:00:56.320
I think expands the conversation, and
I often draw on the meeting and work
13
00:00:56.359 --> 00:00:59.280
research I've been doing over the last
fifteen years, as well as my own
14
00:00:59.320 --> 00:01:02.399
experience can including the work that I
do today at a Sydnium, which is
15
00:01:02.439 --> 00:01:04.799
a global management consulting firm. I'll
get to the program and my guest in
16
00:01:04.920 --> 00:01:07.760
just a second. But first a
thank you to my media partner and sponsor,
17
00:01:07.920 --> 00:01:11.200
jobbing dot com. They are the
leading locally focused job board in the
18
00:01:11.280 --> 00:01:15.079
nation and they are dedicated to helping
employers find quality talent in their own backyard
19
00:01:15.239 --> 00:01:19.359
while geting job seekers control over their
search they can find work close to home.
20
00:01:19.439 --> 00:01:23.200
Great partnership. Thank you jobbing dot
Com. If you missed the show
21
00:01:23.280 --> 00:01:26.200
live last week, you can always
catch the podcast. We were on the
22
00:01:26.200 --> 00:01:29.719
air with doctor Owen Lynch, who
is an associate professor in the Meadows School
23
00:01:29.760 --> 00:01:33.560
of Arts at Southern Methodist University.
He also serves as a director of Get
24
00:01:33.599 --> 00:01:37.640
Healthy Dallas, which is a nonprofit
organization he helped form that is dedicated to
25
00:01:37.680 --> 00:01:42.519
addressing the lack of healthy food options, adequate education, and economic development opportunities
26
00:01:42.519 --> 00:01:45.760
in Dallas, with special focus on
the South Dallas and the Fair Park area.
27
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We talked about his passion to address
food deserts and urban areas and what
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he and his students and other associates
are doing to improve economic development along the
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way with us. This week we
have Greg Kite, who is a former
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eighth grade math teacher. Today Where's
the Hats? He is the co host
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of a monthly podcast that you have
never heard of. He likes to say.
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He is a regular blogger for the
Thrive All CPA network and creates a
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bi weekly cartoon for Going Concern,
and over the last twelve years, he
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has established himself as a unique voice
in the world of stand up comedy.
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We'll be talking about the ideas he's
come to develop about the importance of play
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at work and how that translates to
engagement, among other things. Greg Joys
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today from Provo, Utah. Greg, Welcome to Working on Purpose. Thanks
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Alisa. I'm totally excited to be
here and to talk about everything. You
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and I met in a very serendipitous
way, what like almost exactly a month
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ago out yeah, or was it
too much? Maybe it was October?
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I think it was October. Already
was October, that's right, Yeah,
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And so you just kind of crashed
the party of another Voice America show.
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I did write about the time when
I was given my presentation on playing at
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work and we found out that what
you do and what I I'm developing line
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up pretty tightly exactly, and let
me present that for our listeners. And
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by the way, Greg, I'm
happy to share that I do get to
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enjoy listenership all over the globe.
We have a lot of listeners in China,
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Thank you China. We have a
lot of listeners in Japan, Thank
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you Japan, and of course the
United States and all over the rest of
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the world as well, And so
I wanted to be sure that they knew
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how it was I found you,
so listeners, this was really fun.
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I did crash this party. I
was invited by my producer here at Voice
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America to join this Verisage symposium.
And not very long after I arrived,
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who shows up on stage but Greg
and he's talking about this thing that I
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love, which is about you know, how to play at work and how
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to engage ourselves and about meaning and
existential meaning and all this stuff that was
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just yummy for me. And Greg, I will never forget when you said
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you open it up to the audience
and you said, what do you think
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is this just all like ridiculous?
Have you all heard this before? Or
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what is this? And I grabbed
the mic and said, I have heard
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some of this for but the way
you bring it to life is so fantastic.
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Do you remember that? I do? I do remember that, And
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that is that is one of the
things with this and I think, like
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a lot of my thoughts about about
engagement at work, I don't think it's
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like, you know, like I
broke some new code and I found something
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that's brand new, but it's it's
maybe more of a unique shift in how
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you look at work and how you
approach work. But but yeah, and
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yeah, I do remember that,
and that was incredibly uh you know that
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that gave me a lot of of
of courage, I guess, to to
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move forward and to take the take
these take these concepts forward. The other
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weird thing too about it is that
the the so it was, it was
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the what the spirit of enterprise was
the show, which is run by a
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former accountant and a guy who works
for an accounting software company, and their
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main the main goal for them and
for veris Age is to abolish the billable
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hour model in professional service firms.
Here you are coming to like arguably the
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lamest party, well at least on
the surface. They're a great group and
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I love and I get so much
out of the symposiums that they can.
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But if you're just looking at it, going wow, this is a group
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of accounts and lawyers who don't want
to build by the hour anymore. It's
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like yawn path. But that's where
you came. And then I'm I'm a
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fellow with the Verisage Institute, which
is again it's it's devoted to abolishing the
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billble hour and and we all the
fellows when we have these symposiums, we
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talk about basically our latest greatest thinking
that we've been incubating since the last symposium.
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And mine had absolutely nothing to do
with the billble hour model or any
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store accounting at all, and with
totally other things. So yeah, it
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was kind of a strange coincidence,
flash in the pan, lightning in a
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bottle kind of thing. Well,
a couple of things on that kind.
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Man. First, as you and
I have spoken before we were supposed to
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meet, there was kismet. However
you want to say this, if you
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want to say it's God's plan or
the universe coming together, whatever it is
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that you However, people tend to
believe. I am convinced that you and
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I were supposed to meet, and
I had an amazing time. In fact,
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I did also have Kirk Bowman on
the show on December sixth, talking
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about value pricing. We talked about
that very thing. The whole show is
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dedicated to that. So I learned
a ton about that because I missed some
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of that presentation. So that was
fantastic. So I do want to I
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want to hear about this, I
mean, and I also want to talk
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about the fact that, you know, among other things, you're a funny
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man, and I want to hear
about how that, how that experience has
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informed your perspective. But you're writing
a book called Playing at Work, and
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I want to understand where some of
your ideas have come from and what are
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they? What are you? What
are you? What are you conjuring about
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playing at work as it relates to
engagement and meaning? Gotcha? The well,
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the the ideas came from a kind
of a weird place, like the
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inspiration too, for like my muse
for these ideas came from a book that
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I was reading called play Anything.
And uh and it's a book I should
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I should look it up real quick
on the computer. Here it was.
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It was a book that I read
about in a magazine that I was reading,
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and it had a really great write
up. Uh and uh. Yeah,
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the author's Ian Bogost, who's a
computer pro like a video game developer,
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and the idea was that you could
no matter where you're at, no
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matter what you're doing, is that
it's something that you can play. And
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so I read this book, which
is super high hopes that it would be
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this, you know, this great
thing about how how you can take work
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or anything in life and you can
you can change, you know, by
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changing your viewpoint on anything, you
can transform whatever that task is that you're
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working on into play of some kind. And I read through the book and
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honestly, I was super disappointed in
the book because it was not what I
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wanted to read, like I had
this and I realized I was reading through
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this book, I realized that I
had all these expectations for what I wanted
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him to say, which was the
weirdest like realization in the world that It's
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like, I wasn't reading this book
to like, not so much to get
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ideas, but to almost like to
have someone put into words like thoughts and
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feelings that I already had like brewing
up inside of me. So I get
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done reading this book, and funny
thing I was part of why I was
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reading the book is for my podcast
It's called the Thrive Cast, which is
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also part of the thrivle CPA Network. Once a year for our podcast,
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we do what we call Jason and
Gregg's Book Club. Jason Blummer as the
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co host on that podcast, and
so where we just review two of the
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two books that we've read that year. And this was one of the books
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that I had chosen to read and
to to basically give my my review and
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my summary of during that podcast.
And so I was just going, this
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isn't saying what I wanted it to
say. And I have this right when
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I was finished reading it and getting
ready for this podcast, I was like
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going, you know what, I
know what I wanted this book to say.
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Maybe I just need to write a
book that says what I wanted,
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what I need to write the book
that I wish that I had just read.
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Does that make sense? It makes
perfect sense? And how brilliant is
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that? Well, if that doesn't
give the listener some some something to think
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about for themselves, who they might
be considering writing a book. I think
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that's a great idea. You actually
expected to get something from this book,
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did not get it, and so
figured hey, I'll write it myself.
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I think it's brilliant, right,
And that's exactly and So then the funny
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thing is in the podcast what I
did what I did, because, like
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I said, we each have two
books that we review during this podcast,
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we kind of alternated back and forth. So when it came back to me
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to review Play Anything by Ian Bogos, I did not review his book,
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but instead I gave a thorough explanation
of the book that I wish it was
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the book that I'm in the process
of writing. And so the whole time
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my co host is thinking, I'm
telling him about this book Play Anything,
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and at the end I tell him
and actually maybe ten percent of what I
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just said actually came from that book, and the rest of it is actually
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what I wish that the book had
said. And that was sort of the
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launch of these ideas. So that's
not really an explanation of what I'm thinking.
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That's more like the origin story of
these ideas. But to get into
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I guess basically what I mean.
There's a couple of things, and I'll
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get to the existential stuff later,
but really the beginning part of this whole
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idea of playing at work is that
I love to be engaged in what I'm
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doing. You've you've heard of it, and I'm not gonna I have no
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idea how to pronounce the guy's name, but there's the option. Yeah,
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you've got to be talking about Mahaley, right, the flow guy. Yeah,
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the flow guy. I knew it. Sorry, can have you?
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Have you gone into his stuff before? On your on your show, not
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on my show, but I have
read his works over and over again.
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The flow concept. Yes, I'm
completely with you, Greg, see you
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and I can finish each other's sentences. That's a scary thing, totally.
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Well, so with Flow and and
Flow is an interesting book because it's it's
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one of those books that it's like
the the the concepts pretty straightforward, and
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in you know, maybe a brief
conversation, people get that. And that's
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that there's these flow states that we
get into where we kind of lose track
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of time. We're completely engrossed in
whatever the task is that we're working on,
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and we're it's almost like this,
it's almost it's almost I don't know,
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it's not spiritual, it's not mystical, but it's just this complete engagement
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with whatever is happening. You're not
necessarily like feeling euphoric, but you kind
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but but then at the same time, you're working to your strengths, you're
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trying, you're challenged to just the
right amount in this in with whatever task
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you're achieving, flow in And that's
that's like the level of engagement that that
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that we that we want, that
we that we aspire to, that we
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that we want to get to.
And that's why I think flow by the
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imperfe the guy with the imprint name
is so compelling because everybody goes, I've
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tasted that before. Everybody in their
life has been there before, right you,
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Yes, yes, I'm sure every
listener has has been in a place
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where they just go, yeah,
I was working on my strengths and I
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was, and I was, you
know, clim in New Hills and it
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was the best and and I would
have done it forever if I could have,
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I could have, I would have
stayed in that place. And and
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that's where want to be. That's
the level of engagement that we want to
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get to. And so with playing
at work, I specifically look at three
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different types of play that will achieve
that that kind of engrossing engagement that'll that
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will help you get more engaged with
what you're doing at work. So there's
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three types of play that I've identified. One is competitive play, one isn't
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is artistic play, and then the
third is what I call pure play.
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And those are the three types.
So competitive play that's basically like sports,
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and whether it's an individual sport or
a team sport, it's all competitive play
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and and and that, and really
there's not a whole lot I can add
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on to that to increase people's understanding, but I'll explain how we can start
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building competitive play into our workplace.
The second type of play is artistic play,
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which is more like you're playing you're
playing the violin, or you're playing
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the guitar, or you're or even
any kind of fine arts that you're involved
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in. If you're a painter or
a sculptor, that's artistic play that you're
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working with there. And then the
third type of play is what I call
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pure play, and that's just where
you're screwing around and I and with that,
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and that's probably the three types.
That's the most controversial aspect of play
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because I think a lot of people, especially a lot of managers, might
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look at that and go, no, I'm trying to cut down on people
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screwing around at work. But what
they don't understand is with mature people,
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if you have if you hire the
right people and you allow them to the
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freedom to pursue pure play within the
context of getting their work done, that
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that can be an incredibly engaging form
of play for anybody who's at work.
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I like it. I like it. Okay. So those are three types
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of play and then and we can
and the strange thing is is that they're
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all very different. I think if
people think if they if they hear the
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idea of playing at work, they'll
probably gravitate that their mind will just go
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to the pure play to messing around
kind of playing at work. But we
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find that each of these three different
things is very very different. When you're
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in competitive play, you're trying,
you're trying to achieve a very specific goal.
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It's a gloriented thing oftentimes, and
actually, if you're really going to
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leverage this to the best of your
ability, you're going to have someone that
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you're competing against in that often that
whoever you're competing get could against could be
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yourself. But even if we get
back to like some of the basic business
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strategies you know that we learn about
in in you know, in our mba
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school kind of education. One of
the ways to build a strategy is to
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identify a competitor, to basically identify
an enemy that you'd like to beat.
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So competitive play leans into that.
Artistic play is more like you want to
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be a world You want to be
world class at what you do. You
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want to be the best, you
know, just like a violinist wants to
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be the best violinist on the planet. You want to be the best at
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whatever you do. And then and
then pure play, that's where you're just
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trying to find the fun in whatever
task is at hand, whatever's before you,
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You're going to find a way to
and not just to make it fun.
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Because I'm not talking about like Hawaiian
Shirt Day, you know, on
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the on the last Friday of the
month, because that I mean, that
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can be something that does engage people, but typically that's more of a forced
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I mean, I would look at
if if we had Hawaiian Shirt Day at
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my work, I would look at
that as like obligatory fund where I had
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to like fake it to make to
make whoever to make. You know,
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Kevin who thought up Hawaiian Shirt Day
to make him not feel bad about his
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idea that I'm really not into.
But with pure play, the trick there
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is to make it something that you
really are interested in, and that is
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really going to you know, to
to blow your skirt up and make it,
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you know, make work, just
it and it's almost like you're being
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subversive, but not in a way
that's going to blow your company up.
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Mm hmmm. I want to comment
in a couple of things real quick,
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and then we'll have to go on
break here shortly. But Greg, one
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of the things that you said about
the whole uh, I think you said
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artistic was the second kind of play. Is that right? Yep? Artistic?
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Okay, So when you talk about
it, you know, being the
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best at something, right, that's
that's it. What I know from my
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meeting and work research is that people
have there's a way for people to experience
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meaning in their work around competence.
It's this feeling of being competent something I'm
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good at this, And there's something
about that feeling that when we feel that
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it's very it's meaningful to us and
therefore it's engaging. So I wanted to
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connect which the research that I've been
doing. I just wanted to catch that
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real quick. The others didn't stand
as much to me as the research that
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I've done, but that one was
like, Ah, I got that one
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totally crisply, and here we are
already you ready to go for a quick
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break? Yeah, I think I
think we're kind of where we need to.
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Okay, good they shut you down. If we didn't, right,
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well, that's pretty much a Cortes
stop talking. I'm your host, Alis
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Cortes. We've been on the air
with Greg Kite. He is the co
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host of a monthly podcast and he's
a regular blogger for the thrive Ball thrive
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Ball how do you say that?
But instill Okay, tribal regular blogger for
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the Thrible CPA network and it creates
a bi weekly cartoon for a going concern
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Interested today from pro Vote Utah.
We've been talking a bit about his interest
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in playing at work and how that
translates to engagement. After the break,
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I want to hear more about risk
taking as well as his thoughts about the
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existential piece of it. Stay with
us, We'll be right back. Freend
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00:19:07.279 --> 00:19:11.720
us on Facebook to keep up with
what's empowering the world. Voice America Empowerment
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00:19:11.839 --> 00:19:18.400
certain Alice Cortes is a speaker and
engagement and development catalyst. She designs and
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delivers professional development, leadership and engagement
workshops and can bring her expertise to your
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00:19:25.079 --> 00:19:30.440
organization. She will help ignite meaningful
development within your workforce that will increase employee
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00:19:30.440 --> 00:19:33.920
engagement, performance and retention. To
learn more or to invite Elise to speak
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00:19:33.960 --> 00:19:40.480
to your organization, please visit her
at www dot Elisecortes dot com. She
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00:19:40.559 --> 00:19:45.920
would welcome the opportunity to help get
your employees working on purpose. Have you
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on our wall. Just go to
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or search for Voice America. It's
time to live the life of inner pece
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that you deserve. Tune in every
week for Sacred Exploration with host Lisa tremont
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Oda. You can discover the you
that has been kept hidden all this time,
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world. Lisa and her guests will
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combine health and spirituality to bring you
the experience that you've been waiting for.
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You'll enjoy this journey every Wednesday at
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Time on the Voice America Empowerment Channel. It's sure to be a nourishing experience.
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It's your world. Motivate, change, succeed. Voice America Empowerment dot
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00:20:51.920 --> 00:21:06.799
com. This is Working on Purpose
with Elise Cortes. To reach our program
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today, please call in to one
triple eight three four six nine one four
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one. Again, that's one triple
eight three four six nine one four one.
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You may also send an email to
Elise A. L Se at Elisecortes
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00:21:21.920 --> 00:21:30.720
dot com. Now back to Working
on Purpose. Thanks for staying with us,
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00:21:30.759 --> 00:21:33.599
and welcome back to Working on Purpose
if you're just joining us. My
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00:21:33.640 --> 00:21:37.680
guest is Greg Kite. He is
the co host of a monthly podcast and
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00:21:37.720 --> 00:21:41.880
he's a regular blogger for the Thrible
CPA network and creates a biweekly cartoon for
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00:21:41.960 --> 00:21:45.559
Going Concern. Over the past twelve
years, Greg has estabbed himself as a
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unique voice in the world of stand
up comedy as well. I'm your host,
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Alise Cortes. So, Greg,
before the break, we were talking
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about your three kinds of play that
you've discovered, and you gave some examples
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of those. For this next segment, can we start by talking a bit
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of out the existential piece. I
couldn't resist bringing that in there. That's
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the meaning piece of what we've been
talking about here. So let's get your
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perspective on the existential piece of things, and then I've got a couple questions
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to follow on. Okay, fantastic. Well, the way the existential piece
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comes into play as this is that
you can look at employee engagement or just
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your own engagement at work. I
guess I was starting to look at this
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from a like, from a managerial
perspective within any organization, and it's like,
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why would we want to encourage play? What's the purpose of playing at
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work? Why would anyone want to, you know, have implement these different
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ways of playing within their job.
What's that going to do? And some
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of it's pretty obviously, I mean, it's it's going to increase your bottom
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line if you if you you know, part of competitive play is having very
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clear goals showing people this is exactly
what you need to do in your position
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to win. And then actually even
having making whatever you can of the competitive
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side of your work, make that
public. If you're doing that, if
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you're having public competition and clear goals, you're going to end up reaching your
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company's goals, and then that's going
to make you more profitable, which is
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fantastic. There's also you know,
I know, my my arena in the
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world is accounting, and there is
a huge lack of of qualified staff in
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the accounting world. So some of
this you could also say if you're if
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you're implementing these these different types of
play, you're going to be able to
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attract and retain the staff that you
need with artistic play. If you have
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an entire firm, that's or company
where everyone is trying to become the absolute
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best they can in their one specialty
within your firm. Because again, if
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you're a if you're a world class
violinist, you're probably not also going to
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be a world class floutist at the
same time. So there's there's this real
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specialization. But if everybody knows their
specialization and is becoming the best in the
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world at that specialty, then your
firm's gonna gonna make a lot of money
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as well. There, So there's
you know, there's plenty of reasons that
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you can come up plenty of business
reasons that you can come up with for
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for implementing play at work. But
for me, that's not that's not really
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what does it for me. What
does it for me is engagement is basically
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engagement for the sake of engagement and
U and one of the things that I
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do. I mean, I think
if a lot of people were gonna look
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at a kind of my my curriculum
vita and and look at the different things
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that I do with my life.
I'm an accountant, I do stand up
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comedy and I and I very much
enjoy reading philosophy and psychology. And uh
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so, with that philosophy and psychology
side of things, it brought me to
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an author and his name is Irvin
D. Yallam, and he in a
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book called Existential Psychotherapy, which sounds
like the worst beat read in the history
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in the history of the world.
But this book was recommended to me.
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I mean it was it's one.
Well, this is something that we that
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you and I talked about in Texas
As well, when I was out,
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it was I went through a divorce
earlier, earlier this year, my wife,
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my ex my now ex wife and
I we spent a couple of years
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going to a marriage counselor. Obviously
it didn't it didn't salvage our marriage.
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But my marriage counselor recommended this book
to me, and this was actually one
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of the best takeaways I got out
of my two years of marriage counseling was
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this existential psychotherapy book and and what
And basically, so he's coming at it
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from a from a psych from a
practicing psychologist standpoint, and he's saying there's
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these existential problems, you know,
particularly meaning meaninglessness in the world, and
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that that's a problem everybody has,
not just crazy p people who need you
354
00:26:00.279 --> 00:26:06.559
know, psychiatrists, but it's it's
every single person. It has this problem
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with meaninglessness in the world and finding
meaning in the world. And it's it's
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fantastic because he says in this book, he says that engagement is the antidote
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to meaninglessness. He says, so
here's just some of the great quotes that
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00:26:22.359 --> 00:26:25.000
I have from him. I mean, this it's a long book. It's
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00:26:25.079 --> 00:26:27.119
you know, five hundred and six
hundred pages long, and it's dense,
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00:26:27.759 --> 00:26:30.720
so there's there's about a billion quotes
I could have pulled out of it,
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but some of them that are directly
tied to engagement. He says, meaningless
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is intricately interwoven with leisure and with
disengagement. And what I love about that
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quote is that if you don't want
meaninglessness, then you should avoid leisure,
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which means you need to work,
and you need to avoid disengagement, which
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means you need to engage. And
playing is a way for you to engage
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at your work. He was kind
of saying, just the cost verse of
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what I'm saying is that through engaged, playful work, you're going to find
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meaning in what you do. And
then later in the book he says meaning
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like pleasure, must be pursued obliquely. A sense of meaningfulness is a byproduct
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of engagement. So again, if
you just if you're just going, I
371
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need to find meaning and things I
need to find meaning. What's the meaning?
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What's the meaning? You get and
you get locked into that of going,
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I don't feel like I have a
meaning or a purpose in what I
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do, which is what we talked
about right before the break you're not going
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to find that meaning directly. What
you need to do is you got to
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go, Okay, how can I
get engaged with what I'm doing right now?
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And then by finding that engagement,
you're going to find meaning through engagement,
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which I think is a I mean, that was one of the biggest
379
00:27:51.759 --> 00:27:55.200
takeaways that I got from this whole
book. Does that how does that line
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00:27:55.279 --> 00:28:00.400
up with some of the research and
studies that you've done on meaning? And
381
00:28:00.400 --> 00:28:03.200
it's wonderful and you know this just
jazz is me to no end. So
382
00:28:03.240 --> 00:28:06.000
a couple of things. Yes,
I know Yellam's work as you and I've
383
00:28:06.000 --> 00:28:10.440
talked about, and I also get
that meaning as a byproduct of engagement.
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And what I want to now recognize
in the three levels of play that you
385
00:28:12.960 --> 00:28:15.839
just came up with, I just
kind of put the dots together for my
386
00:28:15.920 --> 00:28:22.039
own research is I looked at I
can't remember now how many buckets of meaning
387
00:28:22.039 --> 00:28:26.920
I coded for, but I did
actually look at them along Maslow's hierarchy of
388
00:28:26.960 --> 00:28:30.160
meaning. And so you know,
if you look at there's the safety piece
389
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of things of having a stable job
and money, and then there's the emotional
390
00:28:33.079 --> 00:28:37.720
stuff, and then there's you know, esteem stuff how you feel about things,
391
00:28:37.160 --> 00:28:41.480
and then there's you can look at
the value and the purpose set ceter
392
00:28:41.519 --> 00:28:45.839
above that. What I think is
what I see and what you've identified,
393
00:28:45.880 --> 00:28:52.319
Greg, is that you've identified a
set along the feeling spectrum, the emotive
394
00:28:52.400 --> 00:28:57.279
spectrum, So you're competitive alignes of
what I found for my research around winning
395
00:28:57.319 --> 00:29:03.359
and success. I feel success,
and that feeling then is the cascade of
396
00:29:03.400 --> 00:29:07.599
being engaged. Right, that's the
byproduct you were talking about. And the
397
00:29:07.720 --> 00:29:11.119
artistic as who already said, is
the notion of feeling competent. Also,
398
00:29:11.200 --> 00:29:15.480
I feel, so it's still emotion. And then the fun piece is still
399
00:29:15.559 --> 00:29:19.920
the feeling of fun. So you
what I see that you've done there beautifully
400
00:29:21.440 --> 00:29:26.160
is you have you have found a
compliment along what I call again this is
401
00:29:26.200 --> 00:29:30.480
my research. You ask about research
is along the emotive scale. What I
402
00:29:30.519 --> 00:29:33.839
also know now when you think about
this, you know, existential stuff and
403
00:29:33.880 --> 00:29:38.559
even all other stuff is that above
that maybe even in a in a in
404
00:29:38.599 --> 00:29:41.799
a deeper vein, you get into
value since people say things like, well,
405
00:29:41.799 --> 00:29:45.599
I joined this organization because it aligns
with my values, and that can
406
00:29:45.640 --> 00:29:52.920
actually be a really really strong,
compelling source of engagement, which then you
407
00:29:52.960 --> 00:29:56.720
know, cascades to meeting and then
above that, of course, it is
408
00:29:56.759 --> 00:29:59.839
purpose. And I know we're going
to talk about purpose a little bit further
409
00:29:59.839 --> 00:30:02.559
here, we'll get into the risk
piece of things. But when you ask
410
00:30:02.599 --> 00:30:06.319
about how does that align, I
think the way that you describe that is
411
00:30:06.519 --> 00:30:10.720
just such a yummy way to situate
it and to be able to bring it
412
00:30:10.720 --> 00:30:14.119
to a life in a way that
almost anybody can understand. It was gorgeous.
413
00:30:14.119 --> 00:30:17.559
Greg. Well, thanks, and
I think that's it too, because
414
00:30:17.599 --> 00:30:21.720
like what you were saying is someone's
trying to find a company that the purpose
415
00:30:21.720 --> 00:30:25.640
of the company aligns with their purpose. I mean that really does tie in
416
00:30:25.720 --> 00:30:30.680
both. I mean it can tie
in with competitive play with like like I
417
00:30:30.720 --> 00:30:33.160
think of the Gates Foundation and them
wanting to rid the world of malaria.
418
00:30:33.200 --> 00:30:37.319
Well, there you go, that's
an incredibly clear focus. It's gotten incredibly
419
00:30:37.960 --> 00:30:42.480
clear who your enemy is. It's
malaria. And you know when you win,
420
00:30:42.559 --> 00:30:48.079
and that's when malaria isn't the thing
anymore. And that's incredibly competitive play.
421
00:30:48.079 --> 00:30:49.240
And so your purpose lining up with
that purpose, you go, heck,
422
00:30:49.319 --> 00:30:52.680
yeah, that's what I want to
play. It's kind of like me,
423
00:30:52.880 --> 00:30:56.839
I really enjoy playing foosball and volleyball, but basketball, forget it.
424
00:30:56.920 --> 00:31:02.720
That's the I'm not I don't enjoy
basketball at all. So you've got to
425
00:31:02.759 --> 00:31:06.680
find the right thing for you to
play at work. And if and if
426
00:31:06.720 --> 00:31:11.680
what you're doing right now isn't something
that you can translate into competitive player,
427
00:31:11.799 --> 00:31:15.680
artistic play, everything can be translated
into pure play, I believe. But
428
00:31:17.480 --> 00:31:21.440
maybe it's time to look for a
different position or just to do some soul
429
00:31:21.480 --> 00:31:26.079
searching and figure out a way to
change your your own attitude towards your position
430
00:31:26.160 --> 00:31:30.599
that you're in. One of the
things though, too. You mentioned feeling
431
00:31:30.799 --> 00:31:33.799
successful, and I want to I
want to put a little bit of nuance
432
00:31:33.880 --> 00:31:38.599
on that, because everything that we
do, all three types of play,
433
00:31:40.119 --> 00:31:44.759
there is success that's involved in that. But there's also risk that's involved in
434
00:31:44.759 --> 00:31:47.160
that. I know we're going to
talk about risk in the third break that
435
00:31:47.240 --> 00:31:52.240
this is actually a good intersection of
all those things, because when you're when
436
00:31:52.279 --> 00:31:57.440
you play something competitively, there's times
where you are going to lose, and
437
00:31:57.480 --> 00:32:02.359
if you never lose, you're probably
not really playing the game a great If
438
00:32:02.400 --> 00:32:07.279
you are an artist and you don't, you have the only way you're going
439
00:32:07.319 --> 00:32:13.160
to become world class at being an
artist is to take risks with your art.
440
00:32:13.240 --> 00:32:16.680
You have to find your own voice. That's incredibly true with stand up
441
00:32:16.680 --> 00:32:22.039
comedy, which is my artistic outlet, but that's true with whatever. You
442
00:32:22.079 --> 00:32:27.480
know what, If you're the if
you're Angus Young, Angus Young plays the
443
00:32:27.960 --> 00:32:32.440
guitar in a way that Angus Young
from a CDC. It's his signature style
444
00:32:32.839 --> 00:32:37.039
of guitar playing. He's found a
way to make that his authentic voice through
445
00:32:37.119 --> 00:32:42.319
that. But you're going to have
to risk by throwing your authentic voice out
446
00:32:42.319 --> 00:32:45.599
there. There's going to be people
who don't like your music, or your
447
00:32:45.599 --> 00:32:49.759
sculpture or your art, and there's
ways where you're going to if you're doing
448
00:32:49.799 --> 00:32:52.200
all this stuff right, you're gonna
fail. There's gonna be ways where you're
449
00:32:52.200 --> 00:32:57.680
going to try to have some playful, subversive things that you do at work
450
00:32:58.000 --> 00:33:00.880
and it's just not going to be
funny. It's not to go overwell,
451
00:33:00.039 --> 00:33:04.279
or somebody's going to be offended and
you didn't intend that. And that's where
452
00:33:04.279 --> 00:33:09.720
I live all day long, because
I accidentally pissed people off regularly and it's
453
00:33:09.799 --> 00:33:15.039
never my intent to. But that's
how that's the risk that I take from
454
00:33:15.079 --> 00:33:17.519
playing at work in a pure play
kind of way. But here's the here's
455
00:33:17.519 --> 00:33:23.200
the interesting thing is that I believe
that you can become incredibly engaged in what
456
00:33:23.240 --> 00:33:29.160
you're doing despite whether you are successful
at it or if you fail at it.
457
00:33:29.240 --> 00:33:31.640
And here's and here's the reason I
know this is this is absolutely the
458
00:33:31.640 --> 00:33:37.000
case. And it comes back to
stand up comedy. Stand up comedy is
459
00:33:37.039 --> 00:33:45.599
a very very interesting, uh performance
medium to engage with. It has been
460
00:33:45.680 --> 00:33:50.039
for me, and it wouldn't not
everyone to have the same experience. But
461
00:33:50.160 --> 00:33:52.720
let me explain what I what's happened
to me through stand up comedy is that
462
00:33:53.160 --> 00:33:59.799
when I go on stage, either
I either I hit a home run and
463
00:33:59.839 --> 00:34:04.319
I feel fantastic and I go that
was a wonderful feeling. I want to
464
00:34:04.359 --> 00:34:08.400
get back up on stage as soon
as possible to do that again and to
465
00:34:08.480 --> 00:34:14.920
have that, to repeat that wonderful
experience of me expressing some things that are
466
00:34:14.920 --> 00:34:16.880
important to me, things that I
find funny, and an audience to click
467
00:34:16.920 --> 00:34:22.159
into that and to respond in the
moment in an authentic way that makes me
468
00:34:22.239 --> 00:34:27.440
understand that they really are appreciating what
I'm doing. That's a wonderful experience.
469
00:34:27.639 --> 00:34:30.760
The other thing that happens on stage
is I go up and it's and it's
470
00:34:30.840 --> 00:34:35.679
horrible, Like I like, for
whatever reason, I don't connect with the
471
00:34:35.679 --> 00:34:37.719
audience. Whether that's because I have
some new jokes that I'm trying out that
472
00:34:37.800 --> 00:34:42.039
don't work, whether that's I'm on
an off night, I'm not in the
473
00:34:42.119 --> 00:34:45.519
right headspace. Maybe that's the fact
that this audio. I just did a
474
00:34:45.559 --> 00:34:50.400
show last week for an accounting firm, and right before I get up,
475
00:34:50.599 --> 00:34:54.360
like one of the partners of the
firm basically is yelling at everybody at the
476
00:34:54.440 --> 00:35:00.840
Christmas party to like work harder during
this major transition they're doing house, and
477
00:35:00.880 --> 00:35:02.679
I'm going, that's a horror.
It's like, it's like, so when
478
00:35:02.679 --> 00:35:06.800
you guys are doing file transfers,
you can't just sit there and think that
479
00:35:06.840 --> 00:35:08.880
you're working. You've got to do
something else while the computer's jugging along.
480
00:35:09.119 --> 00:35:13.360
So stop screwing around and work harder. And now welcome to stage. The
481
00:35:13.360 --> 00:35:16.719
guys. Is gonna make us laugh, Greg, Greg, Yeah, exactly.
482
00:35:16.760 --> 00:35:22.239
And now, fortunately I started off
by just basically making fun of him
483
00:35:22.559 --> 00:35:25.559
when I went up there, which
also was a risk because I'm going this
484
00:35:25.599 --> 00:35:30.519
guy could maybe hate me. But
fortunately I knew that I personally know the
485
00:35:30.559 --> 00:35:32.480
partner who is just up there talking, so I knew he'd take it well.
486
00:35:34.800 --> 00:35:37.639
But but you know, you can
have your audience that. But here's
487
00:35:37.639 --> 00:35:40.519
the thing that happens with stand up
comedy, like if you well one of
488
00:35:40.559 --> 00:35:44.639
the one of the stories I also
have. I got to open for weird
489
00:35:44.639 --> 00:35:49.360
Al Yankovic to a sold out crowd
of thirty five hundred people. This was
490
00:35:49.360 --> 00:35:52.079
back in two thousand and four,
I believe, and I thought that was
491
00:35:52.079 --> 00:35:54.840
going to be my big break with
stand up comedy, was opening for weird
492
00:35:54.880 --> 00:36:00.000
Al Yankovic. And I went up
there, and weird Al Yankovic sold out
493
00:36:00.119 --> 00:36:05.400
this thirty five hundred seat stadium to
mostly thirteen and fourteen year old boys who
494
00:36:05.840 --> 00:36:09.880
were dressed up as Jedis. And
they didn't really they're not really my target
495
00:36:09.920 --> 00:36:15.199
audience for this comedy that I do. They didn't really have a concept that
496
00:36:15.239 --> 00:36:19.639
anyone was going to be at this
concert except weird House singing as song parodies.
497
00:36:19.840 --> 00:36:22.679
So when I went up there,
I was just something that was in
498
00:36:22.719 --> 00:36:25.960
the way of them and what they
were really there for. And they hated
499
00:36:27.000 --> 00:36:32.239
me at that concert and it and
it beat me up emotionally to have that
500
00:36:32.440 --> 00:36:37.119
bad of a show like it was. I felt horrible about my show.
501
00:36:37.320 --> 00:36:42.559
But here's the thing. So I
was not successful when I opened for weird
502
00:36:42.599 --> 00:36:45.559
Al Yankovic. But what happens to
me with that is I go, Okay,
503
00:36:45.840 --> 00:36:50.760
I wasn't successful. I've got to
get back up and do another show
504
00:36:51.079 --> 00:36:54.199
to be able to like to like
wash the funk off of me of this
505
00:36:54.320 --> 00:36:58.119
bad show. That is so,
whether I'm successful or whether I'm not,
506
00:36:58.559 --> 00:37:02.079
it drives me back into doing what
I'm doing to be the best in the
507
00:37:02.079 --> 00:37:06.760
world at what I'm doing, to
go I'm not going to lose the next
508
00:37:06.760 --> 00:37:08.480
time I get up on stage.
I'm not going to have a crappy show.
509
00:37:08.800 --> 00:37:14.639
That sort of stuff, and that
that's where you can get incredible engagement,
510
00:37:14.880 --> 00:37:19.000
regardless of whether you're actually succeeding or
whether you're failing. I know that's
511
00:37:19.039 --> 00:37:22.880
the same case with with sports teams. They can go out there and they
512
00:37:22.920 --> 00:37:25.039
can get their butts handed to them
by their opponent, but at the end
513
00:37:25.039 --> 00:37:28.800
of it, they can either go, oh, we stink or you can
514
00:37:28.840 --> 00:37:32.519
go nope. This doubles my resolve
next time to go out and be amazing
515
00:37:32.639 --> 00:37:36.920
and to not ever, let this
happen again. And when you get in
516
00:37:37.000 --> 00:37:42.280
that mindset, success or failure doesn't
matter. You're engaged. Okay, I
517
00:37:42.320 --> 00:37:45.519
got to say one thing to that
one. That's just gorgeous what you just
518
00:37:45.559 --> 00:37:47.840
said. I completely agree with that, because you know, we as human
519
00:37:47.920 --> 00:37:52.000
beings are meeting makers. We have
the ability to assigned meaning that happens for
520
00:37:52.079 --> 00:37:54.760
us in life. That's just how
it goes. It doesn't just float into
521
00:37:54.840 --> 00:37:59.840
us, right, We create that. So yes, there you have the
522
00:38:00.880 --> 00:38:02.480
and maybe that will change over time. It depends on the situation to be
523
00:38:02.519 --> 00:38:05.599
able to change your mindset, to
be able to say, Okay, I
524
00:38:05.679 --> 00:38:08.679
flopped. However, I'm going to
use that to steel myself and resolve myself
525
00:38:08.719 --> 00:38:13.639
and do something different in the future. For other people, some of us
526
00:38:13.679 --> 00:38:16.119
need coaches. We need help,
right, And I'm a big fan of
527
00:38:16.159 --> 00:38:20.519
having coaches, not just because I
provide that service myself, but I have
528
00:38:20.719 --> 00:38:25.000
two coaches myself who work with me, and those people help me resituate sometimes
529
00:38:25.079 --> 00:38:30.119
opportunities or challenges that let me see
it as an opportunity and not as jeez,
530
00:38:30.199 --> 00:38:32.880
you know, yeah, Okay,
you really messed up their quretest.
531
00:38:32.960 --> 00:38:37.480
There's no other way to frame that
you really mucked it up. However,
532
00:38:38.039 --> 00:38:43.079
do you realize that there's a whole
arena of possibility that comes with being able
533
00:38:43.119 --> 00:38:45.159
to address that if you're willing to
take quote that risk, and we're going
534
00:38:45.199 --> 00:38:49.559
to talk about that next, I
know, but being able to get to
535
00:38:49.639 --> 00:38:52.679
that place of mindset where we can
turn it on a dime like you talked
536
00:38:52.719 --> 00:38:55.039
about, it might take something.
It might take some outset help to get
537
00:38:55.039 --> 00:38:58.079
there. And I appreciate when we
can do it on our own, but
538
00:38:58.400 --> 00:39:01.920
sometimes we need help, absolutely.
And the funny thing is so again all
539
00:39:01.960 --> 00:39:05.800
of these things, it's it's nuanced. You can't just say go out there
540
00:39:05.840 --> 00:39:08.280
and play work like a sport,
because I remember when I was in fifth
541
00:39:08.320 --> 00:39:12.559
grade, I was on the community
you know, I was on a community
542
00:39:12.599 --> 00:39:16.599
baseball team, and it seemed like
no matter what sport I played, my
543
00:39:16.719 --> 00:39:22.440
team was always like the worst and
like I was never we never went to
544
00:39:22.599 --> 00:39:25.199
None of my teams ever went to
state. We never did anything like that.
545
00:39:25.559 --> 00:39:30.960
And with this baseball team that I
was on in fifth grade, I
546
00:39:30.039 --> 00:39:34.559
remember feeling like it didn't matter what
position the coach put me in, I
547
00:39:34.679 --> 00:39:37.760
was horrible at it and I didn't
see a path to getting to a point
548
00:39:38.079 --> 00:39:44.199
where I could be amazing at it. And so you're exactly right. Competent
549
00:39:44.320 --> 00:39:50.119
coaching. If you're trying to implement
competitive play into your workplace, you have
550
00:39:50.199 --> 00:39:53.400
to have coaching in there because people
you'll because you'll get the opposite. I
551
00:39:53.440 --> 00:39:58.880
was incredibly disengaged as a baseball player
because I just didn't know how to get
552
00:39:58.920 --> 00:40:00.840
better. And you're gonna find that
and work is if you're trying to set
553
00:40:00.880 --> 00:40:07.199
up this your job as though were
this competition of people going I'm never gonna
554
00:40:07.199 --> 00:40:09.199
win. They're totally going to check
out, and you're going to completely get
555
00:40:09.199 --> 00:40:14.559
the opposite result than what you The
opposite of engage, you're gonna get disengagement
556
00:40:14.760 --> 00:40:16.960
if people just don't feel like they
can get better or they can win.
557
00:40:17.119 --> 00:40:21.039
That was my first year in accounting
at the firm I was at. I
558
00:40:21.119 --> 00:40:23.480
just I didn't know how to make
the partners happy, and it seemed like
559
00:40:23.559 --> 00:40:28.239
I constantly got pulled in and they
were telling me how you know that I
560
00:40:28.360 --> 00:40:31.280
wasn't meeting their expectations, but there
wasn't a clear path of if you do
561
00:40:31.400 --> 00:40:36.320
these things, you will get better. And that made me go, I
562
00:40:36.360 --> 00:40:39.079
need to get another job because life's
too short for this one. I got
563
00:40:39.079 --> 00:40:43.440
that. Okay, hold that thought. We're gonna go on a quick break
564
00:40:43.440 --> 00:40:45.280
here, Greg, I'm Alie Cortez, your host. We went on the
565
00:40:45.320 --> 00:40:49.559
air with Greg Kite. He is
the co host of a monthly podcast and
566
00:40:49.599 --> 00:40:53.440
he's also a regular blogger for the
Thriveball CPA network and creates a bi weekly
567
00:40:53.440 --> 00:40:58.320
cartoon for Going Concern. You joined
you today from Provo, Utah. After
568
00:40:58.360 --> 00:41:00.199
the break, we're going to talk
about intentional taking in some of the merits
569
00:41:00.239 --> 00:41:15.159
that come with that. Stay with
us. We'll be right back. Friend
570
00:41:15.239 --> 00:41:19.719
us on Facebook to keep up with
what's empowering the world. Voice America Empowerment.
571
00:41:21.599 --> 00:41:25.320
Alice Cortes is a speaker and engagement
and development catalyst. She designs and
572
00:41:25.400 --> 00:41:30.920
delivers professional development, leadership and engagement
workshops and can bring her expertise to your
573
00:41:31.000 --> 00:41:37.360
organization. She will help ignite meaningful
development within your workforce that will increase employee
574
00:41:37.400 --> 00:41:40.880
engagement, performance and retention. To
learn more or to invite Elise to speak
575
00:41:40.880 --> 00:41:46.440
to your organization, please visit her
at www dot Elisecortes dot com. She
576
00:41:46.519 --> 00:41:52.440
would welcome the opportunity to help get
your employees Working on Purpose, We're making
577
00:41:52.480 --> 00:41:57.519
it easier to listen to the Voice
American Talk radio network wherever you go.
578
00:41:57.719 --> 00:42:00.039
In addition to listening live, you
could check out in information about your favorite
579
00:42:00.039 --> 00:42:04.920
talk show hosts, discovered you talk
show personalities at shows to your list of
580
00:42:04.960 --> 00:42:08.639
favorites, and listen to all our
show archives on demand, all from your
581
00:42:08.639 --> 00:42:14.719
iPhone, BlackBerry or Android downloaded from
the Apple App Store, BlackBerry app World,
582
00:42:14.920 --> 00:42:19.639
or Android Market. And get ready
to tune in the Voice America Moblack
583
00:42:19.920 --> 00:42:34.199
powered by air Cast, Looking stocks, bigger th s. Get inspired,
584
00:42:34.400 --> 00:42:39.119
encouraged and connected on our Lively award
winning Healthy Living Power Hour Star Style Be
585
00:42:39.280 --> 00:42:45.679
the star you are with host and
empowerment architect Cindya Brian, live every Wednesday
586
00:42:45.679 --> 00:42:49.920
at four pm Pacific on the Voice
America Empowerment Channel. Tune into the Power
587
00:42:49.960 --> 00:42:54.039
Party for positive, uplifting, life
changing talk radio. Visit Starstyle radio dot
588
00:42:54.039 --> 00:43:12.599
com to follow us on Twitter for
more great ideas at Voice America Empowerment.
589
00:43:20.719 --> 00:43:24.599
This is Working on Purpose with Elise
Cortes. To reach our program today,
590
00:43:24.679 --> 00:43:30.480
please call in to one triple eight
three four six nine one four one again
591
00:43:30.559 --> 00:43:34.880
that's one triple eight three four six
nine one four one. You may also
592
00:43:35.000 --> 00:43:40.519
send an email to Elise A.
L i se at elisecortes dot com.
593
00:43:40.639 --> 00:43:47.719
Now back to working on Purpose.
Thanks for staying with us, and welcome
594
00:43:47.760 --> 00:43:51.840
back to Working on Purpose if you're
just tuning in. My guest is Great
595
00:43:51.920 --> 00:43:54.320
Kite. He is the co host
of a monthly podcast and he's a regular
596
00:43:54.320 --> 00:43:59.400
blogger for the Thrible CPA network.
He also creates a bi weekly cartoon for
597
00:43:59.440 --> 00:44:02.119
Going Concern. Over the last twelve
years, he has established himself as a
598
00:44:02.199 --> 00:44:06.159
unique voice in the world of stand
up comedy. As if that weren't enough,
599
00:44:06.519 --> 00:44:09.320
I'm your host, Alis Cortes for
this last bit here, Greg,
600
00:44:09.400 --> 00:44:14.519
I loved the idea of talking about
intentional risk taking and how that could be
601
00:44:15.079 --> 00:44:19.599
a path to profit, passion and
robust corporate culture. I you had me
602
00:44:20.079 --> 00:44:22.239
right there, So let's get into
it for this last bit here, intentional
603
00:44:22.360 --> 00:44:27.559
risk taking? What do you know? Well, one of the things I
604
00:44:27.599 --> 00:44:30.440
know is that I'm an accountant,
and accountants are known for being very,
605
00:44:30.559 --> 00:44:36.480
very risk averse as a as a
species of human being. This is true,
606
00:44:37.000 --> 00:44:39.280
Yeah, absolutely, And so when
I speak to accountants, one of
607
00:44:39.360 --> 00:44:45.119
the things that I like to tell
them is that we as accountants have we're
608
00:44:45.199 --> 00:44:51.119
amazing at handling change, the change
in complexity, two things that we do
609
00:44:51.159 --> 00:44:59.320
because I mean, just today that
both Congress passed the new tax overhaul bill,
610
00:45:00.559 --> 00:45:06.440
and what with eleven days left before
tax season starts, they're changing the
611
00:45:06.599 --> 00:45:09.440
entire framework with which we do our
business, and we didn't know a whole
612
00:45:09.440 --> 00:45:14.760
lot about it, and we definitely
didn't know the final presentation that till today.
613
00:45:14.960 --> 00:45:19.519
But we're amazing at just handling that
and rolling with it. We've got
614
00:45:19.719 --> 00:45:23.159
we have an incredible high amount of
confidence of dealing with change and complexity.
615
00:45:23.840 --> 00:45:29.639
What accountants don't do is we don't
take risks. But what's weird is that
616
00:45:30.480 --> 00:45:37.360
intentional risk taking is just self imposed
change. And so when I enter the
617
00:45:37.400 --> 00:45:40.800
accountants, I go, we're amazing
at handling change. Taking a risk that
618
00:45:40.960 --> 00:45:46.199
isn't being rammed down your throat is
I mean, implementing change that's not being
619
00:45:46.960 --> 00:45:51.559
rammed down your throat is the same
as taking risks. And then I get
620
00:45:51.559 --> 00:45:57.440
into it with them like why why
should we take risks as accountants? And
621
00:45:58.079 --> 00:46:00.719
the three things that you just mentioned, those those are the three things that
622
00:46:00.800 --> 00:46:07.119
I think are incredibly important about about
taking risk and and and the first one
623
00:46:07.199 --> 00:46:10.079
is the easy one, and it's
profit. I mean, that's just the
624
00:46:10.159 --> 00:46:15.039
standard. You know. That's almost
not even noteworthy, is that profit comes
625
00:46:15.039 --> 00:46:20.119
from taking risk. If you that
that's why if you know penny stocks,
626
00:46:20.960 --> 00:46:25.639
they're they're not very expensive because they're
a huge risk, but if one hits,
627
00:46:25.880 --> 00:46:30.400
you're doing you're doing amazing. So
so we find that even with pricing
628
00:46:30.719 --> 00:46:35.400
that that the more if you're willing
to take more risk, things are going
629
00:46:35.480 --> 00:46:37.559
to be less expensive and you'll end
up with a bigger profit when they do
630
00:46:37.679 --> 00:46:43.360
hit. So that that's almost not
not that interesting to talk about, but
631
00:46:43.760 --> 00:46:49.400
it's also there because when you talk
to accounts or anyone in business, one
632
00:46:49.400 --> 00:46:52.159
of the main things that they're that
they're trying to accomplish with their business,
633
00:46:52.159 --> 00:46:55.440
not the it shouldn't be the purpose
of the business, but it should be
634
00:46:55.599 --> 00:47:00.599
a function of the business is to
is to turn a profit for yourself and
635
00:47:00.639 --> 00:47:04.599
for your shareholders, and that's only
going to happen with risk taking. But
636
00:47:04.679 --> 00:47:07.400
then some of the more interesting things
that come out of risk taking is that
637
00:47:08.440 --> 00:47:15.400
risk taking is a path towards discovering
what you're passionate about. And we hear
638
00:47:15.559 --> 00:47:21.880
so much and we read so much
about how important it is to be pursuing
639
00:47:21.960 --> 00:47:24.400
the thing, you know, pursuing
your bliss, finding those things that really
640
00:47:24.719 --> 00:47:28.719
make you want to jump out of
the bed in the morning and get going
641
00:47:28.760 --> 00:47:35.119
on your day. The problem is
most people are Most people struggle at even
642
00:47:35.280 --> 00:47:39.920
identifying what they are passionate about.
And what I've found is that if you're
643
00:47:39.960 --> 00:47:45.000
intentionally taking risks, you will discover
your passion. And here's how, and
644
00:47:45.039 --> 00:47:49.079
it's basically what we just talked about
before. Was if you take a risk
645
00:47:49.199 --> 00:47:52.800
on something and you fail at it, but you're still excited to go and
646
00:47:52.880 --> 00:47:58.480
do that same thing again, you
just found something that you're passionate about.
647
00:47:58.639 --> 00:48:01.760
I'm passionate about comedy because if I
kill it, I'm excited about doing it
648
00:48:01.840 --> 00:48:06.679
again. And if I totally thank
I'm excited about going and doing it again.
649
00:48:07.559 --> 00:48:10.760
Obviously I want to do it better. But that's how I discovered that
650
00:48:10.760 --> 00:48:15.000
that was something that was a passion
of mine. So if someone has difficulty
651
00:48:15.119 --> 00:48:20.280
identifying their passion, they need to
start trying things. They need to start
652
00:48:20.280 --> 00:48:22.760
taking these risks. And if you
take a risk and you fail at it,
653
00:48:22.800 --> 00:48:25.800
but you still are like, I
gotta go do that again, you're
654
00:48:27.000 --> 00:48:30.599
on the path of finding what you're
passionate about. Oh my gosh, hold
655
00:48:30.599 --> 00:48:34.559
on, Greg, hold on,
hold the phone really great because I hear
656
00:48:34.599 --> 00:48:37.480
it all the time. That was
stellar advice. Greg. My listeners ask
657
00:48:37.559 --> 00:48:39.800
me all the time, Alice,
how in the world I want to find
658
00:48:39.800 --> 00:48:43.519
my purpose? How do I do
it? Well? Trying new things?
659
00:48:43.559 --> 00:48:46.039
That makes a lot of sense.
And if along the way of trying those
660
00:48:46.079 --> 00:48:50.440
things that they don't quite get it, but they recognize they want to go
661
00:48:50.480 --> 00:48:53.119
after it again that there's something there. They've hit a vein. You have
662
00:48:53.360 --> 00:48:58.960
really isolated something that is yummy and
gorgeous for our listeners. Thank you for
663
00:48:59.000 --> 00:49:00.280
that. Right well, And i'd
want to and I'd want to make a
664
00:49:00.360 --> 00:49:05.800
very clear caveat because to what you
said, it's not I think I mean
665
00:49:05.920 --> 00:49:08.559
it's it's a caveat, or at
least it's a different texture to what you
666
00:49:08.679 --> 00:49:13.239
just said, because I don't think
it's just trying new things. I think
667
00:49:13.280 --> 00:49:17.519
it's you pushing yourself outside of what's
comfortable. Because I can go and I
668
00:49:17.559 --> 00:49:21.360
could, you know, I could
try the I could try the donut at
669
00:49:21.400 --> 00:49:25.800
the bakery that I've never tried before. But that's not that's not that's not
670
00:49:25.840 --> 00:49:30.079
the same thing. I need to
When you're when you're on the hunt for
671
00:49:30.199 --> 00:49:32.639
passion, you've got to do things
that are making you uncomfortable. You're gonna
672
00:49:32.639 --> 00:49:37.480
go this is kind of stupid,
this is kind of this is this,
673
00:49:37.480 --> 00:49:42.480
this even makes me feel foolish that
I'm going at that's to go try that.
674
00:49:42.880 --> 00:49:45.400
And if after making a fool of
yourself, you're like, I could
675
00:49:45.440 --> 00:49:47.679
do that again, then then you
did it. You found it. You
676
00:49:47.760 --> 00:49:53.519
found something that's gonna that's that's that's
right there for you with passion, that
677
00:49:53.639 --> 00:49:57.719
lines up with your purpose, your
meaning, all that stuff. It all
678
00:49:57.760 --> 00:50:00.840
folds together when you take a risk
and you fail, but you want to
679
00:50:00.840 --> 00:50:06.400
get back up on that horse again
because because something about it speaks to to
680
00:50:06.559 --> 00:50:08.320
the core of who you are.
I love it. Okay, go out
681
00:50:08.360 --> 00:50:10.800
of your comfort zone. Thank you
for that. The donut example was fantastic
682
00:50:10.840 --> 00:50:14.000
because you're right, on any given
day we could probably eat a donut.
683
00:50:14.000 --> 00:50:17.519
You're right, Okay, got it. It's got to make you uncomfortable because
684
00:50:17.599 --> 00:50:21.559
and that's that's the risk. It's
not you know, and I'd say you
685
00:50:21.599 --> 00:50:24.679
know, don't well, I'd say, don't you know don't take risks that
686
00:50:24.719 --> 00:50:29.199
are maybe going to you know,
you've got you've got to choose the right
687
00:50:29.280 --> 00:50:34.119
risk as well. But at the
same time, you know do and that's
688
00:50:34.119 --> 00:50:37.079
the other thing. I just spoke
with a guy and he was like,
689
00:50:37.119 --> 00:50:42.039
you know what, in our age
with the internet and social media, you
690
00:50:42.079 --> 00:50:46.159
can monetize any passion that you have. It might not be something that you
691
00:50:46.239 --> 00:50:52.880
get to immediately, but if you're
consistently putting out content related to whatever you're
692
00:50:52.880 --> 00:50:55.119
passionate about, you're going to find
the other people in the world who are
693
00:50:55.159 --> 00:51:00.920
passionate about that as well, and
they will pay to hear you talk about
694
00:51:00.960 --> 00:51:07.159
your passion that that you share with
them. So it's possible to turn anything.
695
00:51:07.199 --> 00:51:08.679
Even though if you go there's no
way anybody who's going to pay me
696
00:51:08.719 --> 00:51:12.719
for this, that you're wrong,
people will you got to you got to
697
00:51:12.760 --> 00:51:16.119
just be consistent with your content creation
around that thing you're passionate about now,
698
00:51:16.519 --> 00:51:22.480
because I know that our hour has
whipped by then. The other thing that
699
00:51:22.599 --> 00:51:27.639
risk taking can do is that can
help you build a robust corporate culture.
700
00:51:28.119 --> 00:51:32.320
And here's what and this is also
the way to structure risk so that it's
701
00:51:32.360 --> 00:51:38.840
so that's a no fail risk Like
if you succeed, great, If you
702
00:51:38.960 --> 00:51:44.119
fail, that's actually also great.
And what it is is if it is,
703
00:51:44.480 --> 00:51:46.599
you got to look at your core
If you go to your company,
704
00:51:47.159 --> 00:51:53.199
hopefully you've already done the job of
trying to identify your core values as a
705
00:51:53.239 --> 00:51:57.559
company. And if you've got a
list of core values, you need to
706
00:51:57.559 --> 00:52:00.400
go through there and go, do
I have a story that backs up every
707
00:52:00.440 --> 00:52:05.159
single one of these core values?
Because if you don't have a story where
708
00:52:05.239 --> 00:52:08.800
you have, uh you where you
have risked something based on those core values,
709
00:52:08.960 --> 00:52:13.280
then I call bs and that's not
really a core value. Like,
710
00:52:13.400 --> 00:52:20.320
for instance, if you say that
your company a core value is is being
711
00:52:21.119 --> 00:52:24.280
incredibly ethical with everything that you do
in all your business dealings, that you
712
00:52:24.320 --> 00:52:28.239
are an ethical company, and that's
a core value to you, I would
713
00:52:28.239 --> 00:52:31.519
say, tell me a story of
the time where you did you have you
714
00:52:31.519 --> 00:52:37.480
ever fired a client because you thought
that client might be doing something that's that's
715
00:52:37.960 --> 00:52:40.440
uh, you know below board?
Do you think that they did you fire
716
00:52:40.480 --> 00:52:45.480
somebody just because you're like going,
they're not maybe doing anything illegal, but
717
00:52:45.519 --> 00:52:49.119
we just don't feel comfortable with them. I want to know a story about
718
00:52:49.239 --> 00:52:54.199
how you you are how you risk, how you how you intentionally gave something
719
00:52:54.280 --> 00:53:00.840
up because because you because you're so
committed to that core value, So taking
720
00:53:00.960 --> 00:53:06.400
risks that are based on your core
values, any risk that you take and
721
00:53:06.679 --> 00:53:08.159
or you could say, hey,
I risked it with this core value,
722
00:53:08.280 --> 00:53:12.559
but we totally that launched us into
a whole new thing and we ended up
723
00:53:12.559 --> 00:53:15.440
winning. I want to hear those
stories as well. Every single core value
724
00:53:15.480 --> 00:53:19.400
that you have, you should be
thinking, how am I taking a risk
725
00:53:19.800 --> 00:53:22.119
for that? Quore? If innovation
is a core value that you have,
726
00:53:22.400 --> 00:53:25.880
how are you risking on innovation?
Are you still playing with scared are you
727
00:53:27.199 --> 00:53:30.719
are you still like a startup who
is going we got these big ideas and
728
00:53:30.760 --> 00:53:32.320
we're going to throw it out there
and see if we hit a home run.
729
00:53:32.519 --> 00:53:36.039
Or are you're starting to play with
scared money where you're going, well,
730
00:53:36.079 --> 00:53:39.039
we're only going to really throw out
something new if we have focus group
731
00:53:39.079 --> 00:53:43.039
did and if we've if we've gotten
to the point where we're sure where it's
732
00:53:43.079 --> 00:53:45.639
gonna. I mean, those things
are good, but I want to I
733
00:53:45.679 --> 00:53:50.599
want to see how you're risking to
be an innovative company, because that's going
734
00:53:50.679 --> 00:53:52.599
to turn me on, and that's
how you That's how you go. If
735
00:53:52.639 --> 00:53:57.079
you want to have an ethical company, tell all your people about how you
736
00:53:57.159 --> 00:54:00.440
fired your biggest client because you were
worried that they weren't being ethical and what
737
00:54:00.480 --> 00:54:04.840
they were doing and you didn't want
to be associated with an unethical company.
738
00:54:05.119 --> 00:54:09.960
That's a culture that you just built
in a powerful way by taking a risk
739
00:54:10.039 --> 00:54:14.320
by firing them, because that's a
huge risk. They're your biggest I mean,
740
00:54:14.320 --> 00:54:16.519
even if they're not your biggest client. If you fire a client,
741
00:54:16.559 --> 00:54:22.239
that's revenue that you just kissed goodbye
to stand by your principles. So again,
742
00:54:22.639 --> 00:54:27.000
you're you. If you are risking
based on your core values. That's
743
00:54:27.039 --> 00:54:31.559
how you really create those turn those
core values from a document that you put
744
00:54:31.599 --> 00:54:36.119
on a wall that people kind of
look at every now and then to something
745
00:54:36.159 --> 00:54:40.239
that's vibrant and robust and is really
what your company's all about. Oh my
746
00:54:40.239 --> 00:54:45.519
gosh, Greig, that was gorgeous, really gorgeous. Great points. And
747
00:54:45.599 --> 00:54:47.320
here we are close to the end
of the show here and I like to
748
00:54:47.320 --> 00:54:51.920
give you the last word as you
as you probably know, so in say
749
00:54:52.119 --> 00:54:54.000
thirty to forty five seconds, what
do you want to leave our listeners with
750
00:54:54.039 --> 00:55:00.159
today? I think what I'd want
to do is that I want to I
751
00:55:00.159 --> 00:55:06.760
guess i'd want to encourage people in
the area of pure play. And there's
752
00:55:06.800 --> 00:55:09.960
a few ways that people can engage
in pure play at work. So first
753
00:55:10.000 --> 00:55:15.519
thing is, there's three things that
I think you need to implement pure play
754
00:55:16.079 --> 00:55:19.880
in a very engaging way at work. First is, you need courage,
755
00:55:20.320 --> 00:55:23.239
because if you're going to be doing
something where you're kind of screwing around at
756
00:55:23.239 --> 00:55:30.039
work, it's it's it's a it's
a challenge that you may fail, and
757
00:55:30.079 --> 00:55:32.239
you have to have the courage to
do that. The other thing is you
758
00:55:32.280 --> 00:55:37.559
need you need courage. You also
need creativity because I've also done improv comedy,
759
00:55:37.559 --> 00:55:42.719
and we talk about improv comedy finding
the game within the game. So
760
00:55:42.760 --> 00:55:46.199
it's like there's a particular goal you're
trying to get to as a company,
761
00:55:46.679 --> 00:55:52.480
to have fun with that while you're
pursuing that goal. So sorry, and
762
00:55:52.519 --> 00:55:53.880
I just spoke over you. What
did you say that I missed? I
763
00:55:53.920 --> 00:55:58.400
said, just you got ten seconds, okay. And then you also need
764
00:55:58.440 --> 00:56:00.760
to be a little subversive, So
you've got to you've got to be well,
765
00:56:00.840 --> 00:56:04.679
not where you're trying to throw over
the you know, you're trying to
766
00:56:04.719 --> 00:56:07.199
tank your company. But it's the
pure play. There's a there's kind of
767
00:56:07.239 --> 00:56:12.519
an impishness to pure place. If
you've got courage, creativity, and just
768
00:56:12.559 --> 00:56:15.000
the right amount of subversiveness, that's
how you're gonna that's how you're gonna implement
769
00:56:15.039 --> 00:56:19.079
that pure play at work. Way
to finish, Greg, I thank you
770
00:56:19.119 --> 00:56:22.079
so much for being my guest.
I've thoroughly enjoyed you and I'm so glad
771
00:56:22.079 --> 00:56:23.599
our pass acrossed. You will beat
my life for a while. Thank you
772
00:56:23.679 --> 00:56:28.679
for being with me. Thank you
for having me as a blast. So
773
00:56:28.719 --> 00:56:30.880
if you want to learn more about
Greg Kite and all he's up to,
774
00:56:30.960 --> 00:56:34.719
there's much go to his website.
It's Greg Kite dot com. That's g
775
00:56:34.920 --> 00:56:38.599
r E g k y t E. And we'll be on the air next
776
00:56:38.599 --> 00:56:42.679
week. We're another nurishing conversation.
Catch us in and remember that work is
777
00:56:42.679 --> 00:56:51.719
at least one day of our life, So let's work on Purpose. We
778
00:56:51.760 --> 00:56:54.719
hope you've enjoyed this week's program.
Be sure to tune into Working on Purpose
779
00:56:54.880 --> 00:57:00.920
featuring your host Alas Cortes, every
Wednesday at six pm Eastern time three pm
780
00:57:00.000 --> 00:57:05.639
Pacific time on the Voice America.
Empowerment channel this week, find your life's
781
00:57:05.679 --> 00:57:06.920
purpose at work.





















































