April 8, 2020

Become a Moment Hunter Embracing Ichigo Ichie

Become a Moment Hunter Embracing Ichigo Ichie

Want to vastly improve the quality of your life, relationships, and work? In this technological age when gadgets handily separate people from meaningful connection, embracing the Japanese concept of ichigo ichie offers a richness to the everyday...

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Want to vastly improve the quality of your life, relationships, and work? In this technological age when gadgets handily separate people from meaningful connection, embracing the Japanese concept of ichigo ichie offers a richness to the everyday moment and encounter. Learn how you can harness this simple practice to become aware of and in tune with the magic and wonder in everyday interactions and enjoy greater peace, fulfillment, and creativity.

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There are some people that make their
work just another thing they have to do,

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and there are those that make their
work something that they want to do.

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Welcome to Working on Purpose with your
host Elise Cortez. In our program,

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we provide guidance and inspiration from those
people who have found deeper meaning and

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personal connection to their work life.
It's beyond nine to five. It's working

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on Purpose. Now Here is your
host, Elise Cortez. Welcome back to

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the Working on a Purpose Show.
Thanks for tuning in again this week.

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I'm your host, doctor Elise Cortez, joining a live from Dallas, Texas,

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which is home base for me.
If you've been tuning in for a

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while, you know this program is
an inspirational thought leadership platform that advances the

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conversation on living and working with passion, inspiration, and purpose. I'm committed

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to helping create a world where business
and capitalism or a force for good,

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constantly working to address the immense number
of problems in society, serving all stakeholders.

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The Gallup Organization reports that eighty five
percent of the global workforce does not

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want to go to work on Monday
or whenever the ship starts. Let's change

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that together. And instead make organ
enriching part of life that expresses meaningful contribution

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and helps us grow into our highest
selves, all in service of the organization's

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purpose. Each week in these conversations, I hope you walk away with something

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that changes the way you think that
you commitrely put to use. Much of

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the content we discuss on this program
is a reflection of the work I do.

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So as you listen, if you
catch a glimpse of anything I can

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do to help, go to my
website at a least Cortez dot com and

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use the contact Me feature to message
me and stalk about what's going on for

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you and how I may be able
to help, whether it's consulting on visioneering

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for a greater purpose among your stakeholders, the vitally inspired leadership program, the

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online catch fire learning communities, or
speaking for your company or conference at your

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rate. I'm glad we're connected,
and thanks for listening. Now onto this

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week's program with us today is Hector
Garcia, co author of the book of

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Ichi go Ichi, The Art of
Making the Most of Every Moment, The

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Jack in the Way, and also
the author the co author of Ika Guy,

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The Japanese Secret to a long and
happy life. We'll be talking about

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what this Japanese concept of ichigo ichi
means, and where the idea came to

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research it came from, how all
of us can cultivate ichigo ichi in our

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daily lives and become moment hunters,
and how companies can leverage the power of

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ichi ichiko ichi to create compelling products
and services and enticing cultures that contribute meaningfully

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to their employees' lives and work.
Hector joins it today from Tokyo, Japan,

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where it is fifteen hours ahead of
time for me and Dallas. Hector,

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Welcome to Working on Purpose. Hello, thank you, good good morning.

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Wow, it's amazing. It's a
beautiful afternoon here in Dallas. It's

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wonderful to know that you're on the
other side of the world starting your Friday.

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So welcome. It's great to have
you. Thank you. So if

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you get started here. I always
like to have a little bit of fun

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when I kick off shows, especially
with an interesting guest like you, Hector.

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So, among other things among my
passions, I'm an identity and meaning

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researchers. So let's start by talking
about who you are. There's a lot

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that makes you. I've noticed as
I look at your background, your profile.

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So if you were to be at
a cocktail party or some gathering,

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what people didn't know you, how
would you introduce yourself? So that's this

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is very This is always something I
struggled with because I realized that over my

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life I've always been changing my identity. You have or And that's exactly why

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I wrote my first book, Ikey
Guy, to try to analyze or introspect

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in myself of what is the real
common factor that is inside me that connects

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all the all the dots. And
yes, I would say now I'm a

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writer and an author, but before
I was an engineer, and I like

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traveling, I like analyzing cultures,
like learning, and it seems to me

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that one of the common threads that
it's in all my passions is like curiosity.

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So everything that I start having curiosity
for, I start learning about it

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and I want to write about it. So everything is starting to connect.

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I think I'm becoming an author.
That's becoming my identity. That's so delightful.

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And I share a lot of that
curiosity. As you know, I

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lived in Spain and Brazil and I
want to do more travel. I'd love

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to live abroad again, so I'll
be in your back pocket for a while,

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okay, yes, okay, All
right, Well, let's talk about

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this latest book that you co authored
here, and let's make sure I'm saying

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the topic right here. But the
Japanese concept ichigo ichi? Is that the

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right way to say it? Ichigo? Well there is, I think it's

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okay in Japanese would be ichigo itchi. Okay, yes, so okay.

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It's a Japanese word. Well,
it's not really a Japanese word. It's

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a comment, it's a it's an
expression. It's a composition of two words,

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which means it is very difficult to
separate the meaning of both. Everything

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together means that this moment in the
space and time with it has the meaning

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not only this moment in the space
and time with one person, but with

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several people together. For example,
you and mean now together we're talking in

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this space and time, and this
will never repeat in our lifetimes. Next

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time I talk with you, Alice, it will not be the same.

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This is our first time, so
it's kind of special, and we are

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doing it remotely, and maybe one
day you will come to Tokyo and we

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will meet again, and that will
be another itchigo itchi moment. It will

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not repeat again. So that's the
basic the basic meaning of it. So

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itchigo itchia helps us to the concept, helps us to appreciate more how unique

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every moment in our days is with
other people around us, French, family,

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co workers. It is beautiful and
I loved every word of your book.

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I read your book cover to cover, and on that end or to

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that end, I wanted to surface
for our listeners here we are having this

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conversation. I'm in Dallas, Texas. My native language is English. I

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do speak Spanish, which is your
native language being from Spain, and you're

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in Japan and you do also speak
Japanese. So I want to remind our

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listeners that this is this conversation that
we're having in English, is at least

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a second or third language for you. Yes, in fact, I speak

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better Japanese than English. I believe. Oh my goodness, that's really impressed.

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It's wonderful, and all the more
reason that I want to celebrate that

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there is such a beautiful planetary relationship
here in that we're all it's all connected,

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we're all part of one big hole. And when I read your book,

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I was very present to that,
knowing that we'd be having this conversation

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as we are today. Yes,
meet like we are one week. We're

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humans sharing these like echiichi moments every
day. Yes, I like to say,

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I'm very very proud to be an
American, but I'm also very very

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happy to be a citizen of the
planet. Hey, yes, that's that

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would be my identity. Going back
to the first question, okay, good,

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human human being. Okay, good, Well, let's talk about how

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it is that you came up with
this book. As you might recall from

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some of our interactions via email,
I am working on creating my first full

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length book. And here it is. You have co authored not one,

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but two books with Francesque Moralis.
So would you tell us a little bit

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about how it was that you met
her and how does you decided to write

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books together. It seems hard enough
to come up with one book, let

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alone doing it with someone else.
What's that story? So my story?

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Originally I came to Japan now I
think it's sixteen years ago, and I

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started writing in I think this is
a similar story too many authors these days.

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I started writing in a blog,
and I wrote originally in my blog,

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I wrote in Spanish, and I
wrote out of curiosity, so as

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I explained, like I got very
curious about Japan. In those times,

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there were almost no blogs about Japan
so and there was no YouTube. So

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when I write to the pan everything
was like an alien universe to me,

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and everything that I was observing every
day I was writing down in my block,

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and suddenly my blog became very popular
in Spain. It became one of

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the top red blocks in Spain.
And out of that, one day,

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like several years later, I came
out to the realization if I put together

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all these content that I wrote in
a book, I could have a book.

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That was my thinking if I was
I think I was twenty six,

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twenty seven, and I did that. I put everything together and I got

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a manuscript of around three hundred pages, and then I started sending it to

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publishers in Spain and they all rejected
me because I was like an unknown author,

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except one publisher who decided to publish
my book in two thousand and eight,

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and that was my first book.
It's called a Geek in Japan,

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a very nerdy book. It's still
yes, it's still it's it's a long

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celler, so it's still one of
the most popular books about Japan in Japanese

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in Tokyo airports because it's an introduction
to Japanese culture. And this book I

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wrote it alone. It was my
first experience as a writer, and now

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looking in retrospect, it's an okay
book, but I could have done better.

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Then years later, I this like
my author in the next books.

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Francesc read my book My Geek in
Japan, and Francesc is a very famous

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novelist in Spain has written more than
fifteen novels and books, so it's a

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prolific author. And came came to
Tokyo and we met. We had an

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Ichigo Ichi moment together, and then
we met several times. Francis is a

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very he The hobby he has is
to come to Japan and travel around and

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write novels and books. So one
day he proposed me we should write a

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book together, and that's how everything
started. Well, it was not let's

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write a book together, I was, we were. It was more it

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was more romantic. We were walking
in a Japanese garden, very beautiful.

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I was a little bit depressed because
of many things in my life, and

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I started talking to Francesc about the
words Japanese word iki gui, which means

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the purpose in life. I think
it's deeper. It's like the overall purpose

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in your life. It's your Ikey
Guy. And Francesc didn't know this world

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was totally unknown to the West.
When I explained to Francesc after explaining him

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about Ikey Guy, he said,
we have to write a book together.

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The world needs to know about this
world, Iki Guy. Let's do it.

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And that's how we wrote our first
book, Kiki Guy, and then

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the next books. We are just
now we're a team. I would say

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we are writing Itchiko is our latest
book. M Well, of course,

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I love how you unfolded all of
that story for all of us, and

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I appreciate how you are continuing to
transform along your own journey there. And

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also I appreciate that you were authentic
a let us authentic and let us into

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your world. That it wasn't necessarily
as in time for you when you met

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and were in that garden and in
that garden. In fact, I do

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want to share something with our listeners
that I thought was so beautiful in your

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book, and that in the passage
it really evokes in me. For me

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in Ichigo Ichi a moment. And
that's towards the end of the book when

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you write and I quote, we
began our adventure in an old tea house

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in Kyoto, reading as the master
Boiq said, the love letters sent by

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the wind and rain. I love
the idea that the wind and rain can

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send love letters. That's an idea
that just just captivates my soul. And

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so to me for the listeners who
haven't yet read your book, can you

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bring us into what you meant by
those words and that tea house on that

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special day. Yes, what I
think those those words, it's it's similar

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to what uh hiko like Dapanese pai
ku boil the du These are like tools

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to bring your awareness to the present
in a special way. So maybe that's

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what you felt when you when you
read the when when you read this,

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it's not it's not it's less about
the meaning, but about the effect that

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it does to your feelings and your
brain. You're maybe having a bad day

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or your tirets and your mind is
filled with many worries. You read like

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five high coup poems, it will
change your state. And this is high

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coup poems. It's just one of
the tools that we can have to bring

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us to the present moments, and
we found out that Japanese culture has many

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of these. I don't like the
world tools, but I'm going to say

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the world tools these tools to bring
our awareness to the to the present,

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which one is like these words by
oiq or our words. And one big

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tool, more complex tool that we
also explained in the book is the Japanese

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t ceremony, which I believe the
whole purpose of the T ceremony it is

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not really to drink tea, but
is to evoke this sense of ichigoichi moment

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in the most powerful way. That's
how the T ceremony, the Japanese ceremony

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is designed to bring us to the
itchi itch And of course the reason why

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they have you on the program,
Hector, is that I think that we

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desperately need to be able to gain
access to the present moment. And so

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much of what I'm doing in my
programs am I speaking, and what I

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do inside organizations is helping people get
access to that moment in order to be

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able to get present to their passion, their inspiration and let that wash over

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and enrich their lives. And so
to me, your book is so beautiful

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and the way you wrote it,
and it's such an easy entry point into

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that space, and that's why I
wanted to have you on the show.

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So thank you, thank you.
I want to ask there is it might

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sound like only the Japanese, it's
not. You can also find your own

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tools to bring your bring you to
the present. It can be something as

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simple as listening to your favorite music
or doing like things like a roma therapy

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is very good to maybe induce this
present like a state or enjoying like a

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Japanese have, like you know the
word sakura, like sakura blossom, Sakura,

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I'll say in English, it's a
terry blossom, terry blossom. So

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the Japanese have this terry blossom contemplation
tradition, which is also it's yet another

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way to embrace the ichigoichia moments.
And Hector holds that thought, if you

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will, I want to talk more
about that because I want our listeners to

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gain more access to it. But
let's grab our first break if we can.

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I'm your host, Elise Cortez.
We were on the air with Hector

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Garcia, the co author of the
book of Ichigo Ichi The Art of Making

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the most at every moment, the
Japanese Way. He joins today from Tokyo,

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Japan, where he's fifteen hours ahead
of me here in Dallas. We've

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been talking about a bit about his
own journey and his path to become an

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author. An author. After the
break, we're going to talk more about

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how we as listeners and people across
the planet can actually cultivate ichiko ichi in

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our everyday lives. Stay with us, we'll be right back. This is

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Working on Purpose with Elise Cortez.
To read to our program today, send

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an email to Elise ali se at
Elise Cortez dot com. Now back to

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Working on Purpose. Thanks for staying
with us, and welcome back to Working

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on Purpose. If you're just joining
us, my guess is Hector Garcia,

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the co author of the book ichigo
Ichi, The Art of Making the Most

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of Every Moment the Japanese Way,
and also the book Iki Guy, The

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Japanese Secret to a Long and Happy
Life. I'm your host, Elise Cortez.

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So, Hector, just before the
break, you were finishing a thought.

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Did you want to add something to
that before I take you to the

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next question. Well, I just
took to like we we all can create

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our itchigo itchia moments. We don't
need Japanese. Japan is not needed for

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that. We can all use our
own ways. For example, preparing a

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couple of tea and enjoying it with
our loved ones could be one way to

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create a nichigoichi a moment. I'll
share just briefly. I had what I

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would now consider to be an ichigo
ichi a moment last Monday evening. Hector,

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I was out after I did a
beautiful tangle lesson. I was just

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high on the experience of having done
that, and I didn't want to go

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home, and so I stopped into
a restaurant or a bar and sat at

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the bar as I always do,
worked on your radio show content as we're

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working on today, and I noticed
this couple next to me talking and they

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were connected and enjoying each other.
And my first thought, Hector, was,

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Oh, they must be dating.
Surely they must be dating. They

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can't be married. And then as
I looked closer, I saw a ring

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on her finger and then one on
his, and I realized, Okay,

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they are married. They appeared to
be in their late fifties, and I

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thought, oh, maybe it's a
second marriage, and so they paid,

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They paid their bill, and we're
ready to walk out, and of course

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I interrupted and said, excuse me. I couldn't help noticing your connection.

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And they ended up staying for another
glass of wine with me, and I

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learned how they met and how it
was they'd been married for fifteen years,

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three kids, had been a rough
weekend, and I talked with him about

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his work, which is a leadership
and he will probably be a guest on

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the show. But it was just
that moment of just being present, right,

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just like you're talking about, being
able to really enjoy the moment and

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be there in a way that was
meaningful for me certainly and for them as

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well. Yes, that's that's a
great example. I think you were you

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were also part of you you also
to create at that moment with them.

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It did. Yes, that's a
that's a double. Yeah. It was

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really beautiful and enriching for all of
us, and so I thought that would

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be a good example to share.
But in this part of the conversation,

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I really wanted to be able to
help our listeners get more access to this

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concept so they can use it in
their own lives. As you and I

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are. I'm a novice. You're
you're you're longer at this, so I'm

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learning. But you do say in
your book that many of the problems we

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experience in our daily lives as individuals
and as society originate in lack of attention

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to others. Completely agree with that, and you tell us the solution involves

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being present with another as if it
might be their dying last words, and

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then only when we're fully present can
we truly receive what someone else has to

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offer. I think that's beautiful when
you say more no, I think that's

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yes, that's that's powerful. I
almost forgot my own words in the book.

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Yeah, that's powerful, Like I
should listen to you, at least

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what you say of me. Now
it's very important. But yes, I

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think the context why why I wrote
those very strong words, it is because

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now I think this is a common
problem and threats in our society. Now

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it's not only something we talk in
our book, but this has been told

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by many books these days, that
we are losing We're all lost in our

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smartphones, our notifications, our emails, and yeah, I think digital digital

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tools in general are hijacking our awareness
and that's the consequence of that that's disconnecting

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us from other human beings around us, and I believe that's very that's very

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dangerous for like everything. Basically,
I'm pretty sure these couple you encountered that

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they were fifteen years married. When
they were talking, they were not looking

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at their smartphones. I'm pretty sure, no, they were not. You're

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absolutely right, no smartphones will present. So that's one of the first things

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to do, it like to to
try to like restrict. Of course,

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now it's becoming even more. It
is becoming almost impossible to say, Okay,

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you have to stop using your your
smartphone. That's not that's not that's

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not possible. I think it's like
finding ways to put some barriers. So

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you have your time with your smartphone, but when you're in front of a

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person and you have to like you
have to talk, like your smartphones should

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go somewhere else and you should look
at the other person in the eyes and

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listen. That's and this is something
I'm saying this. I wrote this book

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also for myself with Francis, because
I noticed that this is what was happening

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with me. So it's not a
problem I have solved for myself. But

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I've been while writing the book is
I've been developing some habits in my life

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that he has certainly improved my separation
of Okay, now I'm going to deal

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with email whatever, my smartphone,
but this is now time for for something

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else. It's time for to enjoy
with other people, or it's time to

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work on my purpose and pastia,
which is writing. Then I stop everything

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else. And it's such a gift, right. I know for my own

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work character that when we can be
really present with someone else and we really

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hear them and see them for who
they are, it's unforgettable for them.

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Most people can't really let go of
the experience of being seen and heard like

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that. It's beautiful. Yes,
not this, I think, Yeah,

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you're spot on on that. I
notice immediately these days. If I think,

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like last three or four days,
who has listened to me? Really,

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it's not that many people. It's
like, so I also feel when

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people are really listening to me with
fill it. Yes, it's a connection,

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and you have to be aware that
you are doing that to other people

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too. If you're not listening to
other people, they will fill it.

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That's so true. So it's like
both ways. So so another thing that

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you said in the book that I
thought was gorgeous and it builds on you

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mentioned that you've written a boo about
Eca Guy, which is of course why

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I originally reached out to you,
and then I missed my opportunity to talk

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about that, but I did cover
it. But in your book you talk

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about this concept of mankai. If
I say that right, So I did

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cover the Eca guy concept earlier,
but I want to build on that with

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this mankai formula that you show in
your book, which is Eca guy plus

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kaika plus time equals mankai. Can
you share with us this is where our

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listeners can walk away with something actual
for themselves, what each one of those

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terms mean and why this formula is
so useful to helping us create meaningful and

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enriched lives. So this was an
I don't know if we're successful because we

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are mixing too many up at the
words here, but we try to connect.

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So originally, the when we wrote
Iky Guy at the end of the

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book, Itchigo, it was one
of the what was one of the ingredients

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to have meaning in our lives because
you can have whatever purpose do you want,

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but if you're alone in life,
you're not living in the present,

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then purpose is kind, it becomes
it becomes meaning like you need both ingredients.

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So this is where the formula counts, like we need purpose iky guy,

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but then we need a kaika in
Japanese means is the moment when the

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terry blossom is at its best.
So it's it's the perfect moment for the

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cherry blossom. So and and then
so when you when you combine, Sorry

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I got it wrong. Kaika is
when the terry blossom starts and then when

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time, when you add time to
that blossoming, it will reach the mankai.

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The manka is the perfect state,
like the perfect flower. So it's

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a it's a metaphor for our life
or us as a person. When we

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can reach mankai, we can become
perfect flowers or almost perfect, because I

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don't think there is perfection. This
is also like there's no perfection in the

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in the world. But manka is
this a state of the best, most

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beautiful flower that we can be as
a person. And to reach that state

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of mankai, we have to have
ekey gay purpose and we have to sparkle

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the kaik. We have to sparkle
new ideas and things in us to find

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what what's next to become like Manki
Flowers. That does it makes sense?

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Yeah, I think this formula we've
made it too complicated. But the meaning

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is that we need not only meaning, but we have to work on it

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every day and with other people.
Need to If not like only guy will

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not work well. And the reason
I wanted you to talk about that,

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Hector, is because many people who
listen to this program and it doesn't enjoy

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a global listenership, come to the
program because something's missing in their lives.

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They want to be a better leader, They want more meaning or fulfillment from

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their work or their lives. Something
is not right for them. And many

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people talk about not being able to
discover or have access to passion. And

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when I'm out speaking and I ask
people what they're passionate about, oftentimes they

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say they don't know. So part
of what I'm up to in the world

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is helping them to discover and get
present to their passions so that they can

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then develop them and nurture them.
And so that whole, that whole idea

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of the kaika moment, when something
unknown begins to blossom in us, something

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it's sparked, any passionate sparked.
It's something that I wanted you to talk

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about, because people have this idea
that I can't change jobs, they can't

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change industries. I'm too old,
it's too late. In your book,

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you really say it's never too late. Yes, it's never too late.

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And I think we give some examples
of people who started to who found something

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new when there's sixties and seventies and
they became manki, they became fulfilled with

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it. So that's the word you
use, the sparkle moment. And of

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course I think I've also encountered,
like I guess, like you many people,

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is becoming a global problem because I
think also there is a like global

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problem like I don't know what my
purpose is, or I feel not very

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engaged in everything I'm doing at war, or my daily life is becoming a

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routine. Those are common problems,
and I think that's that's also something I

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think, Well, we've all had
this when you're in your thirties and forties.

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I think this is something that connects
all all of us human beings.

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I don't think or maybe I think
there's maybe one percent of very very lucky

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people who they start playing the piano
when they're five years old, and that

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become the passion forever and they're happy
with that. But for the rest of

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us, I think I read somewhere
that like whatever you start you study at

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university or college, when you're in
your fifties and sixties, almost like everyone

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is working on something else. And
that means because that means that people is

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changing, You're slowly changing in your
passion and what you are really good at.

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And what I wanted to say is, like the main struggle that I

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think everyone has is that when when
you find something, okay, there is

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something that sparkles, Okay, maybe
I like this or maybe it's my passion

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or it's not. I don't know. That the main question we have.

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And maybe you pursue it for two
months, three months, and you start

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struggling, I'm am I really good
at this, Yes, no, I'm

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really enjoying or not, and then
you start thinking about giving up or continue.

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So that would be the time factor
to become like a like almost perfect

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flower with something. And I think
this is something that is very personal to

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each person. I think that if
if you keep on something for too long

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and it's not really what you like, you might end up burnout. Agree,

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right, But if you give up
too early on something that might be

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the right thing, then maybe you
missed on something very beautiful. So this

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is this is a very fine line, and this is where we need people

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I think like you who can guide
people, because it's not I don't have

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a solution for this problem yet.
So I want to ask you to also

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alist because I also struggled with this
for me writing. For example, I've

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thought many times like giving up,
especially at the beginning. So you didn't.

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So I had all this there is
this world, the imposter syndrome,

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00:32:40.119 --> 00:32:50.000
like I had all these doubts always
like like but it's like I'm glad I

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00:32:50.039 --> 00:32:53.480
appreciate. So yeah, I do
you have thoughts on this like I do

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00:32:53.720 --> 00:32:58.799
when I do keep or because I
could have also become burned now and I

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00:32:58.880 --> 00:33:01.079
don't know, Yeah I do.
But let me grab our first, our

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last break. But let me also
say before I do that you are a

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gift to the world and I'm grateful
that you persevere it in your writing.

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So I'll answer your question when we
come back just a moment. I'm Elise

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00:33:10.839 --> 00:33:14.599
Cortez, or host. We're on
the air of Hector Garcia, co author

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00:33:14.680 --> 00:33:17.920
of the Book of Ichiko Ichia The
Art of making the most of every moment

395
00:33:19.160 --> 00:33:22.079
the Japanese Way. He joins us
today from Tokyo, Japan, where he

396
00:33:22.240 --> 00:33:23.960
was fifteen hours ahead of me here
in Dallas. After the break, we're

397
00:33:23.960 --> 00:33:28.839
going to hear more about how to
apply ichiko ichi in relationships and at work.

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00:33:29.079 --> 00:33:37.759
Stay with us. This is Working
on Purpose with Elise Cortez. To

399
00:33:37.920 --> 00:33:44.880
reach our program today, send an
email to Elise ali Se at Elise Cortez

400
00:33:44.960 --> 00:33:54.759
dot com. Now back to Working
on Purpose. Thanks for staying with us,

401
00:33:54.799 --> 00:33:58.079
and welcome back to Working on Purpose. If you're just tuning in.

402
00:33:58.200 --> 00:34:00.880
My guest is Hector Garcia, co
author of the book of Ichiko Ichia The

403
00:34:01.039 --> 00:34:05.200
Art of making the most of Every
Moment the Japanese Way, and also the

404
00:34:05.240 --> 00:34:07.760
book entitled Ikey Guy, The Japanese
Secret to a Long and Happy Life.

405
00:34:08.000 --> 00:34:12.239
I'm your host, Elie Cortez.
So just before the break, character you

406
00:34:12.320 --> 00:34:15.519
were asking me a little bit about
I think about staying true, I think

407
00:34:15.559 --> 00:34:17.920
to your passion. So what I'd
like to do is answer that, and

408
00:34:19.000 --> 00:34:22.440
then I want to direct us to
what you have in your book about how

409
00:34:22.480 --> 00:34:25.760
to cultivate passions around the sensus.
So for me, the fact that you've

410
00:34:25.840 --> 00:34:30.519
stayed on your path, that you
stay true to being a writer and sharing

411
00:34:30.599 --> 00:34:35.519
your perspective and your view which is
incredibly useful and opening for the rest of

412
00:34:35.599 --> 00:34:37.480
us who get to read it.
I think so much of that is just

413
00:34:37.599 --> 00:34:42.679
staying true to that internal compass that
tells you that you that you know you're

414
00:34:42.840 --> 00:34:45.599
in the right path. Ignore everybody
else who says it's not possible. I

415
00:34:45.679 --> 00:34:50.360
can't, you can't do it.
You can't make a living just staying true

416
00:34:50.400 --> 00:34:54.079
to that internal heartbeat that is your
your navigational compass. So that's what I

417
00:34:54.159 --> 00:35:00.039
would say is the secret to staying
on point. And I have to believe

418
00:35:00.159 --> 00:35:04.480
that there's a reason you have two
books out that somehow you've been able to

419
00:35:04.559 --> 00:35:09.320
listen to that compass. Yes that
I like the compass analogy a lot,

420
00:35:09.719 --> 00:35:15.199
like when the what I still struggle
is to know when my compass is just

421
00:35:15.639 --> 00:35:22.039
slightly off. And I think that's
everyone like to keep the compass, like

422
00:35:22.119 --> 00:35:25.239
to do not get lost in life. I think that's one of the keys.

423
00:35:27.000 --> 00:35:30.920
Oh yeah, my, I think
my I write books to help people

424
00:35:30.119 --> 00:35:37.679
to align with their compass and not
go against it. Yes, and so

425
00:35:37.079 --> 00:35:42.320
to the point of being able to
get present to and access to our passions.

426
00:35:42.360 --> 00:35:45.320
I really think that the section you
have in the book about addressing and

427
00:35:45.480 --> 00:35:49.719
treating and being in tune with our
senses is beautiful and I completely agree.

428
00:35:49.760 --> 00:35:52.719
I use something similar in my own
vitally inspired program to help people get access

429
00:35:52.760 --> 00:35:58.840
to their passion and specifically, I
was really rivetted with the idea of your

430
00:35:58.920 --> 00:36:05.400
concept relative to the senses of dining
dollin noir in the dark that you have.

431
00:36:06.360 --> 00:36:09.119
Many restaurants in Paris are offering this
experience. I think that is fantastic.

432
00:36:09.159 --> 00:36:14.480
I would love to do that.
Yes, in fact, I've never

433
00:36:14.760 --> 00:36:20.199
done this. I did it in
Thailand, so it's yeah. I think

434
00:36:20.920 --> 00:36:28.039
it just started to be a popular
thing to time that The main idea is

435
00:36:28.119 --> 00:36:36.920
to we many times ignore we have
five senses, and we many times ignore

436
00:36:37.639 --> 00:36:43.280
or we get messed up with all
our senses. Again, going aback with

437
00:36:43.760 --> 00:36:50.000
the analogy of this smartphone, we
are having dinner, we are all distracted

438
00:36:50.079 --> 00:36:55.239
with our eyes looking at this smartphone
or is high hiking our emotions and brain,

439
00:36:57.079 --> 00:37:00.599
we forget. I think we've all
had this, like we are very

440
00:37:00.719 --> 00:37:06.360
stressed, or we are in front
of a very important person having dinner and

441
00:37:06.559 --> 00:37:09.519
the dinner is supposed to be delicious, but we we go back home,

442
00:37:10.599 --> 00:37:17.920
we forgot even the taste of the
foods. That's that's having dinner disconnected from

443
00:37:17.960 --> 00:37:25.000
the itchy go itchyar is like I'm
disconnected from our senses and the rivers would

444
00:37:25.039 --> 00:37:31.480
be like these restaurants that that are
popular in powers that you can have dinner

445
00:37:31.960 --> 00:37:38.719
totally in the dark. So the
idea is that your your eyes, the

446
00:37:38.880 --> 00:37:45.000
input from your eyes sense it's it's
stopped. You can focus only on the

447
00:37:45.159 --> 00:37:51.679
taste that goes to your to your
mouth basically, and that that how do

448
00:37:51.719 --> 00:37:58.239
you say that? That makes the
experience much more powerful. You you experience

449
00:37:58.320 --> 00:38:02.440
the foods in a different way,
and we can bring that analogy to everything

450
00:38:02.519 --> 00:38:07.920
else. It's not the same too. If you close your eyes listen to

451
00:38:08.320 --> 00:38:15.480
one hour of your favorite music,
it's not the same as putting your headphones

452
00:38:15.760 --> 00:38:22.639
and go running outside listening to your
favorite music. If you close your eyes

453
00:38:22.960 --> 00:38:29.519
and do nothing. I think like
we have many things these days that we

454
00:38:29.639 --> 00:38:32.960
try to multitask everything. Go to
the team, listen to your favorite music.

455
00:38:34.039 --> 00:38:37.679
At the same time, we try
to do like or start working and

456
00:38:37.800 --> 00:38:43.519
listen to your favorite music at the
same time. I think that's okay.

457
00:38:43.639 --> 00:38:49.519
But if you also create a different
time where you listen to your favorite music

458
00:38:49.679 --> 00:38:55.719
with your eyes closed and just focus
on the sound, experience, your sense

459
00:38:55.840 --> 00:39:01.480
of hearing, then that be much
more. That would be I'm telling you,

460
00:39:01.679 --> 00:39:07.039
it would be a different experience.
I completely agree with you, and

461
00:39:07.239 --> 00:39:09.840
to that end, Actor, what
I wanted to do is help organizations,

462
00:39:09.960 --> 00:39:15.440
leaders and companies be able to utilize
and embrace this idea of eigochi. And

463
00:39:15.639 --> 00:39:21.360
you talk in your book about being
able to leverage this concept to create unique

464
00:39:21.360 --> 00:39:27.360
experiences that enrich all who attend,
say a company experience or event. I

465
00:39:27.480 --> 00:39:30.960
think that's incredibly useful for our listeners
who are looking for ways to innovate and

466
00:39:31.079 --> 00:39:36.400
to connect meaningful their employees. So
can you see more, how can companies

467
00:39:36.519 --> 00:39:45.679
create unforgettable experiences? So these we
gave some ideas in our book, but

468
00:39:45.119 --> 00:39:52.880
I think everyone can collaborate and have
the many people people like you can give

469
00:39:53.760 --> 00:40:01.320
even better suggestings that we diated the
book because I think that the idea is

470
00:40:01.400 --> 00:40:12.639
that created the right setup to have
and ichi go ichi moments and and bring

471
00:40:12.760 --> 00:40:20.320
people together. So to think like
I'm going to think meta to to create

472
00:40:20.400 --> 00:40:25.079
the right set up. One of
the techniques is to I forgot the English

473
00:40:25.119 --> 00:40:30.079
world. Now, how do you
say when you One of the main techniques

474
00:40:30.199 --> 00:40:35.519
that companies do is to do now
it came to my man off sides right,

475
00:40:36.519 --> 00:40:39.639
Yes, why I think that's very
good and many ways to organize off

476
00:40:39.719 --> 00:40:46.039
sites. But the main purpose is
that human beings, we are very sensitive

477
00:40:46.199 --> 00:40:52.199
to the place that we are.
This again, this is like the tea

478
00:40:52.320 --> 00:40:57.920
ceremony in Japan. As I said
before, the main point is is not

479
00:40:58.119 --> 00:41:02.679
the drinking the tea, is that
the tea ceremony place is a very special

480
00:41:02.800 --> 00:41:09.840
place. Is you go into this
Japanese traditional tea house which is isolated from

481
00:41:09.880 --> 00:41:15.360
the rest of the world, almost
like you go to a different dimension.

482
00:41:16.079 --> 00:41:21.920
And when you go inside the tea
ceremoney house with the tatami and you see

483
00:41:21.960 --> 00:41:28.199
a beautiful Japanese garden around you,
you listen to the sound of the wind,

484
00:41:28.800 --> 00:41:36.599
you smell the tatami together with the
card garden flowers, and you enter

485
00:41:36.719 --> 00:41:44.519
this room with other people dressed with
kimono, and you almost feel like you're

486
00:41:44.599 --> 00:41:50.760
in a different world and dimension,
and your mind and your feelings change and

487
00:41:50.880 --> 00:41:57.519
you behave totally different to all the
people around you. So when you create

488
00:41:57.599 --> 00:42:00.599
an offside inside your company, I
think the mindset is more or less the

489
00:42:00.719 --> 00:42:05.480
same. You get out of the
office, you go to a totally different

490
00:42:05.559 --> 00:42:09.119
place, and then you spend time
together, and then you start seeing your

491
00:42:09.199 --> 00:42:14.960
co workers as oh, this person
is not really like in the office,

492
00:42:15.199 --> 00:42:21.480
behaves totally different now when it's outside. It's a different human being. And

493
00:42:22.159 --> 00:42:28.199
of course there are better ways that
we can design an offside in a more

494
00:42:28.360 --> 00:42:34.599
special special way. So you could, for example, I like the idea

495
00:42:34.679 --> 00:42:38.199
of budging time, Like okay,
these two or three hours, we will

496
00:42:38.280 --> 00:42:43.559
all put our smartphones in a basket
in the entrance of the room, and

497
00:42:43.719 --> 00:42:49.079
we're all going to go inside the
room, and you could One idea would

498
00:42:49.079 --> 00:42:52.480
be to replicate the Japanese the ceremony, but you don't need a tummy.

499
00:42:52.679 --> 00:43:00.639
You can just share green tea and
everyone you can start doing whatever activity you

500
00:43:00.840 --> 00:43:06.079
want, like someone wants to share
a story and share the story and everyone

501
00:43:06.199 --> 00:43:12.760
commence on the story. That would
be a very easy for a way to

502
00:43:13.000 --> 00:43:19.800
organize Itchi go Ichi offside. That
is a brilliant idea actor I love,

503
00:43:19.880 --> 00:43:27.159
So that's I think you can create
many ideas so that the main underlying idea

504
00:43:27.280 --> 00:43:32.360
is to create a different space.
Because doing this inside the office is very

505
00:43:32.440 --> 00:43:37.840
difficult. You can try and it
will have some effect. And I think

506
00:43:37.960 --> 00:43:45.679
having a different place with a different
mood, putting some barriers to to notifications

507
00:43:45.800 --> 00:43:52.280
and emails and everything, I think
that's that's the main. But then you

508
00:43:52.400 --> 00:43:57.519
can also create your own You can
create for example, like homework, like

509
00:43:57.719 --> 00:44:02.800
you have to prepare it before the
event. Yeah, like the one big

510
00:44:02.920 --> 00:44:07.880
story you want to share with the
audience, so people come prepare I love

511
00:44:07.960 --> 00:44:14.320
that. Or you have to you
have to write one high kop and and

512
00:44:14.679 --> 00:44:20.159
then you have to you have to
recite it in front of everyone. And

513
00:44:20.679 --> 00:44:23.920
yeah, if it's a stupid everyone
can laugh, and that's okay, exactly,

514
00:44:24.119 --> 00:44:29.599
Like still an active creativity. It's
beautiful. And you say to that

515
00:44:29.800 --> 00:44:32.760
in too, we're almost at a
time actor the idea of just simply posing

516
00:44:32.880 --> 00:44:39.840
the questions what if? Ah,
yes, what if? What if?

517
00:44:40.440 --> 00:44:47.719
Magic of what if? That's a
very powerful question, which is is one

518
00:44:47.880 --> 00:44:53.599
I think is one of the keys
too. That is one of the secrets

519
00:44:54.840 --> 00:45:01.039
that all creative people have. So
and we're wearing it here I want everyone

520
00:45:01.159 --> 00:45:07.880
to learn this because this can be
used to write books, to create movies,

521
00:45:07.239 --> 00:45:15.360
to create music, to almost everything, like to invent a new product.

522
00:45:15.320 --> 00:45:25.320
So for example, probably if you
Steve Jobs had in the old times

523
00:45:27.119 --> 00:45:34.239
they had like iPods touch, he
probably thought, what if I put a

524
00:45:34.519 --> 00:45:38.840
phone feature inside the iPod touch?
And then it became the iPhone with this

525
00:45:39.079 --> 00:45:45.559
what if? And most novels,
most novels, novel is use this what

526
00:45:45.760 --> 00:45:52.599
if. It's like you're walking down
the street and you see a guy wearing

527
00:45:52.679 --> 00:46:00.559
a hat with a weirdest pression in
the face, and you bill, you

528
00:46:00.719 --> 00:46:07.599
say, what if this guy just
to kill someone and stole a government secret

529
00:46:07.960 --> 00:46:14.119
in his suitcase and he's he's carrying
a weird suitcase. And then you go

530
00:46:14.280 --> 00:46:19.159
home and you start writing a novel
based on this what if? So?

531
00:46:20.079 --> 00:46:24.199
And that's that's and you can use
this with your own life. So for

532
00:46:24.320 --> 00:46:29.800
example, I can use it for
myself. What if I didn't came to

533
00:46:29.920 --> 00:46:34.800
Japan when I was twenty three,
and I, for example, went to

534
00:46:35.880 --> 00:46:40.960
to Dallas with you and live there. What if and then this book that's

535
00:46:42.000 --> 00:46:45.840
what would have happened, Yes,
but maybe something else would have happened.

536
00:46:46.079 --> 00:46:50.880
So I can start thinking, okay, what if what if? Or you

537
00:46:50.960 --> 00:46:53.880
can you can think forward, what
if I do this now? You can

538
00:46:54.000 --> 00:46:59.920
use it for your life. You
can use it to create a new survey,

539
00:47:00.119 --> 00:47:05.679
is a new product. What what
if you if? For example,

540
00:47:05.880 --> 00:47:10.239
probably many of your listeners are trying
to kick start their own startup or their

541
00:47:10.320 --> 00:47:15.039
own side business of bootstrapping, yes, and they can use the what if.

542
00:47:16.159 --> 00:47:20.280
I'm sorry to interrupt you. I
must we have to close the show,

543
00:47:20.280 --> 00:47:22.400
and I want to make sure and
get listeners to your website. So

544
00:47:22.679 --> 00:47:24.840
hold that thought. I'll have to
have you come back and let me say.

545
00:47:24.920 --> 00:47:28.400
Let me say thank you two ways
Hector for joining us today. First

546
00:47:28.440 --> 00:47:34.840
much garasor comigo. And also let
me also say to de nano ichigo,

547
00:47:34.920 --> 00:47:37.320
ichia, because I recognize this is
a very special, once in a lifetime

548
00:47:37.400 --> 00:47:40.800
moment and I want to bid you
ado with that phrase. Okay, thank

549
00:47:40.880 --> 00:47:45.159
you. They're welcome. If you
want to learn more about Hector Garcia or

550
00:47:45.199 --> 00:47:49.159
the books he's written, go to
his website. It's Hector Garcia dot org.

551
00:47:49.920 --> 00:47:52.320
Last week you miss If you missed
the live show, you can always

552
00:47:52.320 --> 00:47:54.400
catch a be a Reported podcast.
We were on the air with Lewis Epron

553
00:47:54.519 --> 00:47:59.360
of the Voice of Purpose and the
author of Purpose Meets Execution. We talked

554
00:47:59.360 --> 00:48:01.559
about that crew interaction. So many
companies are working to get right in order

555
00:48:01.599 --> 00:48:07.480
to create meaningful cultures people want to
work in while remaining vibratly profitable. Next

556
00:48:07.519 --> 00:48:09.480
week, we'll be on the air
with JP Liqour talking about the working and

557
00:48:09.519 --> 00:48:14.400
his team do to create more valuable
companies through stronger brands and healthier cultures.

558
00:48:14.679 --> 00:48:16.400
See you there. Remember that works
at least one third alive, So let's

559
00:48:16.440 --> 00:48:25.360
work on Purpose. We hope you've
enjoyed this week's program. Be sure to

560
00:48:25.440 --> 00:48:30.440
tune in to Working on Purpose featuring
your host, Alice Cortez, each week

561
00:48:30.599 --> 00:48:37.440
on the Voice America Empowerment Channel.
This week, find your life's purpose at work.